The Digital Switchover in the UK and the Impact on Independent Distribution Alex Stolz Estoril, 21 st November 2008.

Slides:



Advertisements
Similar presentations
UK Film Distribution. Film Distribution Film distributors are companies or individuals who find a target audience for the film and market it. The primary.
Advertisements

The UK Television and Broadcast Market. The UK Broadcast Media Industry Radio Commercial Radio Public Radio Internet Public Internet Commercial Internet.
‘Grasping the D-Cinema Nettle in Europe’ Charlotte Jones, Analyst, Screen Digest ShoWest, 10 th March 2008.
Media economics Some features of a business based on selling information.
HOW HOLLYWOOD WORKS Dominant companies have been around since 1930s  1990s saw major consolidations (Time and Warner, Disney & Capital Cities/ABC, Viacom/Paramount)
PRIVATE AND CONFIDENTIAL Page 1January, 2006 Common Questions - Answered.
Digital Rutland Libby Kingsley – Economic Development &Tourism Manager Rutland (RCC) Paul Bimson – East Midlands Regional Partnership Director (BT) 22.
D Tipping Point Why we are where we are David W. Monk CEO European Digital Cinema Forum.
Distribution The film was produced by Assassin Films with the majority of the finance coming from FilmFour whose distribution arm was responsible for getting.
D Cinema in Europe – Stalled? An EDCF Overview David Monk, EDCF Gerald Buckle, Odeon Cinemas Michael Lambrechtsen, NFC.
DTI Opportunities. December 2004 Rob Hardeman Page 2.
1 Energy Innovation: Powering a Better Future Working Together to Make the Difference Against Diesel 5 June, 2015.
Euro Pallet Largest Pallet Pool in the World Control by the wood packaging industry Strict certification – EPAL & EURO marking and Number Costs 550 Euro’s.
Ownership & Funding of the TV & Film Industries. Funding of TV & Film Industries.
Film Distribution In the uk
UK box office in Look at the top 20.Discuss in pairs any patterns you notice, including those.
Stacey Gibbons Film Distribution. ‘Film Distribution’ refers to the marketing and circulation of movies in theatres, and for home viewing (DVD, Video-On-
 Many major companies in the film and television industry own smaller but known ones.  Examples of this are Comcast own E!, NBC and Universal Pictures.
Name two ways that trailers have changed to accommodate different platforms for viewing (i.e., phones or computer vs. theatrical trailers). (This question.
Market Penetration Importance of International Market Imax as global standard.
Joint Ventures in Asia. South Korea Joint Venture with CJ CGV, March 10, 2010 – Operates S. Korea’s largest multiplex cinema chain – 45% market share.
FILM DISTRIBUTION By: Bart Peter. F Film Distributor: A film distributor is a company or in rare cases an individual who act as an agent between film.
Norway – on the brink of a digital roll out An overview Presentation Oslo Jorgen Stensland Director of Consultants Film & Kino.
Question 3: What kind of media institution might distribute your media product and why? Rebecca Logan.
Grasping the European D Cinema Nettle David Monk CEO, European Digital Cinema Forum.
Essay Due Friday 15 th October 2010 Discuss the reasons for and against the use of digital technologies in the film industry. Use case studies to support.
Entertainment Marketing
Evaluating the impact of technology in film Production  Distribution & Marketing  Exchange.
Dutch Market million visitors 219 million box office Local product 17% 750 screens.
Film: Distribution. 1.The Majors Film: 2.Independents 3. Selling A Film 5. Logistics 4. Launching A Film.
Sony Digital Cinema Business 1 Toshihiko Ohnishi Senior Vice President Professional Solutions of America Sony Electronics Inc. Topics for Today 1.Market.
D-PLATFORM accompanying the European distributors in the digital transition.
Sony Digital Cinema Business 1 Toshihiko Ohnishi Senior Vice President Professional Solutions of America Sony Electronics Inc. Topics for Today 1.Market.
VOD: a new opportunity for independent distributors? Jean-Marie Le Guen NPA Conseil, Europa Distribution Conference, Estoril, Portugal, November 21st 2008.
Page 1www.ymagis.com Digital Cinema Ymagis, its business model and what it really means for european exhibitors, distributors and their relationships SECOND.
The VPF Model for Independents April AAM Services Installation & Maintenance Installation & Maintenance Content Services Content Services Cinema.
DIGITAL CINEMA January 2006 A Presentation to UNIC.
Film digital distribution, print and marketing. Film distributers  The key players in film distribution are the big companies which controls much of.
Evaluation – Question 3 What kind of media institution might distribute your media product and why? Animus By Sian Perrier.
Please have a look at the Box Office figures – what do you notice? Review any films you have seen this week.
THE NEW WORLD ORDER THE PACKAGE-UNIT SYSTEM. THE PRODUCER-UNIT SYSTEM OF PRODUCTION ( ) With expansion following sound, producer-unit system became.
Estoril VOD in the English Context Excitement over VOD Rise of VOD/EST and death of Video Reality – Not delivered what was “promised” Functionality,
PRIVATE AND CONFIDENTIAL Page 1January, 2006 Today’s Business Relationships Technicolor has a full understanding of the benefits and complexities of today’s.
By Katherine Gill. A film distributor is often an independent company, subsidiary company or on occasions an individual; who acts as a final agent between.
CONFIDENTIAL Lotte Entertainment Korea Distribution Partnership [Date]
What kind of media institution might distribute your media product and why?
A strategy for responding to internet distribution opportunities, and for working with other media and communications industries. Ultimately the report.
DRAFT 1 Privileged and Confidential 3D: FACTS AND FIGURES FOR THEATRICAL RELEASES.
1 Executive Summary Sony United – Supporting 3D Format Theatrical - Nine new films planned to be theatrically released in 3D in FYE11 through FYE13, including.
1 Motion Pictures Marketing & Distribution Spend ($ In millions) Marketing Savings – FYE11 Slate vs. Comparable FYE04 Slate Budget Assumptions Actual marketing.
EDCL EDCL European Digital Cinema Library. Context Digital cinema becomes a reality all over Europe This trend will accelerate in 2010: – VPF deals signed.
Movie piracy: threat to the future of films intensifies.
Little Miss Sunshine Key Aspect: Institution. Institution This key aspect deals with how the production of media output is organised, financed and controlled.
Chapter9 Flexible Universal and Accessible Design for Products, Services, and Processes 김희진.
Strategy and Current Status: Europa Distribution Conference Estoril November 2009.
What kind of media institution might distribute your media product and why? Evaluation, Question 3: ‘Captured’ Alicia Badcock.
1 SPIRIT Replacement Project April 15th, SPIRIT Replacement Overview SPIRIT, the domestic theatrical sales, distribution and revenue collection.
Chapter 8: Hollywood International. The Hollywood Majors ä Columbia—Tri-Star ä Disney ä MGM/UA ä Paramount ä 20 th Century Fox ä Warner Bros. ä Universal.
CONFIDENTIAL Korea Distribution Partnership Opportunity February 2010.
Film Promotion Emily Newell. Marketing Plan To market our film we plan on promoting our film in various different ways such as, posters and magazine articles.
2 Ioioioo Iooiioio Ioioioio Market OverviewFY09 Financial OverviewFY10 Financial Overview & Upcoming TitlesCompetitive Release ScheduleKey opportunities.
The American Film Industry
Cinema Distribution & Exhibition. Distribution Distribution: refers to the marketing and circulation of movies in cinemas, and for home viewing (DVD,
DIGITAL CINEMA in the Czech Republic Olga Raitoralová Ministry of Culture of the Czech Republic 21st October 2009, Rome.
Evaluation Question 3 What kind of media institution might distribute your media product and why? Hoodwink by Rebecca Bloomfield.
More Digital Cinema More Marketing Avatar The Boat That Rocked This Is England
Marketing Feature Films Yeah.... Step 1: Strategy/Plan The very first thing you need to consider is a strategy that encompasses marketing your film to.
Digital cinema: Virtual screens.
A Presentation to UNIC DIGITAL CINEMA January 2006
Oliver struggles with being popular in school but when a dark-haired beauty takes interest in him, he's determined to become the best boyfriend in the.
Presentation transcript:

The Digital Switchover in the UK and the Impact on Independent Distribution Alex Stolz Estoril, 21 st November 2008

About 300 screens installed of c.3400 in UK. 240 as part of the UKFC Digital Screen Network but the intent of the network was not to assist a rollout, but rather widen choice of films. Growing awareness and urgency around the need for a digital switchover plan/solution A Virtual Print Fee (VPF) is the likely funding model At least one major exhibitor believed to be in discussions independently and directly with studios on a VPF model An industry working group has been meeting to discuss developments and options going forward the story so far…

1. The smaller exhibitors 2. Distribution 3. The race against time 4. And… a possible solution What are the major issues?

the smaller exhibitors circuitcinemasscreens% of total cinemas% total screens%total box office Apollo %2.27%1.47% nat amusements %5.60%6.93% Cineworld %21.71%25.18% Empire %4.51%4.74% Odeon %24.87%27.70% Vue %16.25%20.19% subtotal2942, %75.22%86.20% independent totals %24.78%13.80% grand total7103,390 Cinemas in the UK 2007

the smaller exhibitors Analysis carried out of independent cinemas / not viable to buy gear independently Between cinemas may not generate enough VPFs to cover equipment Small market share - studios not compelled to assist other than for political reasons

Independent distribution Independent cinemas crucial for independent distribution VPF may not take into account independent release patterns Multiple aggregators / VPF deals could penalise specialised distribution

The race against time! 2009 key year for 3D studio product Bolt (Disney, Feb), Monsters vs Aliens (Paramount, April), Avatar (Fox, December) Pressure on studios for screens / commercial exhibs also want product

A potential solution One deal for all – no cinema left behind! Widest point of release used for VPF (not first run basis) Ordered and coordinated switchover to the benefit of all Protects non-saturation release patterns

A potential solution contd Requires all (or nearly all) of industry to take part No public funds required – the UK has none available!

To be continued….