Jody Yang

History- Luigi Russolo  Intonarumori  The Art of Noise (1913)

History- Luigi Russolo  The variety of noises is infinite. If today, when we have perhaps a thousand different machines, we can distinguish a thousand different noises, tomorrow, as new machines multiply, we will be able to distinguish ten, twenty, or thirty thousand different noises, not merely in a simply imitative way, but to combine them according to our imagination.

History  Christian Marclay: mutilated vinyl records  Yasunao Tone: damaged CDs  Movement in Gernamy Oval: Systemisch, Wohnton

Techniques  CD skipping  Vinyl record hiss or scratches  Electric hum  Digital or analog distortion  Bit rate reduction  Hardware noise, computer bugs, crashes and system errors

Subgenres  Conceptual Yasunao: Solo for Wounded CDSolo for Wounded CD  Oceanic Oval: WohntonWohnton  Minimal Alva Noto

 Carsten Nicolai  Aleph-1, Noto  Karl-Marx-Stadt, Germany  Sound artist, visual artist

Audio Work  Rhythmic patterns  Gradual process of sound  Rarely recognized  Noto’s solo: Unitxt: U_07 žXerrox: Haliod 4  With Ryuichi Sakamoto: Insen: žLogic moon Insen: Berlin Revep: Siisx Revep: Mur Vrioon: UoonI 

Questions

Bibliography  full.pdf full.pdf  ascone/aesthetics_failure.htm ascone/aesthetics_failure.htm  Sangild, Torben: "Glitch — The Beauty of Malfunction"