The Renaissance Chapter 13-3. Mannerism Michelangelo was the bridge between Italian Renaissance Art and Mannerism Michelangelo was the bridge between.

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Presentation transcript:

The Renaissance Chapter 13-3

Mannerism Michelangelo was the bridge between Italian Renaissance Art and Mannerism Michelangelo was the bridge between Italian Renaissance Art and Mannerism Belief that painting in the Renaissance style had reached perfection so… Belief that painting in the Renaissance style had reached perfection so… Exaggerated poses, elongated limbs, weird Exaggerated poses, elongated limbs, weird

Tintoretto’s Baptism of Christ

El Greco was the greatest Mannerist of all Unnatural pigments Elongated Limbs

The Burial of Count Orgaz

The Northern Renaissance The Northern Renaissance was The Northern Renaissance was More Religious More Religious More emotion in the art More emotion in the art More detailed especially in the background More detailed especially in the background More preoccupation with death More preoccupation with death The art in the North reflected Christian Humanism: How can the knowledge of human nature as revealed in the ancient texts be blended with Christian principles to create a better (more Christian) world?

Flemish Style Van Eyck: Perfected oil painting Had much religious symbolism Arnolfini and his Wife

Netherlands Bosch: Symbolism, surreal, fantasy Death and the Miser Peter Bruegal the Elder Peasant Wedding Not much Renaissance influence Focused on lives of ordinary people

Death and the Miser

Peasant Wedding

The Germans Durer: Master of the woodcut Was the first to bring Renaissance style to the North Hans Holbein the Younger: Portraits The Ambassadors Henry VIII Erasmus

Durer’s Four Horsemen of the Apocalypse

The Ambassadors

Henry VIII

Erasmus

(Spain)El Greco’s The Holy Trinity

The Fugger Family Like the Medici, they were bankers who patronized the arts in the North