Art criticism: part 2 ~ slide 1

Slides:

Advertisements

Similar presentations

What is Digital Art? Warren Sack Associate Professor, Film & Digital Media Department affiliated faculty, Computer Science Department affiliated faculty,

Advertisements

Bell's Theory of Art Bell’s requirements for constructing a Theory of Art The ability to think clearly. The possession of an artistic sensibility. (the.

1. Develops ideas, plans, and produces original paintings from these content areas: observation experiences, imagination, and emotions.

Arthur Danto Introduction to Beyond the Brillo Box:

Aesthetics: Philosophy of Art Plato: art imitates reality. By focusing on mere appearances, art distracts us from the truth and appeals to socially destructive.

Color A useful and powerful tool to enhance your intent. It causes different responses – both emotional and subconsciously. People and cultures have different.

Pop Art Once you “got” Pop, you could never see a sign the same way again. And once you thought Pop, you could never see America the same way again. --Andy.

Let’s Meet Many Famous Artists

Art and Theory Arthur C. Danto. Two influential articles The Artworld (1964) The End of Art (1986)

Pop Art Art based on modern popular culture and the mass media. Had its origins in England in the 1950s and made its way to the United States during the.

AP Art History PowerPoint Project byJoey McGinn zq_titian_nymph_1576_mcgi Alpha/#key below: a=1, b=2,c=3, d=4, e=5, f=6, g=7, h=8, i=9, j=10, k=11, l=12,

Pop Art was an art movement in the late 1950s and 1960s that reflected everyday life and common objects. Pop artists blurred the line between fine art.

= Appropriation in Art Homage or Insult?

Pop Art (1958 – 1975). Art history The Pop Art movement originated in England in the 1950s and traveled overseas to the United States during the 1960s.

Disciplines of the Humanities Arts Disciplines Visual art- drawing, painting, printmaking, sculpture, photography Performing art- music, theatre, dance,

Pop Art - Movement Pop Art Once you “got” Pop, you could never see a sign the same way again. And once you thought Pop, you could never see America.

Module 3 Art Criticism and Aesthetic Judgment Based on the book, Art Talk by Rosalin Ragans Henri Matisse. Purple Robe and Anemones Oil on canvas.

Pop Art Once you “got” Pop, you could never see a sign the same way again. And once you thought Pop, you could never see America the same way again. --Andy.

MARKETING KIT LUISA HENAO ART. about The Artist, Luisa Henao, is inspired by good vibes. She recognizes them as both thick and thin – and always incorporates.

Raphael. Transfiguration Type oil on wood, 405 cm × 278 cm (159 in × 109 in). Pinacoteca Vaticana, Vatican City.

Art and History Historical Perspective through Artistic Representation.

Roy Lichtenstein (1960’s) Pop art –Art based on popular items at the time of creation –Very fun art! –Cartoony.

Art 1A Semester Final Dajuan B.. Principles and Element of Art.

Pop art 16. Does art have to be high-minded to be good?

Practice using the Frames. Using the Subjective Frame, what could we say about this work by JMW Turner? Review: the Subjective Frame talks about emotions,

Warhol, Johns, Rauschenberg, Oldenburg, Lichtenstein, Jones, Murakami.

7 th Grade Art Mr. Stickley. Curriculum is Disciplined Based Art Production Art Criticism Art Aesthetics Art Philosophy Art Production Art Criticism Art.

Aesthetics Part 2. Definition Two: Aesthetics Function: noun 2. A branch of philosophy dealing with the nature of art and beauty.

POP ART. The title of this art movement comes from the word popular – as in popular music, or pop music. Pop Art took its inspiration from popular culture.

Pop Art Once you “got” Pop, you could never see a sign the same way again. And once you thought Pop, you could never see America the same way again. --Andy.

THE ARTS All religions, arts and sciences are branches of the same tree. Albert Einstein Albert Einstein.

Impressionism and Post- Impressionism (1850–1920) The Impressionist style shows the effects of light and atmospheric conditions in artworks that spontaneously.

Using the knowledge framework to examine the arts.

Objet d’art Based on a lesson plan by Sherron Burns & Donna DesRoches.

ENRICHMENT CHAPTER: ART AND MEANING P H I L O S O P H Y A Text with Readings ELEVENTH EDITION M A N U E L V E L A S Q U E Z.

Unit 2: Art by Design AVI 2O

An Introduction to COLOR THEORY Color is one of the most expressive elements because its quality affects our emotions directly and immediately. - In.

Pop Art Fine Art Mrs. Estoch. Andy Warhol (American, ), Campbell's Tomato Soup, 1962, oil on canvas.

Minimal and Conceptual Art Late 60s and the 70s. Minimalism The term, Minimalism, was given by critics in attempt to explain the work. These artists continued.

Developing a Way to Talk About Art. We are surrounded by images, but how do we read visual information? It is impossible to recognize, understand, or.

POP ART Featuring : ANDY WARHOL. POP ART and CULTURE Pop Art began in the 1960’s as a movement and style that focused on images from Popular Culture such.

Art and Knowledge. Agree or Disagree! Arts have a practical function Arts only give pleasure Art contributes to our knowledge of the world Art would help.

Danto on the end of art ~ part I ~ slide 1 Danto on the end of art zArthur C. Danto. “The End of Art.” In The Death of Art. Ed. Berel Lang. NY: Haven Publishers,

Pop Art Once you “got” Pop, you could never see a sign the same way again. And once you thought Pop, you could never see America the same way again. --Andy.

Andy Warhol and the Pop art

POP ART Robert Rauschenberg Keith Harring Roy Lichtenstein Andy Warhol

Danto on the end of art ~ part II

Dickie’s institutional theory of art

Finger print portraits

Pop Art Once you “got” Pop, you could never see a sign the same way again. And once you thought Pop, you could never see America the same way again. --Andy.

Pop Art Once you “got” Pop, you could never see a sign the same way again. And once you thought Pop, you could never see America the same way again. --Andy.

Pop Art Once you “got” Pop, you could never see a sign the same way again. And once you thought Pop, you could never see America the same way again. --Andy.

Pop Art Once you “got” Pop, you could never see a sign the same way again. And once you thought Pop, you could never see America the same way again. --Andy.

Aesthetics: Philosophy of Art

Pop Art Once you “got” Pop, you could never see a sign the same way again. And once you thought Pop, you could never see America the same way again. --Andy.

Aesthetics Part 3 The Andy Warhol Museum Carnegie Museum of Art

Aesthetics: Philosophy of Art

Drill: 11/28/2018 After reading the definition, explain why this image would classified under Formalism. Formalism: A theory of art which places emphasis.

Aesthetics Part 2.

10 minutes Working with the people on your table, write down as many things as you can about: POP ART How did you do? Can you answer the following questions….

Dickie’s institutional theory of art

Pop Art Once you “got” Pop, you could never see a sign the same way again. And once you thought Pop, you could never see America the same way again. --Andy.

Pop Art Once you “got” Pop, you could never see a sign the same way again. And once you thought Pop, you could never see America the same way again. --Andy.

Pop Art Once you “got” Pop, you could never see a sign the same way again. And once you thought Pop, you could never see America the same way again. --Andy.

Unit 1: Perception, Art, and Technology

Pop Art Once you “got” Pop, you could never see a sign the same way again. And once you thought Pop, you could never see America the same way again. --Andy.

Pop Art Once you “got” Pop, you could never see a sign the same way again. And once you thought Pop, you could never see America the same way again. --Andy.

Pop Art Once you “got” Pop, you could never see a sign the same way again. And once you thought Pop, you could never see America the same way again. --Andy.

Presentation transcript:

Art criticism: part 2 ~ slide 1 Danto on the Artworld Arthur Danto. “The Artworld.” The Journal of Philosophy (1964): In Wartenberg. Mimetic theory (IT - Imitation Theory) was commonplace until the rise of photography in the 19th century. How can we account for the vast variety of art after Post-Impressionism? Art criticism: part 2 ~ slide 1

Art criticism: part 2 ~ slide 2 Danto on the Artworld What is needed is a new theory which can take into account all of Post-Impressionist art, a theory which regards this art as much genuine art, that is, real -- as the art of the Imitation theory. Danto calls this proposal for a successor theory RT (for Reality Theory?) Art criticism: part 2 ~ slide 2

Art criticism: part 2 ~ slide 3 Danto on the Artworld Contemporary art which raises questions about whether this works are really art? The art of Roy Lichtenstein (U.S., b. 1923) Jasper Johns (U.S., b. 1930) Robert Rauschenberg (U.S., b. 1925) Claes Oldenburg (Sweden, U.S., b. 1929) Art criticism: part 2 ~ slide 3

Art criticism: part 2 ~ slide 4 Danto on the Artworld It is easy to mistake some of their artworks for the “real” thing. How can we distinguish? When we say this is a work of art and not a Brillo box, what is the sense of artistic identification of the “is”? Note that the acceptance of one identification rather than another is the acceptance of one world rather than another. Art criticism: part 2 ~ slide 4

Art criticism: part 2 ~ slide 5 Danto on the Artworld Andy Warhol Brillo 1964 plywood boxes with serigraph and acrylic boxes: 43.2 x 43.2 x 35.6 cm each Purchased 1967 National Gallery of Canada (no. 15298.1-8) Art criticism: part 2 ~ slide 5

Art criticism: part 2 ~ slide 6 Danto on the Artworld How can we recognize a painting of a pure white or black field as a work of art rather than a wall or window covering? “To see something as art requires something the eye cannot decry – an atmosphere of artistic theory, a knowledge of the history of art: an artworld” (218). Andy Warhol’s Brillo boxes Art criticism: part 2 ~ slide 6

Art criticism: part 2 ~ slide 7 Danto on the Artworld The idea of regarding art styles as a matrix. As the matrix expands, the Artworld becomes richer. Even all minuses on one row of the matrix only makes sense within the context of the pluses. Art criticism: part 2 ~ slide 7