How do we know WHO is beautiful?. Was man created in God’s image or the other way around?

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Presentation transcript:

How do we know WHO is beautiful?

Was man created in God’s image or the other way around?

Otherworldly Figures Gods and Goddesses

Venus of Willendorf, 30,000 – 25,000 BCE

Ishtar – Syrian Goddess of Love

Ancient Greek, Venus de Milo,

Ancient Greek, Posedin

Ancient Greek - Eros

Tlazoltetol – Aztec Goddess of Love

Xochipilli – Aztec God of Love

What can we infer about what was important to the people who made these two sculptures?

Titian, Venus de Urbino,

William Bouguereau, A Young Girl Defending Herself Against Eros, 1880

Jean Ingres, Jupiter and Thetis, 1811

Freya – Norse Goddess

Radha and Krishna

Indian Goddess

M. F. Hussain, Bharatmata

How can portrayal of the human form tell us something about the “human condition?”

The East

Japan

Japanese painting

Shin Hanga - Japanese print – Artist Unknown, early 20 th century

Goyo Hatschiguchi, Woman after Bath, 1920

Artist Unknown, Japanese Print, 1921

China

Ming Dynasty – Four Beauties

Yue Minjun

Yue Minjun, Sun, 2000

India

India – Couple from Temple at Karle

M. F. Hussain, Bharatmata, 2006

Dhruva Mistry, Walking Man, 1981

Dhruva Mistry, Reclining Figure, 1983

Navjot Altaf, Untitled Blue Woman, 2000

Pre-Columbian American

Pre-Columbian figure from Veracruz, Mexico,

Pre-Columbian Sculpture from South America

Africa

Burkino-Faso

Gabon

Zaire/Congo

Nigerian

The West

King Mycerinus, Ancient Egypt, 2520 BCE

Greek Kourous

Roman copy of a Greek Discus Thrower

The Doom, St. Peter’s Church, Suffolk

Lochner, scenes from Hell, 1435

Verrechio, David, 1447Donatello, David, 1440Michelangelo, David, 1504

Bottecelli, The Birth of Venus, 1482

Titian, Venus de Urbino, 1538

Peter Paul Rubens, Venus at the Mirror, 1615

Peter Paul Rubens, The Three Graces, 1638

William Blake, Europe Supported By Africa and America, 1796

Jean Ingres, Jupiter and Thetis, 1811

Eugene Delacroix, Louis D’Orleans Showing his Mistress, 1826

Eugene Delacroix, The Death of Sardanapalus,1828

Adolfe Bougereau, Birth of Venus, 1879

Gustave Courbet, The Painter’s Studio, 1855

Edward Manet, Luncheon on the Grass, 1863

Eduard Manet, Olympia, 1863

Paul Cezanne, Bathers, 1881

Paul Cezanne, Grandes Baigneuses, 1905

Auguste Rodin, The Age of Bronze, 1877

Auguste Rodin, The Kiss,

Edgar Degas, Dancer, 1880

Henri Matisse La Serpentine, 1909 The Serf, 1903

Pablo Picasso, Les Madmoiselles d’Avignon 1908

Pablo Picasso, Marie-Therese Walter, 1909

Rene Magritte,

Salvadore Dali, Retrospective Bust of a Woman 1931

Alexander Archipenko Gondelier, 1914 Torso in space, 1936

Aristide Maillol, Las Tes Ninfa, 1938

Marino Marini, Danzatrice, 1949

Picasso

Ernst Barlach

Gaston Lachaise

Domnisoara Pogany, 1931 The Kiss, 1908 Constantin Brancusi

Jacques Lipchitz Sailor with Guitar, 1914

Auguste Malliol The River, 1943 Action in Chains, 1969

Umberto Boccioni, Unique Form in Contemporary Space, 1913

Nuam Gabo Konsruktiver Kopf # 1, 1915

Raoul Hausmann, Mechanical Head, 1919

Yves Klein, Blue Venus,

Nikki de St. Phalle, Black Venus,

Willem DeKooning, Seated Woman, 1950

Willem DeKooning, Woman I, 1950

Willem DeKooning, Large Torso, 1974

Mel Ramos, Olympia, 1972

H.C. Westermann The Evil New War God, 1958 Memorial to the Idea of Man if He Was An Idea, 1958

Marisol John, Washington,and Emily Roebling Crossing the Brooklyn Bridge for the First Time, 1989

Ed Keinholz, The State Hospital, 1966

George Segal

George Segal, views from The Holocaust, 1979

Duane Hanson

Robert Graham Source Figure, 1991 Untitled (back), 2003

Walking man Dancers Jonathan Borofsky

Chris Burden, Doorway to Heaven, 1973 Gilbert and George, The Singing Sculpture, 1971

Tim Hawkinson, Inflatable Self Portrait, 1993

Adrian Arleo

Tip Toland

Ernst Barlach Kathe Kollwitz Constantin Brancusi Jonathan Borofsky Alexander Calder Edgar Degas Ed Kienholz

The Guerilla Girls, 1989

Adolfe Bougereau, Birth of Venus, 1879 Excerpt from “The Birth of Venus II,” by Seamus Ryan Are these two images art or pornography?

How do these images comment on the portrayal of women in art?

?