Baroque Instrumental Forms. FUGUE Highest form of polyphonic art Extremely structured architecture / formula Started out as keyboard piece Formula gradually.

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Baroque Instrumental Forms

FUGUE Highest form of polyphonic art Extremely structured architecture / formula Started out as keyboard piece Formula gradually applied to choral and instrumental music in the late Baroque Bach was “champion” of the fugue

Elements of the Fugue Subject Counter-subject Episode “Voices” Exposition

Compositional Devices Stretto Augmentation Diminution Retrograde Inversion Any combination

Sonata Instrumental composition Usually identified in title Solo sonata Trio sonata – 2 melody instruments and bass part Work constructed in sections – later became movements Highly “Italian” in nature

Chamber Music Different size of performing group due to different nature of performance Designed for “chamber” Sometimes for outdoor “secular” concerts Mature Baroque = Suite

Suite Series of “dance” related movements from various countries Allemande = Germany Courante = France Sarabande = Spain Gigue = England Sometimes an additional movement