Begins on page 145 Chapter 17 The Concerto Solo Concerto  Contrasts soloist with orchestra  Solo part more showy  Soloist stands before orchestra.

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Begins on page 145 Chapter 17 The Concerto

Solo Concerto  Contrasts soloist with orchestra  Solo part more showy  Soloist stands before orchestra  Soloist usually plays from memory

Mozart: Violin Concerto No. 5, First Movement  Sonata form, but with – ► Double exposition ► Interlude between expositions ► Shorter development section ► Cadenza

Rondo form  Return of theme at least two times: A B A C A  Often final movement  Themes shorter and lighter

Haydn: Trumpet Concerto, Third Movement  Rondo: A B A B C A B A C A  Short themes  Keyed trumpet Copyright © 2010 by Schirmer Cengage Learning

Movements of a Concerto  First movement: Sonata form  Second movement: Slow tempo featuring melody  Third movement: Rondo

Summary  Solo concerto  Mozart: Violin Concerto No. 5, first movement  Rondo form  Haydn: Trumpet Concerto, third movement  Movements of a concerto

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