Renaissance Art Characteristics Composition: balanced, static forms, often triangular in shape Medium: wall frescoes, egg tempura on wood panels, later.

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Presentation transcript:

Renaissance Art Characteristics Composition: balanced, static forms, often triangular in shape Medium: wall frescoes, egg tempura on wood panels, later used oil paints Sense of depth: linear perspective, atmospheric perspective, sfumato, chiaroscuro Use of light: recognized single light source that casts uniform shadows Subjects: religious figures updated into Renaissance costumes and settings; references to classical mythology Human form: reflected Renaissance humanism; freestanding statues using contrapposto; emphasis on underlying human anatomy

Masaccio

Donatello

Donatello vs. Michelangelo

Sandro Botticelli

Botticelli’s Annunciation

Leonardo da Vinci

Michelangelo

Raphael

Raphael’s portrait of Castiglione

Brunelleschi

Bramante

Andreas Palladio

Northern Renaissance Location: Netherlands, Flanders (Belgium), Germany Realistic: detailed, sharp focus on details of daily life Medium: oil paints on stretched canvas Use of Light: subtle variations of light and shade; atmospheric perspective Broke with Gothic past, but rarely used classical themes Religious themes: paintings often reflect religious intensity of the Reformation and Counter-Reformation Secular subjects: middle class Protestant merchants in the Netherlands wanted portraits, still lifes and other secular paintings. In Germany, the lives of peasants were carefully recorded by various artists Graphic arts: woodcuts and engravings appeared with the printing press and made inexpensive art widely available

Jan Van Eyck c

Van Eyck Arnolfini Wedding,1434

Hieronymous Bosch c

Pieter Brueghel: c

Magpie on the Gallows

Hans Holbein

Jane Seymour and Anne of Cleves

Albrecht Durer

Durer self-portraits

Mannerism: provided the transition between Renaissance and Baroque art styles of the 17th century rejected the symmetrical and realistic style of the Renaissance in favor of emotions, distorted figures, lurid colors and mystical scenes reflected the emotional turmoil of the Reformation, Counter Reformation and Thirty Years’ War techniques: unnatural lighting, diagonal compositions sometimes out of the frame, elongated bodies, swirling smoke or clouds, miraculous subject matter helped the Catholic church fight back against Protestant beliefs

Parmigianino c.1503-c.1540

Tintoretto:

El Greco

Contrast of the Annunciation by Giotto with El Greco’s version