BAROQUE 17 TH CENTURY. WHERE DOES “BAROQUE” COME FROM? Pejorative word to define an exuberant and exaggerated art in contrast to Renaissance art and New.

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Presentation transcript:

BAROQUE 17 TH CENTURY

WHERE DOES “BAROQUE” COME FROM? Pejorative word to define an exuberant and exaggerated art in contrast to Renaissance art and New Classicism. CHRONOLOGY Predominant art style during the 17 th century and part of the 18 th century COLLEGIATE CHURCH OF CATANIA, ITALY

DIFFERENCES WITH RENAISSANCE ART RENAISSANCE ART BAROQUE ART -BALANCE -IDEAL OF BEAUTY -SIMPLICITY -PROPORTIONS -STRAIGHT LINES -PREDOMINANCE OF DRAWING OVER COLOUR AND LIGHT -MOVEMENT -REALISM IN REPRESENTATIONS -COMPLEXITY -INTEREST IN SURPRISING THE AUDIENCE - CURVED LINES, CONCAVE AND CONVEX -PREDOMINANCE OF COLOUR AND LIGHT OVER DRAWING

BAROQUE ART was… A reflection of society ART OF ABSOLUTE MONARCHIES ART OF THE COUNTER-REFORMATION (CATHOLIC COUNTRIES) BOURGEOIS ART (PROTESTANT COUNTRIES)

ARCHITECTURE MAIN PURPOSE: CREATE SENSATION OF MOVEMENT IN BUILDINGS USE OF CURVED LINES SPIRALS ELLIPTIC AND OVAL FLOOR PLANS SOLOMONIC COLUMNS CONTRAST OF LIGHTS AND SHADOWS

SQUARE AND COLONNADE OF SAINT PETER OF THE VATICAN, GIANLORENZO BERNINI

SCHEME OF BERNINI´S COLONNADE

BERNINI´S COLONNADE

BALDACHIN OF SAINT PETER OF THE VATICAN, GIANLORENZO BERNINI

CHURCH OF SAN CARLO ALLE QUATTRO FONTANE, FRANCESCO BORROMINI

DOME AND INTERIOR OF SAN CARLO ALLE QUATTRO FONTANE´S CHURCH, FRANCESCO BORROMINI

VERSAILLES PALACE, LE VAU, MANSART AND LE NÔTRE

GARDENS OF VERSAILLES PALACE

HALL OF THE MIRRORS, VERSAILLES PALACE

LES INVALIDES CHURCH (PARIS), MANSART

SCULPTURE MAIN PURPOSES: REPRESENTING MOVEMENT, CAPTURING FLEETING MOMENTS, PROVOKING SURPRISE AND EMOTION TO THE AUDIENCE. MAIN FEATURES: USE OF CURVED LINES AND CLOTH FOLDS TO INTENSIFY THE SENSATION OF MOVEMENT.

APOLLO AND DAPHNE, GIANLORENZO BERNINI

ECSTASY OF SAINT THERESA, GIANLORENZO BERNINI

TOMB OF URBAN VIII, GIANLORENZO BERNINI

TOMB OF ALEXANDER VII, GIANLORENZO BERNINI

FONTANA DI TREVI, NICOLA SALVI

FOUNTAIN OF THE NEWT, BERNINI

FOUNTAIN OF THE FOUR RIVERS, BERNINI

PAINTING MAIN FEATURES -USE OF OIL PAINTING -PREDOMINANCE OF COLOUR AND LIGHT OVER DRAWING -CHIAROSCURO: CONTRASTS OF LIGHT AND SHADOW -REALISTIC REPRESENTATIONS -MOVEMENT -COMPLEX COMPOSITIONS (FORESHORTENED FIGURES, ASYMMETRY, CURVED LINES…) -INTEREST IN SHOCKING OR SURPRISING THE AUDIENCE

THE CONVERSION OF SAINT PAUL ON THE WAY TO DAMASCUS, CARAVAGGIO

THE CRUCIFIXION OF SAINT PETER, CARAVAGGIO

THE ENTOMBMENT OF CHRIST, CARAVAGGIO

THE CALLING OF SAINT MATTHEW, CARAVAGGIO

DEATH OF THE VIRGIN, CARAVAGGIO

THE THREE GRACES, RUBENS

THE DESCENT FROM THE CROSS, RUBENS

THE ADORATION OF THE MAGI, RUBENS

THE DUKE OF LERMA, RUBENS

HERCULES DRUNK, BEING LED AWAY BY A NYMPH, RUBENS

REMBRANDT, SELF-PORTRAITS 22 YEARS OLD WITH TWO CIRCLES 63 YEARS OLD More self-portraits:

ANATOMY LESSON OF DR. NICOLAES TULP, REMBRANDT

SYNDICS OF THE DRAPERS´ GUILD, REMBRANDT

THE SLAUGHTERED OX, REMBRANDT

THE NIGHT WATCH, REMBRANDT

THE LACEMAKER, VERMEER

GIRL READING A LETTER AT AN OPEN WINDOW, VERMEER

THE MILKMAID, VERMEER

GIRL WITH A PEARL EARRING, VERMEER

ALLEGORY OF THE ART OF PAINTING, VERMEER

THE GEOGRAPHER, VERMEER