Repertories with special needs vs. Common Western Notation (CMN) Music 253/CS 275A Stanford University.

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Presentation transcript:

Repertories with special needs vs. Common Western Notation (CMN) Music 253/CS 275A Stanford University

CS 275A/Music Eleanor Selfridge-Field2 Written representations of music  Common Western notation (CMN) References specific pitches and relative durations Assumes regularity of meter Has numerous graphical conventions Is flexible and extensible (up to a point) Potential includes hundreds (or thousands) or graphical objects Has numerous organizational conventions (scores, parts, etc.) Meaning of given object often conferred contextually hhh eehH HQQQ mm

CS 275A/Music Eleanor Selfridge-Field3 Written representations of music  Western non-common A. Neumes: specifies relative pitches, often in patterned groups associated with particular words or syllables B. Mensural notation: differentiates multiple organizational hierarchies for meter and duration C. Tablature: pitch and note onset information tied to gestural info D. Music since 1950: arbitrary requirements for irregular meter, unusual tunings, unusual gestures E. Braille MN: tactile output of binary representation; several methods of organization and national dialects

A. Neumes CS 275A/Music Eleanor Selfridge-Field4 Staves: usually 4-line Notes: shapes not standardized Durations: not explicit Lyrics (lang.): mainly Latin Lyrics (script): special fonts, diacriticals

B. Mensural notation CS 275A/Music Eleanor Selfridge-Field5 Dufay Ockeghem: Requiem, Introit Metrical hierarchies

C. Fretted-instrument tablature CS 275A/Music Eleanor Selfridge-Field6 Six-string grid Duration separated Many graphical dialects Lute

C. Tablature (guitars) CS 275A/Music Eleanor Selfridge-Field7 Guitarron (Mariachi) Russian 7-string French 5-string Electric bass: 4-string Acoustic 6-string

C. Classical guitar CS 275A/Music Eleanor Selfridge-Field8 Andalusian

C. Tablature as…. CS 275A/Music Eleanor Selfridge-Field9 As pictographs As numeric codes As other graphs Musette tablature

C. Wind and keyboard tablatures CS 275A/Music Eleanor Selfridge-Field10 Recorder tablature

C. Trumpet tablature CS 275A/Music Eleanor Selfridge-Field11

C. Anatolian folk instruments CS 275A/Music Eleanor Selfridge-Field12

D. Recent music CS 275A/Music Eleanor Selfridge-Field13 Articulation marks Compound meters Polymeters Quarter-tones Off-staff presentations Graphical-analytical markup

D. Systems of arbitrary complexity CS 275A/Music Eleanor Selfridge-Field14 Hyo-Shin Na’s “Rain Study” Typeset in SCORE by Craig Sapp (c. 2008)

E. Braille music notation  Requires impact printing (raised “cells” of information)  Two chapters on Braille MN in Beyond MIDI CS 275A/Music Eleanor Selfridge-Field15 Cells 1, 2, 4, 5: “data” bits Cells 3, 6: switches

Non-Western music CS 275A/Music Eleanor Selfridge-Field16 Tuning systems unpredictable Ambiguities of tuning, temperament, scale degrees Non-Western instruments (gesture) String Wind Percussion Tuned percussion Different understandings of pitch and duration

Other special-needs repertories CS 275A/Music Eleanor Selfridge-Field17 Cheironomic notation Greek Orthodox chant Tibetan chant

Combinations of the above CS 275A/Music Eleanor Selfridge-Field18 Greek Orthodox chant in Braille music notation

SCORE for special notations  Has extensive drawing capabilities Anticipated PostScript in use of splines  Has a few “palettes” for special characters Chant Mensural notation Tablatures (harp, trumpet, drum, guitar) Large-print notation (for plotter) [no Braille MN] CS 275A/Music Eleanor Selfridge-Field19

User control  Comes at price of parametric manipulation! CS 275A/Music Eleanor Selfridge-Field20