Musical Theatre’s Essentials Ms. Lirette Fall 2014
Structure Shows since Rogers and Hammerstein Succeed due to their structure Even when the audience doesn’t know it. Until Show Boat (1927), musicals were mostly revue-style shows Librettos with stock characters Cliché situations Songs and plots not necessarily linked
Tin Pan Alley
Vaudeville
Spice of 1922
Shuffle Along Broadway 1921 first financially successful Broadway play to have African-American writers and an all African-American cast
Songs and Theatre Intellectual and emotional response Connected to the plot? What is the aim of a song?
Possible aims of a theatrical song Pleasant musical interlude In integrated musicals Tell something about the character Create the proper mood for a scene Advance the plot Disadvantages to this model? Songs may NEED the context of the show to succeed. Sell the show “production number”