Creating your Narrative Poem

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Creating your Narrative Poem Journal 13. Warm-up: Write about the biggest lie you’ve ever told.

Sentence 1- Identify the ritual or event shared with another person in your life (setting and characters) using enjambment and one hyperbole. EXAMPLE: On Fridays he'd open a can of Jax, Close his eyes, and ask me to write the same letter to my mother Who sent postcards of desert flowers Taller than man.

Sentence 2-3 Reveal the speaker’s attitude/tone towards the ritual. Reveal the conflict (what the speaker wants vs. other characters’ wants. Note: Clarify conflict.) Use alliteration and enjambment EXAMPLE: He’d beg her to return and promised to never beat her again. I was almost happy She was gone, & sometimes wanted To slip in something bad.

Sentence 4 Imagery- Provide details (sensory?) depicting the other character using modifiers and enjambment EXAMPLE: His carpenter's apron always bulged With old nails, a claw hammer Looped at his side & extension cords coiled around his feet.

Sentence 5 Actions of the speaker using caesura (pause) and enjambment. Words rolled from under the pressure of my ballpoint pen: Love, Baby, Honey, Please.

Sentence 6 We lingered in the quiet brutality Illustrate the biggest challenge of the ritual through sensory details of the setting. Use antithesis (opposites) and enjambment. Develop the relationship (through actions). EXAMPLE: We lingered in the quiet brutality Of voltage meters & pipe threaders, Lost between sentences . . . the heartless gleam of a two-pound wedge On the concrete floor a sunset in the doorway of the toolshed.

Sentence 7 Using enjambment, write a sentence that has a tone that includes antithesis (opposite) I wondered if she laughed as she held them over a flame.

Sentence 8 Use enjambment, irony, and sensory details. EXAMPLE: My father could only sign His name, but he'd look at blueprints & say how many bricks Formed each wall. (Sentence 9 Tomorrow?)

Sentence 9 Final Sentence: use enjambment, modifiers, sensory details using parallel structure, irony, and a simile. This sentence should be the longest sentence of your poem and should begin on the same line where sentence 8 ended creating a caesura. TIP: To create a very long sentence consider layering modifiers, prepositional phrases, and verbal phrases. This sentence is also the climax of your poem. There should be a realization, understanding, or epiphany revealed here. Readers should understand the purpose and importance of the ritual. EXAMPLE: This man, Who stole roses & hyacinth For his yard, stood there With eyes closed & fists balled, Laboring over a simple word, opened like a fresh wound, almost Redeemed by what he tried to say.