So I marked some answers We might need some help...

Slides:



Advertisements
Similar presentations
The people Look for some people. Write it down. By the water
Advertisements

THE ART OF MAKING AN EFFECTIVE PRESENTATION?
Oral Presentations.
Bold Girls Prelim Practice Extract: P22-25 From (turning back to Deirdre) Thats quite… to …point where you liked.
A.
Animal Farm Objective To read Animal Farm (the play) to the end. To make notes 15 minutes before the end of the lesson. What is it about?
Concluding & Handling questions. Concluding Body Language.
Research for my trailer. Jodie Brookes. Taken The first trailer I decided to study was Taken. The first few shots are images of a girl with her dad,
One very important thing to remember when studying for a test is not to over study. That's right, there is such a thing as studying too much (but this.
Extract from “A Man Named Dave” by Dave Pelzer
Improvisation. IMPROVISE - To ad-lib, or invent dialogue and actions without a script or rehearsal IMPROVISATION – a spontaneous style of theatre using.
Section A Question 1 For Section A you must choose one of your performances. This question asks you to describe what the piece was about including the.
Higher Drama: Study of a Text in its Theatrical Context Essay Writing.
1 RUNNING a CLASS (2) Pertemuan Matakuliah: G0454/Class Management & Education Media Tahun: 2006.
Concluding & Handling questions. Concluding  How do you like to end your presentations?  Does the ending make a big difference to a presentation? How?
Public Speaking Competition. For the past five years Wallerawang Public School has been running a Public Speaking Competition. The purpose of this competition.
Body Language. Introduction 93% communication is non verbal: Body Language 55% Tone of Voice 38% Verbal 7%
Module 2A: Unit 2: Lesson 9 Analyzing the Model Essay: Studying Argument (Chapter 27 Plus Synthesis of Scenes in Previous Chapters)
SAT Prep: Improving Paragraphs AVID III Spring 2012.
Essential Presentation Skills
Giving a Presentation Chapter 12.
Parts with Explanations
Modern Slow Dance By T. Left Feet.
Voice and Movement Revision Created by L McCarry.
Presentation Construct and deliver a crafted and controlled oral text AS Credits.
Creative Response 2014 Drama Performance Guidelines.
Grade 7 Source Analysis The Fight!. Are all primary sources reliable? What are the good points and bad points of primary sources. What is bias– could.
Presentation Planning And Face to Face Communication.
RECALL, SPECULATE, INFER, CONTEXT CLUES. RECALL & SUMMARIZE FACTS SPECULATE (MAKE INFERENCES) USE CONTEXT CLUES.
Stanislavski’s system
Giving Oral Presentations
One way to inspire or inform others is with a multimedia presentation, which combines sounds, visuals, and text.
Journey’s End Exam preparation. Question Format You must answer 1 of 3 questions in 45 min. Response to extract passage Whole text focused question Empathetic.
Standard Grade Sample questions. List three characters in your drama and give the role of each. (3 marks) Answer: Jimmy – policeman Jean – mum James -
Communication Additional Notes. Communication Achievements 7% of all communication is accomplished Verbally. 55% of all communication is achieved through.
English Year 9 Lesson 13 SpiritualMoralSocialCultural 
Social responsibilityInequalityMorals and Ethics Class and Status Hindsight/KnowledgeTime Frames Dramatic devices Dramatic Tension SELFISHARROGANT MANIPULATIV.
 Stick in your homework.  Swap and mark using a purple pen. Mark using two stars and a wish focusing on the following:  How persuasive is their poster?
IMPROVISATION. Improvisation  The portrayal of a character or a scene without rehearsal or preparation.  There is NO formal script.  Character is conveyed.
English Year 9 Lesson 8 SpiritualMoralSocialCultural 
EFFECTIVE PRESENTATIONS. Some guidelines on presentations Preparations Tell everything 3 times Duration Attitude and voice Using aids Handling questions.
Bell Ringer Review: 1.How many times should you read a text? 2.What are the different focuses for each time you read.
How to make a good presentation? Presenter: Nguyen Xuan Vinh.
How would you define Improv? Improv is – the portrayal of a character or a scene without rehearsal or preparation. You make up the character, lines and.
Skills For Effective Communication
Poetry! This part of the exam is called Poetry Across Time. It counts for 35% of your English Literature grade It is divided into two questions: A question.
Understanding Standards Event Physical Education (Higher)
Sec 2EXP Literature EOY Exam Revision. Examination Format The EOY 2011 will examine students’ understanding in prose and Macbeth only. There will be no.
Take out a sheet of paper First and Last Name Date: Period: Subject: Macbeth Collaborative Discussion.
PEE PEE technique is vital if you are to do well in your Shakespeare essay = P OINT E VIDENCE E XPLAN / E FFECT.
SYNERGISTIC LEADERSHIP: STRENGTHENING OUR FOUNDATION THROUGH COLLABORATION.
 All examples are taken from student answers to the Timed Writing question about George Bernard Shaw's letter concerning his mother's cremation.
Fundamentals of Theatre I Mr. Morris. When the actor bears the responsibility of revealing the soul of a human being caught at a crucial moment and presenting.
The 21 Acting Lessons Sands and Keyes. 1. How do you do? How do you do is usually rote. How do you do is usually rote. Other times we really care Other.
Section C Blood Brothers E HOLMES Aims To gain knowledge and understanding of how to answer a Section C about a performer. To be able to complete.
INDIVIDUAL ORAL PRESENTATION (IOP) Counts for 15% of your overall Language A: Literature grade Based on the works studied in Part 4 of the course: The.
THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME Sarah Lim, Jordan Beveridge, Sarah Smith, Tristan Romani By: Mark Haddon.
When God was choosing a Mother for his Son, he wanted someone who believed in His love for her. He wanted a mother who could say, at any minute of her.
Writing the development section
Written Paper Grade Boundaries
The Wonder That Is Drama Theory !!!!
Questioning Techniques How can we try to engage more in Q&A?
Year 9 Drama Lesson 6 – Marcus meets his victim
Characters, plot, context, stagecraft, quotes
Year 9 Drama Lesson 3 – Young Offenders Institution
Drama At Cornwallis Academy
The Better Speaker Series
Level 2 Certificate in Fitness Instructing: Aqua
The Better Speaker Series
Section B: Scripted Piece. The Crucible
Presentation transcript:

So I marked some answers We might need some help...

Use the key words in your answer 0 5 Explain how you developed both your vocal and your physical skills during rehearsals to create a character that was appropriate to your group’s interpretation of the play script. Give clear details of your research, rehearsal and other preparation work that helped you to understand and perform your character. Give 3 examples

An explanation Any question starting with explain should be tackled as follows- 1. State what you wanted to achieve (the effect for the audience) 2. Give examples of how you achieved it 3. Use gingerbread man, possibly for a specific moment

Technique (use words from the question 1.What did Play text or your groups choices decided your character should be portrayed? 2.In rehearsal (improv, research, used music etc.) you created a character by (how you used your voice or physical skills) 3.Gingerbread man how you showed this, ideally applying it to a specific moment in the play (line, series of lines or action).

The playscript had made it clear that Christopher had Asperger’s Syndrome. I researched this and found that the symptoms, which I would need to portray to correctly create the character, were; not making eye contact, having nervous ticks, being easily overwhelmed and seeing things as facts rather than through emotions. When first rehearsing the scene where the policeman finds Christopher next to the dead dog, I developed a nervous tick to show I was overwhelmed by frantically rubbing my legs, darting my gaze around the stage (but never to the policeman’s eyes) and moaning gently to myself. When he asked ‘what are you doing?’ I responded in a matter of fact tone, and a puzzled face- showing Christopher does not understand why he has been asked such a simple question.

I played Stephanie Boyce in ‘Living with lady Macbeth’, my group interpreted her as a bully who was in a gang with the ‘pretty’ and popular girls. In order to create this side of my character, I chose a piece of cheerleading music with loud prominent claps and chanting which fit the tone of my character, I put this on in rehearsal to help me develop my physical skills appropriately to show her obsession with her appearance When I entered the stage I immediately pushed out my chest and bottom, to accentuate these features. I walked in time to the music swinging my hips to the rhythm, showing my character’s confidence. I stood close to the audience with my hand on my hip, glaring out at an imagined audience and shaking my head at them in time to the fast paced music showing how I judge them on their appearance. I then turned at the end of the intro, flicking my hair wildly again drawing attention to my appearance.

Technique (use words from the question 1.What did Play text or your groups choices decided your character should be portrayed? 2.In rehearsal (improv, research, used music etc.) you created a character by (how you used your voice or physical skills) 3.Gingerbread man how you showed this applying it to a specific moment in the play (line, series of lines or action).

Again, use key words from the Q Analyse your success in demonstrating your character’s attitude(s) to and/or relationships with other characters on stage at particular moments. You should refer to two specific sections of the play and give clear reasons to support your answer.

An analysis Any question asking for an analysis wants to you to explain why something was a success (this is because of the audience normally) So its- 1. I successfully showed… 2. How I did it (Gingerbread man) 3. Why it was a success (audience response, atmosphere it created, the length of a pause, the proxemics

Curious Christopher’s relationship/ attitude to (sum up in 3 or 4 words) - 1.Ed 2.Siobhan 3.His mother 4.Roger 5.Mrs Alexander 6.The Policeman 7.The Duty Sargent (If playing Ed; 1. Christopher, 2. Roger, 3. Judy) If you are writing about a different play, just list all the characters and briefly sum up

Gingerbread how you showed the relationship in 2 sections by screaming the line aggressively On the line “You stupid belching prick” showed Frank hates his mother in Law (although won’t say it outloud)... Jumped onto the table Mimed a aggressive, direct and hard kick at her head Crazed wide eyes, screwed up face and head shaking with tension On the line “I wish they were dead” showed Frank genuinely as no care for his mother in law and wife Voice calm and genuine, pause between they and dead- emphasized word dead by annunciating the hard d sounds Hands tightly clasped together as if praying for it to be true Complete this for 2 or 3 lines in the section. You have 15/20 minutes depending on how the lesson is going

I feel I successfully showed Frank’s deep and unspoken hatred for his Mother in law in the section when the rest of the cast froze and I acted out Frank’s thought’s about his mother in law, right after she had belched. On the line ‘I wish they were dead’ I turned to the audience and remained fairly calm and had a genuine tone to my voice- showing how sincere Frank felt. I also left a pause between they and dead to help emphasise the word dead, which I further achieved by annunciating the hard d sounds. I looked up and tightly clasped my hands together, with so much tension they were shaking, as if praying for it to come true. I further showed my character’s attitude towards his mother in law a few lines later when I leapt on the table (again this was still Frank’s imagination) and aggressively mimed kicked her in the head while screaming ‘You stupid belching prick!”, I turned to the audience to show my wide, crazed eyes and screwed up face. My whole body was shaking with tension, demonstrating just how poor Frank’s relationship with his mother in law is.

Analyse your success in demonstrating your character’s attitude(s) to and/or relationships with other characters on stage at particular moments. You should refer to two specific sections of the play and give clear reasons to support your answer.