Music Software Projects New York University Adjunct Instructor Scott Burton.

Slides:



Advertisements
Similar presentations
Class 4A Wed only Guitar I and Guitar II
Advertisements

Guitar III & Guitar IV 17th night Spring 2005
The length of sound or silence in music reading.
Chapter 2: Rhythm and Pitch
For those who have never played an instrument
Music Software projects New york university Adjunct Instructor Scott Burton.
beat steady, consistent sound or silent pulse rhythm how long and short sound and silence are made.
Basic Terms to Understand as a Song Leader
Music Software projects New york university Adjunct Instructor Scott Burton.
L 8-9 Musical Scales, Chords, and Intervals, The Pythagorean and Just Scales.
GROUP MEMBERS-  ZION- PROJECT LEADER  TYRESE-CHIEF RESEARCHER  MUSKAN-COMMUNICATIONS DIRECTOR  GHAZAL-DIGITAL ENGINEER.
The New Kid by Mike Makley
How to Compose a Song By Joanna Brehaut EDU 505 Summer 2009.
Aspects of Music Rhythm The aspect of music concerned with the organization of time. Primarily the durations of the sounds and silences that make up.
EDCI 306 Chapter 3. Fundamentals Classroom Management – Calling on students Teaching Models Chapter 3 Melodic Dictation (Sol, Mi, La) Technology Lab (COE.
Frank Markovich1 Script for Scales Tape Frank Markovich Acuson.
Functional Music (I) Amanda Crawford Hons. Comp.Sci Monash University, Australia. Supervisors: Lloyd Allison, Jon McCormack.
Guitar III & Guitar IV 8th night Spring 2005 Moving date of performance night Review of Scale stuff Have a Marshall Rep (David Spann)coming next week.
Lesson 7 Metre and Rhythm: Composing a 3-Part Rhythmic Piece.
3rd Grade Music Book.
Wish You Were Here Playing chords without playing the whole chord.
The Nuts & Bolts of Music
PTT – 5 minutes Mr. Digme planted 5 rose plants in a row along one side of his property. He then planted 1 tulip in each of the spaces in the row between.
Accidentals, steps, scales Sharps(#) Flats(b). Look at the keyboard and notice how the sharps and flats are laid out.. A sharp is defined as the note.
MIDI and YOU Orchestra in a Box. What is MIDI?  Musical Instrument Digital Interface  MIDI is a protocol - a standard by which two electronic instruments.
Chapter 12 Objectives Differentiate between the harmonic series of open and closed pipes. Calculate the harmonics of a vibrating string and of open and.
COSC 1P02 Introduction to Computer Science 4.1 Cosc 1P02 Week 4 Lecture slides “Programs are meant to be read by humans and only incidentally for computers.
L 10 The Tempered Scale, Cents. The Tempered Scale.
Music Software Projects New York University Adjunct Instructor Scott Burton.
Lecture Set 07 October 4, 2004 The physics of sounds from strings.
Functions Is Fibonacci Repeated or Recursive? Created by: Rachel Oakley.
Music Software projects New york university Adjunct Instructor Scott Burton.
AABA Form A good way to organise a piece of music.
The Elements of Music. Voices The universal instrument—Our VOICES! Because of the use of this instrument and others, music is the universal language!
Music Software Projects New York University Adjunct Instructor Scott Burton.
What’s that scale?? 1 Note Grades should be available on some computer somewhere. The numbers are based on the total number of correct answers, so 100%
Unit 1: Elements Music Notation. Notating Pitch  Notation – a system of writing music  Pitches are notated by notes on a staff  Staff – set of five.
Tequila Example of a simple fun instrumental song.
Music Software Projects New York University Adjunct Instructor Scott Burton.
Unit 2 Note Values, Measures, Time signatures
TJHSST Computer Systems Lab Senior Research Project Designing a Music Scripting Language Casey Mihaloew Abstract: The problem addressed in this.
Beethoven Copycat. Learning from the Master Listen to the first two lines of this melody by Beethoven.  How are these two phrases the same? How are they.
Music Software Projects New York University Adjunct Instructor Scott Burton.
Mid Term Jeopardy $100 Note Reading RhythmVocabulary Playing Piano Scales & Key Signatures $200 $300 $400 $500 $400 $300 $200 $100 $500 $400 $300 $200.
Class 12 Guitar I and II Lots of stuff F Chord review and practice Playing up the neck. Arpeggio Fingerpicking 8 Days a Week with Intro - review. Final.
Computing with Music: Creating Musical Patterns Campy, 2005 Quinnipiac University Computing with Music: Creating Musical Patterns John Peterson No Longer.
Music Software projects New york university Adjunct Instructor Scott Burton.
COSC 1P02 Introduction to Computer Science 5.1 Cosc 1P02 Week 5 Lecture slides Psychiatrist to patient "You have nothing to worry about - anyone who can.
12-3 Harmonics.
MATHS IN MUSIC.
Music Software Projects New York University Adjunct Instructor Scott Burton.
Musical Structure. Sound As the pressure of air changes rapidly, the ear- brain detects the changes as sound (sound waves/vibrations). Some sounds are.
Music Software Projects New York University Adjunct Instructor Scott Burton.
Music Software Projects New York University Adjunct Instructor Scott Burton.
Elements of Music. Melody Single line of notes heard in succession as unit Phrases Cadences—Points of arrival/rest Conjunct vs. disjunct motion Contour:
The Science of Music In the words of science, music has an identifiable pitch, a pleasing quality, and a repeated rhythm.
String and Lists Dr. José M. Reyes Álamo.
Class 8 Guitar I and II Review the following – Very Brief as did last week. 12 – Bar Blues in A and E Blues backup like Chuck Berry Blues Scale in 5th.
Roll Over Beethoven Early British rock took many American pop and rock songs as “Cover Tunes”. Beatles were no exception. Chuck Berry tunes were played.
New York University Adjunct Instructor Scott Burton
Music Software Projects
New York University Adjunct Instructor Scott Burton
New York University Adjunct Instructor Scott Burton
Class 11 Guitar I and II Lots of stuff
INTERVALS, SCALES & CHORDS
Notation Vocabulary Pitch Catalog – Rhythm Chart
String and Lists Dr. José M. Reyes Álamo.
Lesson 8: Intervals.
MUSIC HIGH SCHOOL - MUSIC TECHNOLOGY – Unit 2
Elements of Music Choir Notes Week 1.
Presentation transcript:

Music Software Projects New York University Adjunct Instructor Scott Burton

The Pythagorean “Dodecaphonic” Scale The Pythagorean chromatic scale we built so far is build by successive multiplication of 3/2 Goes up until we have as many intervals as we want This version builds the scale in two directions: Powers of 3/2 up 6 intervals Instead of continuing up we stop at 6 We add 6 more by going down from the base freq Powers of 2/3 down 6 intervals

The Pythagorean “Dodecaphonic” scale... This results in more useable “accidentals” (sharps/flats) Notice we have 13 intervals now... This scale sounds more consonant Intervals are built with smaller integers in the numerator/denominator More “super-particular” than prior Pythagorean build method An improvement but there are still problems with some intervals... primarily the 3 rd or “M3” See spreadsheet living spec pythag_sheet_phase5.xlsx

The Pythagorean “Dodecaphonic” scale... See spreadsheet living spec pythag_sheet_phase5.xlsx

Break

Rhythm Tempo Meter – how we “chunk” beats into a pattern Phrasing – how to make it not sound like a computer generated it

Rhythm - Meter Odd and Even Combinations of 3 and 2 Meter of 4 (“4/4”) and 3 (“3/4” or waltz) are common “Odd” meters are 5, 7, 9, 11, etc. And they sound “odd” Meter of 5 can be thought of or counted as Our example nanafly is a 12 beat cycle so even sounding What beats are stressed? Can be one of more stresses and of varying intensity

Rhythm & Song Structure Refer to prior lecture sheet: rhythm_sheet_nanafly.xlsx Standard notation for pop song structure is letter sequence Standard pop song example: “AABA” Depending on how many unique letters in the string: 1. Randomly select N rhythm patterns. Since there are two unique letters (A and B), N = 2 2. Use the set of nanafly patterns in the spreadsheet 3. Programmatically load the.csv or make your own data file – just don’t hard code 4. Example function signatures: 1. Play(“AABA”) 2. Play(“AAABAAABAAABCCC”) 5. Note: our “atomic” unit of rhythm is a 12 beat pattern because it sounds more interesting than something in 3 or 4

Deliverables for next 2 weeks Implement the new Pythag Dodecaphonic scale After construction sort by frequency (base of 528Hz) Play the new chromatic scale 1 second note duration 0 seconds silence between notes Be able to play a “song” given letter notation (e.g., “AABA”) TEST NEXT WEEK (Oct 23 rd ) You can use the following during quiz: spreadsheet living specs your code