BAROQUE AND ROCOCO. mannerism Reflected the anxiety, uncertainty, and yearning for a spiritual experience that marked the end of the Renaissance… A deliberate.

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Presentation transcript:

BAROQUE AND ROCOCO

mannerism Reflected the anxiety, uncertainty, and yearning for a spiritual experience that marked the end of the Renaissance… A deliberate attempt to break down the Renaissance principles of harmony, balance and moderation Deliberate distortion of the rules of proportion… Elongated figures Suffering Strong emotional atmosphere

Michelangelo’s Last Judgement

mannerism…El Greco’s Laocoon

The original…in the Vatican Museum

View of Toledo

Andrea Palladio: Villa Andrea Palladio: Villa Rotondo, Vincenza 1550…scholarly classicism

Giacomo Vignola Il Gesù, Rome 1568 Mannerism to Baroque… Direct, dramatic, emotional… Mother church of the Jesuits

What is BAROQUE? Began in Italy in the last quarter of the 16 th century Most popular with the Catholics Eventually spread to all of Europe and Latin America A merging of the classical ideals of the Renaissance with 16 th century religious revival Dramatic effects designed to provoke emotion Reflected the search for power

Peter Paul Rubens The Landing of Marie de Medici at Marseilles

The Three Graces… Peter Paul Rubens… “Rubenesque”!!!

“ The Fall of Phaeton” by Rubens

Bernini and St. Peter’s…

The Baldachin in St. Peter’s

Baroque painting… a summing up of the previous two centuries Ideas and discoveries that ended the Middle Ages had lost their newness Ideas and discoveries that ended the Middle Ages had lost their newness Colonists followed explorers Colonists followed explorers Scientists laid the foundation for today’s technologies Scientists laid the foundation for today’s technologies

Elements of Style Renaissance Restrained, orderly Symmetrically balanced Calm and rational Michelangelo RaphaelBoticelliBaroque Dramatic use of lighting Use of movement, action Glorification of subject Gian Lorenzo Bernini Michelangelo da Caravaggio

Renaissance: Calm and composed David by Michelangelo

Gian Lorenzo Bernini The Ecstasy of St. Theresa of Avila p. 476

Renaissance: Symmetrically Balanced Christ Giving the Keys to Peter by Perugino

Baroque Style: Dramatization Entombment of Christ by Caravaggio

Caravaggio: Supper at Emmaus 1598

Caravaggio: The Cardsharps 1596

Artemisia Gentileschi “Judith Beheading Holofernes” p. 477

Dutch Painting… Realism Vermeer: The Milkmaid

Vermeer: The Astronomer

Rembrandt-Anatomy Lesson

Judith Leister: Self Portrait p. 478

Rembrandt: Syndics of the Cloth Guild p. 478

Rembrandt “Aristotle contemplating the bust of Homer” 1653

Pieter de Hooch..”The Mother”

Pieter de Hooch…”The Linen Cupboard”

French Classicism

King Louis XIV ( ) …patron of the arts …Royal Academy of Painting and Sculpture …Palace of Versailles

Pousin: Apollo and Daphne

Dance to the Music of Time

Rococo Similar to Baroque, tends to be more graceful

Rococo