KODAK KEYKODE NUMBERS The Essential Reference Guide for Filmmakers.

Slides:

Advertisements

Similar presentations

About Video Media Concepts The Spill Resource Page.

Advertisements

Intro. to Film Studies Visual Elements. Shot The basic storytelling tool for the filmmaker A single view from the camera From one cut until the next –

DIGITAL WORKFLOW The Essential Reference Guide for Filmmakers.

Program Stru cture How To C.O.P.E with program structure Structural considerations which should be the basis of each edit.

What We Must Understand

IAT-241 Animation Storytelling

Digital Multimedia Week 3. Digital Multimedia CALENDAR.

Digital and Interactive Multimedia

Video Editing Editing Techniques and Concepts On-Line and Off-Line Editing Editing Process Editing Styles and Considerations Editing Guidelines Linear.

A Pixel is a Pixel is a Pixel…

Chapter ten Producing Ads for Print, Electronic, and Digital Media McGraw-Hill/Irwin Essentials of Contemporary Advertising Copyright © 2007 The McGraw-Hill.

+ An Introduction to Using QR Codes. + What is a QR Code? Abbreviated from “Quick Response” Code It’s a two-dimensional barcode, which makes it powerful!

Introduction to Video Communications The Production Process TGJ2O – Grade 10 Comm-Tech Bluevale Technology.

Master Technology Teacher Competency 004: F-G Blanca E. Pena EDTC – Fall 2012.

INTRO TO THE CLASS Arts, Audio and Video Technology and Communications.

Pre-Production Production Post-Production

Week 2 - Lecture Interactive Digital Moving Image Production | CU3003NI | - Pratik Man Singh Pradhan.

C HAPTER 19: V IDEO E DITING. V OCABULARY : Assemble Edit Mode: Linear editing process in which using a blacked tape in the recorder is not necessary.

1 Production Process - overview  Three major stages of production  Preproduction –Planning, research, writing, organizing  Production –Shooting, recording,

Video Editing Mr.Gorman Media Literacy Harrison Prep

Audio Post Production Workflow

FILM SPECIFICATIONS The Essential Reference Guide for Filmmakers.

FILMMAKING FINAL EXAM REVIEW. 180 DEGREE RULE  this is the rule which states that if two people are filmed in a sequence there is an invisible line between.

Editing You have many ways to put your video together.

Visual Effects You can’t believe everything you see!

 Almost every home in the U.S. has at least one television set.  A television program draws in a specific type of audience.  Moving pictures. You don’t.

1 12 Systems Analysis and Design in a Changing World, 2 nd Edition, Satzinger, Jackson, & Burd Chapter 12 Designing Systems Interfaces, Controls, and Security.

MULTIMEDIA Is the presentation of information by a computer system using graphics, animation, sound and text.

Passage Three Multimedia Application. Training target: In this part ， you should try your best to form good reading habits. In order to avoid your ill.

CHAPTER 4 EDITING. CHAPTER OBJECTIVES  Explore the Theoretical Foundations for Editorial Decisions;  Gain an understanding of the universal features.

Documentary Film Note Taking For Use With: Vietnam: A Television History Frontline Films.

Desktop Video. Basics Desktop Video Desktop Video Frame Rate Frame Rate.

Production Process The steps to follow when making digital videos.

POSTPRODUCTIONS EDITING Pertemuan 10 Matakuliah: O0382 – Dasar-dasar Produksi Siaran Televisi Tahun: 2010.

Starter recap In pairs brainstorm one of the key skills development areas we have covered already: Creativity Digital Technology Feedback and apply one.

ORGANIZING AND DESIGN PRINCIPLES FOR VIDEO MyGraphicsLab Adobe Premiere Pro CS6 ACA Certification Preparation for Video Communication Copyright © 2013.

IMovie/6-12/Session 1 of 3 Workshop Title. Focusing Questions How can we import and edit video footage in iMovie? How can we use iMovie to tell a story?

Pro Tools 7 Session Secrets Chapter 7: Post Production and the World of surround.

IMPACT OF EDITING Mitchell Waters. TIME LINE  Lumiere Brothers were the pioneers of the moving image production.  Georges Melies revolutionized film.

Quantum Numbers pt 1. Quantum Numbers Electron Address – describes location of outer most electron 4 digit quantum number set – each element unique Q#

Windows Movie Maker /6-12/Session 2 of 3 Workshop Title.

Windows Movie Maker /6-12/Session 1 of 3 Workshop Title.

SHAREE THIELEMANN Video Production. Introduction Plan a Lesson Content Standards Assessment Student Work Reflections Resources Step Guides Technology.

Verification & Validation. Batch processing In a batch processing system, documents such as sales orders are collected into batches of typically 50 documents.

Industry workflow:  Scripting: Movie is conceived or written  Production: Where you create your footage, capturing performances using video or film cameras,

Film Techniques Year 10. Parallel Action Two or more actions that are linked by the film to appear simultaneous. Two or more actions that are linked by.

In order to be a film editor you need to have great people skills. People skills are key in working your way up in the business world, because connections.

Question 1A – Digital Technology. It’s About The Development Of Your Skills  30 second match-on-action video  Thriller film opening  Lip sync video.

User Feedback Lesson 10. Modules 10.1Begin filming demo video 10.2Continue working on pitch video 10.3Continue working on prototype.

JDS5 Training Guide. On Start Up you will see this screen click the OK button Click OK.

Royal Mail Advertising Mail Overview. 2 Definition Mailings which comprise a largely uniform message to all addressees, with the purpose of promoting.

Question 1a Research and Planning. It’s About The Development Of Your Skills  30 second match-on-action video  Thriller film opening  Lip sync video.

Video Techniques. Wide Shot ● Generally used at the start of video pieces ● Shows the whole scene ● Sets the stage for the video piece.

Video Technology What you will be expected to learn in this class.

Bonnie & Clyde (1967) North by Northwest (1959).  Post-production  Considered by filmmakers as the most important step in creating the look or shape.

Question 1a Research and Planning. It’s About The Development Of Your Skills  30 second match-on-action video  Thriller film opening  Lip sync video.

Time-code. An additional electronic, digital signal which is recorded onto videotape as a reference for each video frame.

Digital Photography I & II Your guide to understanding photography in a digital world.

THE EDITING PROCESS THE LAST CHANCE. KEYS TO EDITING  Selecting  Combining  Trimming  Adding.

AUDIO & VIDEO PRODUCTION PRELIM LECTURE 2. ADOBE PREMIERE TOOLS PANEL (TOOLBOX) Toolbox The toolbox contains common tools used for editing clips in the.

Rayban Sunglasses for Best Look

Production Process - overview

Digital and Interactive Multimedia

3 Be able to repurpose and test a range of digital media assets

What do they have in common?

VISUAL EDITING The “Creative Stage”.

Digital and Interactive Multimedia

Editing Picture and Sound

Intro to Cornell Notes

Production Process - overview

Presentation transcript:

KODAK KEYKODE NUMBERS The Essential Reference Guide for Filmmakers

KEYKODE Numbers Human-readable key numbers Machine-readable KEYKODE numbers These numbers provide a unique address for every frame Used worldwide to save time and improve accuracy

KEYKODE Numbers – Human-readable Five Elements 1.Manufacturer’s code – K or E for Kodak 2.Film identification code 3.Prefix number 4.Footage count numbers 5.Zero-frame reference mark

KEYKODE Numbers – Machine-readable Barcode Detail

35mm KEYKODE Numbers Intermediate, mid-foot numbers Useful for identifying very short scenes Mid-foot key numbers are printed midway between the main key numbers Smaller font and +32

65mm KEYKODE Numbers There are two intermediate-key numbers on 65mm +40 perforations and +80 perforations

16mm KEYKODE Numbers Same as 35mm except for the zero-frame reference dot On 16mm it is above the film manufacturers’ letter

Digital Readout Logging the original film: a KEYKODE reader on the film processor or bench reader is required a database is accurately created for all subsequent editing and negative matching

Digital Postproduction KEYKODE technology has really made an impact in digital postproduction: Film is transferred on a telecine KEYKODE Numbers are read and correlated with video time codes Video and audio are digitized for nonlinear editing An EDL is produced for the online auto conform

KEYKODE Numbers and Time Code

Edit Decision List (EDL) Audio and video are digitized for nonlinear editing. Editing system produces an edit decision list - EDL

Edit Decision List (EDL) Film Cut List Source Time CodeRecord Time CodeClipManPrefStartEnd 04:36:03:0004:36:25:1001:00:00:0001:00:23:101KA :35:51:2504:36:03:0001:00:23:1001:00:34:152KA :35:39:2004:35:51:2501:00:34:1501:00:46:203KL :35:25:1504:35:39:2001:00:46:2001:01:00:254KL :35:13:2504:35:25:1501:01:00:2501:01:12:155KA

Edit Decision List (EDL) – Film Cut List Edit Decision List (EDL)Film Cut List Source Time CodeRecord Time CodeClipManPrefStartEnd 04:36:03:0004:36:25:1001:00:00:0001:00:23:101KA :35:51:2504:36:03:0001:00:23:1001:00:34:152KA :35:39:2004:35:51:2501:00:34:1501:00:46:203KL :35:25:1504:35:39:2001:00:46:2001:01:00:254KL :35:13:2504:35:25:1501:01:00:2501:01:12:155KA

Negative Cutting and Conforming KEYKODE numbers are printed directly from the camera original to the workprint Neg cutters use these numbers to conform to the edited workprint

Summary Film is transferred on a telecine KEYKODE numbers are read and correlated A database is created that can remain with the production throughout its life Video and audio are digitized for nonlinear editing An EDL is produced KEYKODE numbers have brought film origination and electronic post production much closer together.

Conclusion QUESTIONS?