Hergott/Shepard Residence beverly Hills,California 1998 Hergott/Shepard Residence beverly Hills,California 1998 By Michael T.Maltzan Made by 周里 & 封晨 Directed by 王韧

1.Introduction of the architect 2.M.M.’s theory for designing 3.Analysis of the residence 1.Introduction of the architect 2.M.M.’s theory for designing 3.Analysis of the residence 1.Introduction of the architect 2.M.M.’s theory for designing 3.Analysis of the residence

It is not about efficiency, but about being able to push it a little bit further than the last time and continue to work through issues and resolve them. Michael Maltzan

Harvard University Cambridge, MA Master of Architecture Letter of DistinctionRhode Island School of Design Providence, RIBachelor of Architecture Bachelor of Fine Arts Henry Adams/AIA Scholastic Gold MedalWentworth Institute of Technology Boston, MA Construction Technologies Harvard University Cambridge, MA Master of Architecture Letter of DistinctionRhode Island School of Design Providence, RIBachelor of Architecture Bachelor of Fine Arts Henry Adams/AIA Scholastic Gold MedalWentworth Institute of Technology Boston, MA Construction Technologies

He began his professional career with the Boston firm of Schwartz/Silver Architects. He later joined Machado-Silvetti Associates where he participated in a number of projects for which the firm received design awards. In 1988, he began a seven year affiliation with Frank O. Gehry Associates in Santa Monica as Senior Associate. In 1995, Maltzan established the firm of Michael Maltzan Architecture, Inc.

Some award-winning projects · the Disney Concert Hall · the University of Toledo Art School · Feldman-Horn Center for the Arts

the Disney Concert Hall

the University of Toledo Art School the University of Toledo Art School

Feldman-Horn Center for the Arts

M.M. `S Theory For Designing The Un-private House The Un-private House The Important Models The Important Models What affects his designing What affects his designing

– The Un-Private House examines this and other questions confronting domestic architecture at the end of the century. Changes in family structure, shifting concepts of privacy and domesticity, the home as workplace, and the revolution in communications and media have created totally new relationships between exterior and interior worlds.

The Important Models

What affect his designing? What affect his designing? The people who gave him the most help in his career life is Richard Serra. What interest him is that most people looked at his work at that time are purely sculptural object, a kind of very elegant, beautiful moment that was also very aggressive at times. However he holds a different view.

Maybe that is the point. Using his own words, it goes like that : What was much more interesting to me was that his work did not have so much to do with itself, but everything to do with its context. It had everything to do with the way a piece like Shift ran along on a straight line and you saw the topography of the ground moving up and down, working as a barometer to allow the viewer to understand what was happening. You had to move around the piece and participate in it to get the sense of it. And so he did in his project to achieve this goal, just as : Tilted Arc & Feldman/Horn Center F

The Analysis of The Residence The Analysis of The Residence The Analysis of The Residence Environment & Topography Environment & Topography 2D Sketches 2D Sketches Space & Functions Space & Functions Materials Materials

The environment to the architecture is just like the clothes to the Man. coolzl coolzl Environment & Topography

Two-Dimensional Analysis The instruction The instruction of the 2D sketches including the archi tect and the clients

Ground Floor 1)Entrance 2)Living Room 1 3)Living Room 2 4)Dining room 5)Kitchen 6)Gym 7)Pool 8)Deck area 9)Garage

Upper Level 10)Void 11)Deck 12)Office/guest bedroom 13)Dressing room 14)Master bedroom

LightingLighting Given the importance of the art collection, natural and artificial lighting were researched Given the importance of the art collection, natural and artificial lighting were researched extensively. Large-scale models were constructed to study day lighting at all art spaces. extensively. Large-scale models were constructed to study day lighting at all art spaces.

MaterialsMaterials Zinc metal panels English sandstone pavers

Vertical grain Douglas-fir English sandstone pavers

While families may change, Matzan`design reflects a continuing belief that the best design, the only logical design of a house, is one that reflects the ower`s needs and Desires. Terry Riley

BYeBye Project: Hergott Shepard Residence, Beverly Hills Merit Award for Design Architects: Michael Maltzan Architecture, Inc., Los Angeles Description: With dedicated collectors of late 20th century art, the house was designed to provide a supportive context for the art, while creating an aesthetic relationship. The architect designed a radical scale difference across the width of the narrow site, carefully choreographing an unfolding of spaces Give our special thanks to our teacher,to our classmates, and To my great partner, though he did little. And at last, thank you very much for listening!!!

North-south section 1 North-south section 2

Theatrical proscenium The Public The Private

The Semi-space The Getty Center The room at the Getty was all about trying to create this sense of public in a less-than- public environment The room at the Getty was all about trying to create this sense of public in a less-than- public environment

How can we create a piece of How can we create a piece of architecture, being all about communicating to the outside world from a cloister and the kind of conflict between those two things? architecture, being all about communicating to the outside world from a cloister and the kind of conflict between those two things? Also, just the conflict between the public and the private ?Maybe this two buildings are the answer