Musical Theatre’s Essentials Ms. Lirette Fall 2014.

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Presentation transcript:

Musical Theatre’s Essentials Ms. Lirette Fall 2014

Structure  Shows since Rogers and Hammerstein Succeed due to their structure Even when the audience doesn’t know it.  Until Show Boat (1927), musicals were mostly revue-style shows  Librettos with stock characters  Cliché situations  Songs and plots not necessarily linked

Tin Pan Alley

Vaudeville

Spice of 1922

Shuffle Along Broadway 1921 first financially successful Broadway play to have African-American writers and an all African-American cast

Songs and Theatre  Intellectual and emotional response  Connected to the plot?  What is the aim of a song?

Possible aims of a theatrical song  Pleasant musical interlude  In integrated musicals  Tell something about the character  Create the proper mood for a scene  Advance the plot  Disadvantages to this model? Songs may NEED the context of the show to succeed.  Sell the show “production number”