OASPA Conference 2013 Technology and Standards for Open Access Publishing Roy Kaufman Managing Director, New Ventures Copyright Clearance Center

Slides:



Advertisements
Similar presentations
What is Rightslink? A quick and easy way to order rights to share content Copyright Clearance Center The worlds leading provider of content licensing solutions.
Advertisements

COPYRIGHT AND COPYWRONG Respect Copyright, Celebrate Creativity.
6th Conference on Open Access Scholarly Publishing September 17th – 19th, 2014, Paris Kai Geschuhn | Max Planck Digital Library
Copyright Law & Your Websites Computer Science 201 November 21, 2005 Sarah Garner, J.D., M.L.I.S. Law Library Director,
What is Rightslink? A quick and easy way to order rights to share content Copyright Clearance Center The world’s leading provider of content licensing.
Open Access: A Publisher’s Perspective Daniel Wilkinson 20 th October, 2014.
Enter name and venue of event here Enter Month, Day, Year here Implementing CHORUS at AIP Publishing LLC Evan Owens CHORUS Webinar 16 May 2014 CHORUS Webinar.
Intellectual Property Boston College Law School January 19, 2007 Copyright – Ownership, Duration.
Copyright Law Boston College Law School February 13, 2003 Formalities 2 - Review.
Copyright Law Boston College Law School January 30, 2002 Works of Authorship (cont’d)
Formalities, Fixation, Idea- Expression Intro to IP – Prof Merges
Intellectual Property
On Open Books and Fluid Humanities An exploration of fluidity, liquidity and remix Presentation for the University of Belgrade – 22 February 2011 Janneke.
Copyright Law Boston College Law School February 25, 2003 Rights - Reproduction, Adaptation.
1 Mobile Platforms, Linked Content, and Copyright: Issues and Answers COPE North American Seminar 2014 Philadelphia, PA August 13, 2014 Michael W. Carroll.
© 2002 Steven J. McDonald What do these have in common? The Mona Lisa The Starr report What I am saying Your idea for a web page The Wexner Center for.
Intellectual Property Boston College Law School January 18, 2008 Copyright – Ownership, Duration.
Infringement II: Derivative Works and Other Rights Prof Merges – Intro to IP
Derivative Works and Other Rights Prof Merges – Intro to IP
What is copyright? the exclusive legal right, given to an originator or an assignee to print, publish, perform, film, or record literary, artistic, or.
Copyright Basics Rick Morris, J.D., LL.M Attorney-at-law Assistant Professor Northwestern University.
Copyright Basics - the Highlights An introduction to copyright law drawn from the copyright statute and from Copyright Basics by the Library of Congress,
Oluwakemi Chima. The Congress shall have Power…To promote the progress of Science and useful Arts, by securing for limited Times to Authors and Inventors.
COPYRIGHT LAW 2003: CLASS 6 PROFESSOR FISCHER THE CATHOLIC UNIVERSITY OF AMERICA JANUARY 27, 2003.
COPYRIGHT IS A FORM OF PROTECTION GROUNDED IN THE U.S. CONSTITUTION AND GRANTED BY LAW FOR ORIGINAL WORKS OF AUTHORSHIP FIXED IN A TANGIBLE MEDIUM OF EXPRESSION.
G. Randall Watts, M.Div., MS Assistant Director for Resource Management MUSC Library.
Where are the rewards? University of Melbourne 28 January
Copyright Multimedia content comes from somewhere Either you make it or you acquire it Who owns the content? Do you or your users have the property rights?
What is intellectual property?
COPYRIGHT LAW 2004: CLASS 7 PROFESSOR FISCHER THE CATHOLIC UNIVERSITY OF AMERICA JANUARY
Copyright Law Ronald W. Staudt Class 7 Sept. 19, 2013.
Copyright Fundamentals Exclusive Rights Victor H. Bouganim WCL, American University.
T HE D ISTRIBUTION R IGHT The distribution right is the exclusive right “to distribute copies or phonorecords of the copyrighted work to the public by.
Copyrights Terms and Derivative versus Transformative Use IM 350: Intellectual Property Law and New Media September 15, 2015.
Infringement II: Derivative Works and Other Rights Prof Merges – Intro to IP
Technology Fair OWHL Services and Copyright Michael Blake and Elisabeth Tully June 13, 2006.
COPYRIGHT LAW 2002 CLASS 6 PROFESSOR FISCHER THE CATHOLIC UNIVERSITY OF AMERICA JANUARY 30, 2002.
October 1st 2015Lars Bjørnshauge. Good Publishing Practice – Open Access journals how the Directory of Open Access Journals contributes! Presentation.
STANDARD COPYRIGHT RULES AND RELATED TERMS MyGraphicsLab Adobe Premiere Pro CS6 ACA Certification Preparation for Video Communication Copyright © 2013.
Copyright Fundamentals Copyright Subject Matter Victor H. Bouganim WCL, American University.
Copyright Issues © © CECS Laws of Copyright Designed to protect intellectual property rights and provide potential monetary rewards for inventiveness.
Copyrights Terms and Derivative versus Transformative Use IM 350: Intellectual Property Law and New Media February 10, 2015.
An Overview of Intellectual Property by John Slaughter September 26, 2009 © John Slaughter All Rights Reserved.
Copyright & Fair Use in the Digital Age MSDE Webinar – January 14, 2015 Instructional Technology and School Library Media Program, Division of Curriculum,
Works consisting entirely of information that is common property and containing no original authorship. T h e t e r m o f c o p yr i g h t f o r a p a.
Out of the Shadows and Into the Courts Fan Fiction and Fair Use Panel led by strangecobwebs CON.TXT 2008.
Copyright for teaching. 2 katelyncollins/category/week-5 CC BY.
Haley Gayden. Copyright is a law of protection given to the authors or creators of “original works of authorship,” only allowing people with permission.
Copyright and the Internet By: Kevin Ehrenborg. What is a Copyright? It’s the right that provides it’s holder the right to restrict unauthorized copying.
Author Rights Paul Royster November 1, 2012 UNL Engineering Library.
What is Copyright?
STANDARD COPYRIGHT RULES AND RELATED TERMS ACA Certification Preparation for Video Communication.
Unless otherwise specified these slides are made available by OASPA under a CC BY 4.0 License Attribution Webinar 5 th May 2016 With thanks to Copyright.
COPYRIGHT FAIR USE CREATIVE COMMONS LICENSING OPEN EDUCATION CHARLOTTE ROH, SCHOLARLY COMMUNICATION RESIDENT LIBRARIAN UNIVERSITY OF MASSACHUSETTS AMHERST.
6/18/2016 COPYRIGHT AND Fair Use Guidelines “Respect Copyright, Celebrate Creativity”
Beyond Open Access Mirjam Curno, PhD Editorial Office Manager.
COPYRIGHT FAIR USE CREATIVE COMMONS LICENSING CHARLOTTE ROH, SCHOLARLY COMMUNICATION RESIDENT LIBRARIAN UNIVERSITY OF MASSACHUSETTS AMHERST MARCH 13, 2015.
17 U.S.C. §103 (a) The subject matter of copyright as specified by section 102 includes compilations and derivative works, but protection for a work employing.
Copyright and Fair Use Guidelines Presented by Misty Bellard.
Copyright Basics - the Highlights
Derivative works.
Licenses Guidelines for Copyright and Licencing
ACS 2016 Moving research forward with persistent identifiers
Getting Innovative with OER
Copyright Presentation
Copyright law.
UNIT 5: COPYRIGHT “Respect Copyright, Celebrate Creativity”
Reno WordPress Meetup February 12, 2015.
Implementing a consortial funding model for open access publishing
LRMDS Specification and Guidelines for Intellectual Property Rights Management Copyright by LRMDS.
Presentation transcript:

OASPA Conference 2013 Technology and Standards for Open Access Publishing Roy Kaufman Managing Director, New Ventures Copyright Clearance Center

Open Access Standards Benefits and Challenges

About CCC Founded in 1978 NY not-for-profit Open Access initiatives include: –Education- Webinars, podcasts, live events –Discoverability –Author services and APC management- RightsLink story

Authors UniversitiesPublishers Funders Individual Workflows

ORCID

CrossRef

Transactional Information License type –CC BY –CC BY-NC –Others –Article level Version level

Because it Was Asked A “derivative work” is a work based upon one or more preexisting works, such as a translation, musical arrangement, dramatization, fictionalization, motion picture version, sound recording, art reproduction, abridgment, condensation, or any other form in which a work may be recast, transformed, or adapted. A work consisting of editorial revisions, annotations, elaborations, or other modifications, which, as a whole, represent an original work of authorship, is a “derivative work”. 17 USC Sec 101.

NISO: Open Access Metadata and Indicators Goal: develop a standardized set of metadata elements to indicate: –Accessibility of an article – i.e. can I read it from anywhere on the internet, when? –Pointer to reuse rights – i.e. what can I do with the content Availability of this standardized data benefits: –Readers –Authors –Funders –Systems Providers

Determining a Solution Together Standards are important We’re not there yet. Need your support –Get involved!

Thank You Roy Kaufman Managing Director, New Ventures Copyright Clearance Center