Brick OTS- Duncan Mortimore Director: Rian Johnson Release date: 2005.

Slides:



Advertisements
Similar presentations
COLLATERAL- Textual Analysis. Describe the Location(s) /setting A busy airport or some sort of public transport station and a loud taxi rank How is it.
Advertisements

MISE EN SCENE BRICK. By showing a close up of the boy’s eyes, this is a way of introducing his character to the audience. It is said that eyes are ‘the.
COLLATERAL OPENING TITLE SEQUENCE ANALYSIS. MISE EN SCENE The first scene in the opening title sequence of collateral is in a very crowded airport with.
Brick Opening Title Sequence. Mise-en-scene Locations/Settings The first setting that the audience sees is a storm drain, the location looks very isolated.
BRICK Holly Higgins. Setting The dark damp setting makes us feel un-comfortable. There is something to hide as it is in a palace that the public can’t.
Q2: How does your media product represent particular social groups? - Beth Price.
Poster Research. The act of symmetry draws the attention of the audience to the house, therefore hinting at the danger within the film. Furthermore the.
Location/setting The very first shot is of a bedroom, the rest of the OTS appears to have no relevance to this shot and so leaves the audience with questions.
Se7en.
 The location for this film is on a train that is making its way through the countryside toward a city; Chicago.  The lighting of this sequence is very.
Mise en Scence Emily Hemmings. ‘’ Don’t Look Now’’ 1973 Nicolas Roeg.
Q2. How does your media product represent particular social groups? In our opening title sequence we have two main characters, the Antagonist and the protagonist.
Evaluation: Question One In what ways does your media product use, develop or challenge the forms and conventions of real media products? By Emma Thomas.
Point of View shot. From the point of view of a character. From the point of view of an external observer (the camera and viewer) POV shot.
In the opening sequence the audience and introduced to the main characters and its made quite clear who the antagonist and protagonist are. We see typical.
Set at night in an imaginary city (Basin City) the scene is based on the top of an apartment block, on the open balcony. The characters are at a party,
Se7en Opening title sequence Analysis. Mise – en - scene Location and setting – The opening title sequence for se7en does not include any long shots of.
Analysis of Opening Title Sequences- Slide Show 2 Jane Lawrance Media Studies Varndean College.
E VALUATION Q UESTION 1: In what ways does your media product use, develop or challenge the forms and conventions of real media products? ‘C A P T U R.
Se7en Opening Scene. Location and Setting You can’t really see where the opening scene is which gives an element of mystery which is very typical of the.
Detailed Analysis on the open title sequence of Brick.
Analysis of Opening Title Sequences- Slide Show 3 Jane Lawrance Media Studies Varndean College.
The opening scene of ‘Casino Royale’ is set in Prague in the Czech Republic. The first scene shows a large office block at night, during a calm and relaxed.
DONNIE DARKO DONNIE DARKO OPENING TITLE SEQUENCE.
Collateral Mise-en-scene LA airport Typical to thriller; Not often typical to thrillers as it isn’t a deserted/secluded area, however the busyness provides.
Music is an important element to a thriller. Music can be used to create suspense, in a thriller music mostly indicates something is about to happen.
Evaluation question 1: In what ways does your media product use, develop or challenge the forms and conventions of real media products? by Mahli Macwana.
Brick Charlie Funnell. Character The main character in this scene is clearly an unpopular person because of the way he dresses which seems like he hasn’t.
By Naomi Adams BRICK Opening Title Sequence Analysis Director-Rian Johnson Release date- 20 th July 2009.
Vertigo… By Alfred Hitchcock.
Thriller Film Opening Title Sequence Analyses ‘DRIVE’
Media evaluation – Question 1 JOE COQUET. Introduction Our film is a part of the thriller genre, with some elements crime in it too. This is a typical.
Question 1 The Long Game Our opening title sequence is very typical to the Thriller Genre. Indeed, the narrative involves the murder of female victim;
BRICK Opening Sequence Analysis Leah Walden. Setting (Mise- en- scene) 1)Storm drain The first location we see in the opening title sequence is a deserted.
BRICK- Textual Analysis. Describe the Setting & Location A small, dark drainage system- The tunnel is dark and some of the shots are unclear on what we.
Brick 2006 – Rian Johnson By Phoebe Farrington. Location(s)/Setting; The first location is the tunnel/sewer opening. It is very closed, dark and isolated.
Opening title sequence textual analysis. Location/ setting The location is on a street in France, an urban setting is typical of thriller, especially.
Brick Opening Title Sequence
Brick Textual analysis 9o 9o By Joe Coquet Directed by Rian Johnson.
Evaluation Question 1 Charlie Funnell. The Title of the film The title of our film, ‘The Long Game’, is typical of the Thriller genre, as it suggests.
EVALUATION QUESTION ONE… IN WHAT WAYS DOES YOUR MEDIA PRODUCT USE, DEVELOP OR CHALLENGE THE FORMS AND CONVENTIONS OF REAL MEDIA PRODUCTS? By Phoebe Farrington.
‘In what ways does your media product use, develop or challenge forms and conventions of real media products?’
Opening Sequence Textual Analysis - Brick Brandon Jewell.
Question one: In what ways does your media product use, develop or challenge the forms and conventions of real media products? Frame Analysis By Luke Poore.
My opening title conforms to the genre of thriller. It is a conventional thriller and doesn’t really challenge the genre as I wanted to ensure it was.
The first location seen is at a storm drain, an isolated remote area on the outskirts of town. Giving the feel the character is away from civilisation.
Evaluation Question 1 IN WHAT WAYS DOES YOUR MEDIA PRODUCT USE, DEVELOP OR CHALLENGE THE FORMS AND CONVENTIONS OF REAL MEDIA PRODUCTS?
BRICK Opening Title Textual Analysis Release dateRelease date: April 7, 2006 (USA) DirectorDirector: Rian Johnson Rian Johnson.
Location The 3rd shot in the film is an establishing shot for the first scene, showing the location of a tunnel/sewer. Dark locations in scenes in which.
Textual Analysis. Mise en Scene In the Opening Title Sequence for American Pyscho the shots were filmed in three different locations; the apartment, the.
Hoodwink Opening Title Sequence Pitch By Katie, Rebecca and Andrew.
Question 1 Evaluation In what ways does your media product use, develop or challenge forms and conventions of real media products? (i.e.: of film openings)
L O O P E R O P E N I N G T I T L E S E Q U E N C E.
Shutter Island OTS analysis Director: Martin Scorsese Release Date: 2010.
Mise-en-scène Initially the location is unknown as the viewer is presented with titles of production companies involved and a black screen in place of.
How does your media product represent particular social groups?
BRICK OPENING TITLE SEQUENCE ANALYSIS. Mise-en-scene & cinematography During the opening title sequence to the thriller ‘Brick’ there are three different.
Seven Analysis of an Opening Title Sequence. MISE-EN-SCENE Location/Setting: In this film’s OTS, the location/Setting is not revealed. This could be the.
The Woman in Black- Opening Sequence
Question 2: How does your media product represent particular social groups? Sonam Nguyen.
Brick, 2005 Rian Johnson
In depth textual analysis of Brick’s O.T.S.
QUESTION ONE In what ways does your media product use, develop or challenge the forms and conventions of real media products?
How does your media product represent particular social groups?
COLLATERAL Opening Title Sequence Analysis Director-Michael Mann Release date- 17th September 2004 By Naomi Adams.
Analysis Opening Title Sequence Brick
Opening Sequence: Textual Analysis
Collateral Charlie Funnell.
Neo-Noir Thriller Brick Ryan Evans.
12/02/15 THRILLER 1.
Presentation transcript:

Brick OTS- Duncan Mortimore Director: Rian Johnson Release date: 2005

Mise-En-Scene  Location/Setting: The location of the film ‘Brick’ is set in an urbanised town, reinforced by the image above which shows part of a school near the lockers area. This is considered a typical setting for a thriller as they tend to be situated in urban towns, as the producers feel that with a setting that portrays a very normal atmosphere, it therefore creates a more effective location as all of these exciting, nail biting situations are happening in a very ordinary, casual place. Their motto goes; Extraordinary things happening in ordinary places, or to ordinary people. Overall, having a setting similar to lots of people in an everyday, average life, could therefore have a tremendously more EFFECTIVE portrayal of characters than say a more exotic setting, as it appears more realistic. This could be due to the fact that these types of situations do not take place often, in real life, in these types of settings so it resultantly make it more thrilling. Lighting/Colour: This film tends to have a predominant colour of a grainy grey and darker colours like black. However saying this, it definitely has nowhere near as much dark colours as lots of other thrillers, for instance ‘Se7en’. These colours are specifically used to create a concrete atmosphere of the unknown, emotions of deceitfulness and apprehension. These multiple emotions added together are the emotions which the producers are wanting to be placed upon the audience, for them to experience the thrill ride of a roller-coaster that the film makers strive to achieve as the movie lays out. Additionally, as I mentioned in the setting paragraph, the use of the everyday location adds to the thrill of the film. This applies in this situation as well, having the addition of darker, more conventional thriller film colours with the more average, everyday colours builds a deeper perspective for the film as a whole. Additionally, there is a large contrast between the first and second scenes, surrounding lighting. The lighting in the opening scene is very dark, and sinister, which reinforces the setting which its in. (drainage/sewer) Whereas the second scene is located in an urbanized location (school), consisting of more high key lighting, reflecting the setting as a whole.

Mise-En-Scene  Costumes: Brendan- A casual look; jacket and jeans. With curly hair and glasses begins to build more of a picture, that he's an outsider/geek. Also showing intelligence. Overall, hes providing an ordinary vibe; which conforms to a theme of thrillers.  Emily: White jumper (suggesting innocence and purity) blonde hair, maybe quite popular, and youthful. Camera Shot: A long shot is presented, establishing the definite setting in scene, used to convey mystery and suspense. Also providing a contrast between life and death. Lighting: Dark and grainy lighting, showing the comparison to the death of Emily, and how tragic this situation is Brendan. The lighting reflects his emotions when seeing Emily. Also the blue tint creates the mood of the unknown, as Brendan is so shocked to see his deal girlfriend. Props: The combination of both the white jumper and blue bangles located on the victims hand suggest her innocence and youth.

Continued… (Character Representation)  Costume/Appearance of characters: - Brendan : Brendan is conveyed as a somewhat of a loner teenage, possibly more appropriately called an outsider. Glasses: This connotes a possible level of intellect, maybe indicating a fairly nerdy type. Also maybe his eccentric personality. Smart, dress shoes and casual trousers: His brown leather shoes reinforces my initial idea that Brendan could be more of the outsider type of teenager, not conforming to more of a typical shoe style for his age range. Therefore, the fact his shoes are impractical, reinforces the idea of him being an outsider, not following any guidelines. Also possibly suggesting he's not very active. As he overall dresses very ordinarily, this helps to emphasise one of the conventions in thrillers, being; ‘Extraordinary things occurring in ordinary places or to ordinary people’. - Emily: Emily is not actually portrayed in the Opening title sequence, as alive. This is to help add to the level of anticipation. Saying this she is presented in the second and third scenes, on the phone with Brendan. Not a huge amount of information is provided about Emily, apart from the fact she’s an innocent, young girl being in the wrong place at the wrong time. This is backed up by the items of clothing she is wearing. It is also made apparent that Brendan still feels for her, as she lay there in the sewer, Brendan is too shocked to do anything but stare. The addition of the bangles could maybe be a significant accessory to their old relationship.

Continued… (Use of Props and Camera shots) The image above conveys an associated POV shot, as we the viewer are looking over the shoulder of Brendan. This is effective as it makes us feel as though we are there, in the scene. Also, the addition of the smart, sophisticated watch adds to the intelligent representation of the character, as it shows he is classy and punctual. (waiting for someone- first glimpse of enigma being created. The image below is a long shot of Brendan alone, (at the location which was found by the cryptic note at the lockers.) The use of the prop (phone booth) helps to reinforce and emphasise his loneliness and isolation. This image is a medium close up, showing a clear perspective of Brendan and his location. His emotions conveyed through facial expressions reveal his loneliness and isolation. The empty road in the background multiplies the intensity of the scene, as its also subtly indicates his isolation. Along with the prop (telephone) helps to do so as well, as he’s speaking to someone (Emily) but no one is with him. Plus we cannot see her again, only hear her growing distress. This therefore adds elements of mystery and secrecy. This image portrays a wide, close-up shot of a cigarette burning, which has just been flicked by a person which passed in the speeding car. The prop used (cigarette) is effective in this scene as it could be compared with the life of his ex-girlfriend Emily. As its burning away and almost done, fairly similar to Emily’s life at this moment in time, which is reinforced by the tone of her voice on the phone just previous to this scene. This therefore hints at the danger which Brendan is going to face, later in the film. The sound of the muscle car almost juxtaposes the situation. This is known as contrapuntal sound, being in opposition to what we see on screen. This nail-biting scene isn’t similar to a loud, heavy muscle car sound, therefore creating more mystery.

Sound and Summary  Sound: The most common/frequent sound portrayed is the use of no sound (silence). This can be just as effective as having sound to create moods in thrillers, especially to create the mood of tension. In addition to the use of silence, in this sequence there are some uses of diegetic sounds which are effective. For instance, when he's talking on the phone to Emily, and her voice gradually begins to build in terror. This resultantly intrigues the audience, for them to continue watching. Additionally, with the fast, muscle car flying by, make for thrilling noises in this sequence. Summary: (A list of images that help to build the narrative and character representation)