Act one: a performance at the hotel de bourgogne

Slides:



Advertisements
Similar presentations
Cyrano de Bergerac by Edmond Rostand
Advertisements

Cyrano de Bergerac by Edmond Rostand Masterpieces of the Drama Mr. Kott.
Romeo and Juliet Act 1 Describe the relationship between the Montagues and the Capulets in one word. Why is Romeo sad? Who is Romeo in love with first?
Author –Edmond Rostand –Born 1868 in France while France was under the rule of Napoleon III –His father wanted him to be a lawyer, but Edmond preferred.
Heroic Comedy and Romantic Tragedy Set in 1640s in France Cyrano de Bergerac.
Cyrano de Bergerac By Edmond Rostand. About the author born in Marseilles, France in 1868 as a college student in Paris, he fell in love with French literature.
Cyrano de bergerac An Introduction. Edmond rostand Born in France in 1868, as the country was transitioning from a monarchy to a republican government.
By: Edmond Rostand ( ) A French writer. A professional dating service to help you find your dream date!
Bring your literature books today! You may turn in early projects if they are ready.
 Costumes and certain characters  Musketeers (formed in the 1600s and disbanded in 1646)  La Clorise - dates from the time period.
Character in Fiction. Definition Characters: the people in the story Characters: the people in the story Characterization: the process by which the writer.
Romeo and Juliet. Mr. Shakespeare William Shakespeare: Born in Stratford-upon-Avon, England Became an actor and a playwright in 1592.
Romeo and Juliet By William Shakespeare
 Characters  Setting  Literary terms  Quotes (6 total)  Themes  Plot.
Unit Seven The Chaser. Teaching Objectives Pre-reading Questions Global Reading Detailed Reading Post-reading practice.
Cyrano de Bergerac Jeopardy Review Game Act I Act.
Cyrano de Bergerac By Edmond Rostand. The Author… Edmund Rostand was born in Marseilles, France in He was educated as a lawyer, but fell in love.
Cyrano de Bergerac By Edmond Rostand. About the author born in Marseilles, France in 1868 as a college student in Paris, he fell in love with literature.
STRONG WOMEN, TOUGH DECISIONS HOW WELL DO YOU KNOW FEMALE LITERARY PROTAGONISTS?
EDMOND ROSTAND. Born: 1 st April 1868 (In Marseille, France) Died: 2 nd December 1918.
Journal Question: The play we’re about to read focuses on the importance of physical appearance. Why do you think physical appearance is so important in.
Objectives: - Read, understand, and organize events in Act 1
2/23/09 period9. Act 3, scene 1 Tylbalt challenged Romeo to a fight. Romeo didn’t want to fight him being that that was now his cousin in law. But Mercutio.
Unit 3 Every Jack has his Jill! Contents  Lead-in Lead-in  Watching and Discussing Watching and Discussing  Debating Debating  Oral Assignment Oral.
Poisonous Books HUM 2212: British and American Literature I Fall 2012 Dr. Perdigao November 14-19, 2012.
English Language Arts Level 7 #12 Ms. Walker. Literary Element: Plot Sequence Short Story: “The Necklace” by Guy De Maupassant Idiom of the Day.
“Cyrano de Bergerac” Background Information By: Edmond Rostand You do not need to write down what is in italics.
Metaphysical Poets John Donne and Beyond.
CYRANO DE BERGERAC Mayfield English II. Background Information AUTHOR This play was written by Edmond Rostand in Fun fact: born in Marseilles, France.
Cyrano de Bergerac Lecture Notes l Literary Periods/Classification l Characters l Historical Background –Cyrano de Bergerac –Edmond Rostand l Theme and.
Character Development Juliet: In these two scenes, Juliet becomes more rebellious, strong and independent in the fact that she is willing to practically.
Born April 1, 1868 in Marseilles (Southern France) into a successful family Married a poet, Rosemond Berard, when he was 22 (gave her a volume of poems.
Cyrano Act III. Question 1 Why does Rageneau try to commit suicide? His pastry shop went bankrupt. Cyrano no longer had time to be his friend. His wife,
Module 1. INTRODUCTIO N Reading and vocabulary.
Cyrano de Bergerac Edmond Rostand Summer Reading Bonus
Theme How to find the Grail. What are theme and motif? The theme of a fable is its moral. The theme of a parable is its teaching. Theme: a universal idea.
“Romeo and Juliet” ( ). STUDY QUESTIONS 1.What theme is at the centre of the play? It is the young people who die in the play, and their deaths.
Cyrano de Bergerac By Edmond Rostand. Pre-Reading Discussion 1. Would you rather have inner beauty or outer beauty? You may only choose one and if you.
RATATOUILLE novel report. Movie Introduction Ratatouille is a 2007 American computer- animated comedy film produced by Pixar and released by.
Lesson 21: The Valiant.   Turn to SA 21A.  Independently complete the Literature Web for The Valiant.  Now share your web with your partner
One way Cyrano shows off is through the grand gesture, in French, le beau geste. This is a dramatic action, usually done in public, that is memorable,
Iambic Pentameter Meter - the rhythm established in a line of poetry, usually determined by syllables and stresses. “iamb” – “foot”, or unstressed syllable.
Characters and Family Associations
Life In A Love By: Robert Browning BY: DORA ASHBY 1.
ACT I, Scene iii, pages Le BretDe Guiche MontflueryA Light Horseman CuigyA Woman A MarquisA Woman’s Voice The MarquisA Musketeer Another VoiceThe.
R&J Summaries. Act 1, Scene 1 Verona, a public place Describe the feud and the fight – what happened? What is the issue here? The prince warns the families.
A View From The Bridge By Arthur Miller The Plot in sections 1.Alfieri Alfieri tells us that he is a lawyer. His role in the play seems to be to introduce.
WHAT DOES IT MEAN TO CONTINUE IN CHRIST?. I John 2:28-29 And now, dear children, continue in him, so that when he appears we may be confident and unashamed.
Introduction and Background Information.  Edmond Rostand (French)  Lived from  Published Cyrano in 1897; it was a tremendous hit  Plays.
CYRANO DE BERGERAC Mr. Lorentzen English II. Background Information SETTING This play is set in France between the years of 1640 and Throughout.
“Cyrano de Bergerac” Background Information
Cyrano de Bergerac By Edmond Rostand.
WRITE FOR 10 Judging by images shown on TV and in movies and advertisements, there are few things our society prizes more highly than physical beauty.
Dante’s Inferno. Dante’s Inferno Cyrano Act I.
Character in Fiction.
Cyrano de Bergerac Edmond Rostand.
By Edmond Rostand “The last great romantic dramatist”
Cyrano de Bergerac Edmond Rostand.
Cyrano de Bergerac By Edmond Rostand.
Realism meets Renaissance Era
Using Body to Create Character
Author Edmond Rostand Born 1868 in France while France was under the rule of Napoleon III His father wanted him to be a lawyer, but Edmond preferred French.
“Cyrano de Bergerac” Background Information
Romeo and Juliet Act 3 Scene 4 and 5 Date:
Cyrano de Bergerac Act V.
Author Edmond Rostand Born 1868 in France while France was under the rule of Napoleon III His father wanted him to be a lawyer, but Edmond preferred French.
Warmup Cyrano de Bergerac anticipation guide
Author Edmond Rostand Born 1868
Romeo and Juliet Act II.
Cyrano Final Exam 100 points
Presentation transcript:

Act one: a performance at the hotel de bourgogne Cyrano de bergerac Act one: a performance at the hotel de bourgogne

Reading assessment question How does Rostand prepare the audience for Cyrano’s first entrance on stage? Do you feel this is an effective technique? Why or why not? Why is it important to prepare the audience before the main character’s appearance on stage?

This is an extra slide and doesn’t need to be included in group presentations. Edmond Rostand Born April 1,1868, in Marseilles, France, to an artistic family Studied law in Paris but his real love was literature Married the poet, Rosemond Gerard, and presented his first book, a volume of poems, to her as a wedding gift Cyrano de Bergerac, his masterpiece, came out in 1897. It was very different from plays of the time which had moved beyond the Romantic ideals and included realistic plots and social problems of the time. Many of his later works were not popular. Later in life he moved to southern Paris. As a supporter of the French in WWI, he visited the trenches and was shocked greatly. He died in Paris on December 2, 1918.

Act one: summary Setting: France, 1640 at the hall of the Hotel de Bourgogne Before the production of La Clorise, several audience members arrive; everyone has different motives for attending the play. Christian, accompanied by his new friend Ligniere, is in search of a lady with whom he has fallen in love. Ragueneau arrives in search of Cyrano. He is surprised that Cyrano isn’t there yet because Montfleury is scheduled to perform tonight and Cyrano has forbidden Montfleury from the stage. Cyrano’s character and nose make an appearance in the play before the character himself. Cavaliers: show off fencing skills Lackeys: gambling in a candlelit corner Citizens: actually there for the play itself Pages: practical jokes and pranks Cut-purse: pick pockets and steal from the rich Marquis: to see and be seen

Act one: More summary Roxane arrives in her box seat at the theatre. Ligniere shares her story with Christian, including the plot by DeGuiche for her to marry Valvert. Christian attempts to challenge Valvert to a duel but instead learns that Ligniere’s life is endangered. Montfleury takes the stage only to be removed by Cyrano who pays off the actors and theatre patrons. A meddling citizen and then Valvert insult Cyrano’s nose. Cyrano defeats Valvert first with words then with his sword (and words). Valvert looks like a complete fool.

Act one: summary again Le Bret questions Cyrano’s intentions because he has no money and now maybe no friends. Cyrano admits that he loves Roxane but won’t tell her because his greatest fear in the world is that she will laugh at him. Roxane’s duenna arrives and delivers the message that Roxane wishes to meet with Cyrano tomorrow morning. Cyrano’s mood improves greatly. Ligniere stumbles in after receiving Christian’s warning about the ambush at the Porte de Nesle. Cyrano offers to defend Ligniere, his friend, against the “giants.”

Emerging themes/Motifs/symbols Appearances— Fashion is incredibly important, and individuals spent much time and effort on their outward appearance. Christian is good looking but not very fashionably dressed. Cyrano doesn’t concern himself with his outward appearance. He “wears his adornments on his soul.” Dueling— Christian attempts to challenge Valvert to a duel. Cyrano and Valvert duel. Cyrano recites a ballad about the duel as they duel. Ligniere is ambushed by 100 men (sent by DeGuiche) and Cyrano intends to take on all of them in defense of Ligniere.

more themes/Motifs/symbols Deception— Cyrano’s not willing to let Roxane know his true feelings for her. When LeBret encourages him to let Roxane know how he feels, he shares his fear that she might laugh at him. Language— Men were measured by their eloquence and wit as much as their bravado with a sword. Christian admits that he “can’t talk to a woman in that style.” Cyrano has an amazing ability to manipulate words. He puts Valvert in his place with examples of insults Valvert might have used had Valvert “some tinge of letters, or of wit to color [his] discourse.” Cyrano and Valvert duel not only with swords but with words.

themes/Motifs/symbols again Cleverness— Characters are judged by their ability to soliloquize, rhyme, and compose at the drop of a hat. Cyrano himself, takes pride in his wit and never backs down from an opportunity to show off. Cyrano’s witty intelligence comes to largely define his identity. Courage— Duels are fought and lives are lost all in the name of courage. Cyrano’s courage seems reckless and showy. He removes Montfleury from the stage because he is a bad actor and Montfleury has shown interest in Roxane. Cyrano takes on 100 men at the Port de Nesle for his friend Ligniere.

Character development (in the order in which they appear) Ligniere— Frequently drunk Knows everyone and writes satirical songs/poems about them Defended by both Christian and Cyrano Christian— New to Paris and to the Guards Handsome but lacks the ability to speak eloquently A loyal friend—defends both Ligniere and Roxane Ragueneau— A pastry chef who loves poetry A good friend of Cyrano’s

More Characters Le Bret— Cyrano’s friend and closest confidante Worried about Cyrano’s irresponsible choices Roxane— Cyrano’s beautiful cousin The love interest of many men De Guiche— Powerful nobleman, married to the Cardinal’s niece, but in love with Roxane Not fond of Cyrano

Character development again Valvert— A spineless follower of De Guiche Agrees to marry Roxane to accommodate De Guiche’s desire for her Cyrano de Bergerac— An extraordinary man, a best friend, and a brave soul A poet, swordsman, musician, and philosopher Cursed with a ridiculously large nose which makes him insecure and arrogant at the same time Montfleury— A terrible actor whom Cyrano banned from the stage Has eyed Roxane which disgusts Cyrano

Passage analysis “Cyrano [to Le Bret]: My old friend—look at me, And tell me how much hope remains for me With this protuberance!” (49). Situation: Le Bret discovers that Cyrano loves Roxane and advises him to tell her. Significance: Cyrano’s reply reveals his absolute conviction that no woman could ever love him because of his huge nose. His lack of self-confidence is robbing him of the chance to be united with the woman he loves. Questions: Will Cyrano overcome his preoccupation with his appearance in order to have a relationship with Roxane? Or will he hide behind his nose, never revealing his true feelings?

Connections “Introduction to romanticism” Romanticism: an 18th and 19th century literary movement Characteristics of Romanticism: Imagination over Reason Nature Symbolism/Myth Emotions Importance of the Individual Everyday and Exotic Imagination is the ultimate “shaping” or creative power; bound closely with nature and symbols--Importance of imagination—Romantics legitimized the individual imagination as a critical authority. Nature itself is a work of art or organic, not scientific/rational--Awe of nature—Romantics stressed the awe of nature in art and language and the experience of sublimity through a connection with nature. Romantics rejected the rationalization of nature by the previous thinkers of the Enlightenment period. Symbols can simultaneously suggest many things; therefore, superior to one-to-one of allegory. The desire to express the inexpressible. Myth is the narrative of symbolism. Strong senses, emotions, and feelings—Romantics believed that knowledge is gained through intuition rather than deduction. “The spontaneous overflow of powerful feelings” Individual=unique, eccentric, boldness over restraint--Celebration of the individual—Romantics often elevated the achievements of the misunderstood, heroic individual outcast. Everyday and exotic—down-to-earth characters as well as supernatural--Interest in the common man and childhood—Romantics believed in the natural goodness of humans which is hindered by the urban life of civilization.

Romanticism in Act One Appeal to emotions—Most of Cyrano’s decisions are based on feelings rather than reason. Importance of the individual—Cyrano creates a spectacle at the theatre, proclaiming his independence and superiority, yet he doesn’t seem to brag or act conceited. Everyday and exotic—Both of these describe Cyrano’s character and actions. Imagination—Cyrano’s intellect and use of words shows him as very imaginative, often thinking figuratively, not literally.