Guerino Mazzola (Fall 2015 © ): Introduction to Music Technology I INTRODUCTION I.3 (Fr Sept 11) Oniontology: Examples.

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Presentation transcript:

Guerino Mazzola (Fall 2015 © ): Introduction to Music Technology I INTRODUCTION I.3 (Fr Sept 11) Oniontology: Examples

Guerino Mazzola (Fall 2015 © ): Introduction to Music Technology The Ontology of Music poiesis neutral level aesthesis physical physical psychological psychologicalsymbolic expressionsignificationcontent signs realities communication

Guerino Mazzola (Fall 2015 © ): Introduction to Music Technology Realities: Physical

Guerino Mazzola (Fall 2015 © ): Introduction to Music Technology hounted Realities: Symbolic

Guerino Mazzola (Fall 2015 © ): Introduction to Music Technology John Cage: ASLSP ( Realities: Symbolic

Guerino Mazzola (Fall 2015 © ): Introduction to Music Technology Gustav Klimt: Beethoven Frieze Realities: Psychological

Guerino Mazzola (Fall 2015 © ): Introduction to Music Technology  Physical Symbolic Psychic

Guerino Mazzola (Fall 2015 © ): Introduction to Music Technology Arnold Schoenberg/John Cage Communication: Poiseis

Guerino Mazzola (Fall 2015 © ): Introduction to Music Technology Stockhausen Communication: Poiseis

Guerino Mazzola (Fall 2015 © ): Introduction to Music Technology Cecil Taylor/Peter Broetzmann Communication: Poiseis

Guerino Mazzola (Fall 2015 © ): Introduction to Music Technology Karlheinz Stockhausen Klavierstück IX Communication: Poiseis

Guerino Mazzola (Fall 2015 © ): Introduction to Music Technology with Stockhausen Communication: Aesthesis

Guerino Mazzola (Fall 2015 © ): Introduction to Music Technology Performance/Interpretation Communication: Aesthesis

Guerino Mazzola (Fall 2015 © ): Introduction to Music Technology Communication Aesthesis Neutral Niveau Neutral Niveau Poiesis Jean Molino, Paul Valéry, Nicolas Ruwet, Jean-Jacques Nattiez

Guerino Mazzola (Fall 2015 © ): Introduction to Music Technology „Firework“ ExpressionSignificationContent Sign aliquidproaliquo Semiotics

Guerino Mazzola (Fall 2015 © ): Introduction to Music Technology harmonic analysis Sign Sign Content Signification Expression tonal modulation G maj  E-flat maj „score surface“ Semiotics

Guerino Mazzola (Fall 2015 © ): Introduction to Music Technology Communication Neutral Niveau Poiesis Aesthesis Realities Sign Content Physical Symbolic Psychic Signification Expression

Guerino Mazzola (Fall 2015 © ): Introduction to Music Technology Teak Leaves at the Temples Embodiment

Guerino Mazzola (Fall 2015 © ): Introduction to Music Technology The Oniontology of Music Facts signs realities communication Processes Gestures

Guerino Mazzola (Fall 2015 © ): Introduction to Music Technology Facts Process Gesture to make to refer to to be the case MIDI Embodiment

Guerino Mazzola (Fall 2015 © ): Introduction to Music Technology Facts Process Gesture Embodiment

Facts Process Gesture disembodiment & schematization evaluation & dissection Embodiment

Guerino Mazzola (Fall 2015 © ): Introduction to Music Technology Louis Hjelmslev‘s Babuschka-Principle Sign systems are boxed systems, having components, which are composed of sign subsystems, which are again composed of sign subsystems, etc.

Guerino Mazzola (Fall 2015 © ): Introduction to Music Technology ExpressionSignificationContent Connotation „Firework“ Firework ExpressionSignificationContent

Guerino Mazzola (Fall 2015 © ): Introduction to Music Technology Aesthesis:Listener Neutral Niveau: Recording (e.g. CD) Poiesis:Interpreter

Guerino Mazzola (Fall 2015 © ): Introduction to Music Technology tip space positionpitchonset Renate Wieland & Jürgen Uhde: Forschendes Üben Die Klangberührung ist das Ziel der zusammenfassenden Geste, der Anschlag ist sozusagen die Geste in der Geste. The sound contact is the target of the embracing gesture, the touch is so to speak the gesture within the gesture.

Guerino Mazzola (Fall 2015 © ): Introduction to Music Technology loop Hypergestures! knot „loop of loops “