Using ePortfolios for Evidence- Based Research Julie Hatcher, Director of Undergraduate Programs, Associate Professor of Philanthropic Studies Kristin.

Slides:



Advertisements
Similar presentations
Digital Storytelling An Introduction to. The Challenges Seeking meaningful uses of digital imaging other than the superficial ones Wanting students to.
Advertisements

DR. STRANGEBLOG Or, how I learned to stop worrying and love classroom technology.
Deena Sue Fuller Tennessee State University Adapted from a presentation by Brenda Marsteller Kowalewski at Weber State.
Integrated Learning Environment ??? Changing School Culture – Using IT to Cope with Individual Learning Differences in Schools 1 st December 2003 Final.
Core Competencies Student Focus Group, Nov. 20, 2008.
Portfolio Assessment and Design
Digital Storytelling: Exploring Immigration Through Personal Experiences November 12, 2009 Lindsay Bellino.
Building Language Learners’ Writing and Speaking Skills with Digital Stories Lina Lee University of New Hampshire NHAWLT, November 2, 2012 Meredith, NH.
The Personal Development Plan (PDP)
Matt Moxham EDUC 290. The Idaho Core Teacher Standards are ten standards set by the State of Idaho that teachers are expected to uphold. This is because.
Digital Storytelling for the English Classroom Presented by Amy Cannady Whitewater Middle School.
Digital Storytelling Tell me a fact and I’ll learn
Portfolio Assessment A collection of a student’s work specifically selected to tell a story about the student.
Electronic Portfolios for Students Ann Howden UEN Professional Development
Assessing & Documenting Student Civic Learning through ePortfolios Kristin Norris Kathy Steinberg Mary Price Susan Kahn July 2011 AAEEBL Conference, Boston,
PDF Wikispaces Blogging PBWorks You are now ready to cut the red ribbon and unveil your project to your intended audience.
EPortfolios: Getting started with Mahara. Ambition in Action ePortfolios:Getting started with Mahara /What is an ePortfolio /Examples.
 Copyright protects creative expression that has been reduced to a tangible form, such as a book, piece of recorded music, computer program, screenplay,
1 Learning and Educational Outcomes: Assessing Resiliency in Life and Career Learning and Educational Outcomes: Assessing Resiliency in Life and Career.
“Everyone has a story to tell, but not everyone knows how to communicate it” -Author Unknown Digital Storytelling.
Who are today’s story tellers? What do they have to say? Stories told.
Digital Storytelling. What is Digital Storytelling? Combining the art of telling stories with some mixture of digital graphics, text, recorded audio narration,
Digital Storytelling An Introduction to Adapted by Francesca Guntenspergen Originally created by: Bernard Robin, Ph.D. Instructional Technology Program.
Thomas College Name Major Expected date of graduation address
The Educational Uses of Digital Storytelling Bernard Robin, associate professor of instructional technology, University of Houston College of Education.
Using Electronic Portfolios to Assess Learning at IUPUI. Trudy Banta, et. al. Indiana University-Purdue University Indianapolis 2007.
EPortfolios. Ambition in Action ePortfolios /What is an ePortfolio /Examples of ePortfolios /RPL & ePortfolios /What is digital evidence?
Electronic Portfolios Preparing Our Students for the 21 st Century The Future.
Digital Storytelling An Introduction to Bernard Robin, Ph.D. Instructional Technology Program College of Education University of Houston.
Digital Storytelling Constructing the story of learning through the lens of a student.
Using an Electronic Portfolio Process for Both Student & Program Evaluation at the Graduate Level. Morgan State University, Baltimore, MD. Morgan State.
Using ePortfolios for Evidence- Based Research Kristin Norris, Instructional Technology Specialist Kathy Steinberg, Assessment Specialist IUPUI Center.
“From the Director’s Chair”: Digital Storytelling in the ELA Classroom T.H. Ashe 7 th Grade Reading Teacher Luther “Nick” Jeralds Middle School.
THE POWER OF SHOW: EXPERIMENTING WITH MULTIMODAL COMPOSITION Lauren Smith and Jennifer Niester-Mika Delta College.
Chapter 1 Defining Social Studies. Chapter 1: Defining Social Studies Thinking Ahead What do you associate with or think of when you hear the words social.
Wessington Springs School District Digital Storytelling Charlotte Mohling.
DIGITAL STORYTELLING Wendy Sigele Caren Kimbarovsky Briana Allen.
Blair Morden April What is a Portfolio? "In a very basic way, a portfolio is a collection of work that a learner has selected, organized, reflected.
Digital Storytelling with Photo Story “Everyone has a story to tell, but not everyone knows how to communicate it” -Author Unknown.
Building Collaborative Learning Communities a division of Computer Strategies, LLC Your professional development solution.
Digital Storytelling. What is Digital Storytelling? Combining the art of telling stories with some mixture of digital graphics, text, recorded audio narration,
Intel ® Teach Program International Curriculum Roundtable Programs of the Intel ® Education Initiative are funded by the Intel Foundation and Intel Corporation.
How-To DIGITAL STORYTELLING. OVERVIEW OF DIGITAL STORYTELLING.
Digital Storytelling Technology That Makes Written Products Powerful.
Portfolios Kim Anderson Course Evaluation Subcommittee Chair Summer 2009.
What Are the Characteristics of an Effective Portfolio? By Jay Barrett.
Bernard R. Robin University of Houston College of Education Educational Uses of Digital Storytelling.
Digital Storytelling Trends/Issues in Technology.
E-Portfolios and Digital Storytelling: A strategy to facilitate reflection - Live Text Webinar (Wednesday, June 20, 2012) Dr. Melinda Prague Professor.
Candidate Assessment of Performance CAP The Evidence Binder.
Developing Civic Identity and Assessing Civic- Mindedness Using ePortfolios Kristin Norris Bill Plater Cathy Buyarski July 2011 ePIC Conference, London,
ISTE Standards for Teachers Anja Whitehead IDT 3600 Fall 2015.
Candidate Assessment of Performance CAP The Evidence Binder.
Greenbush. An informed citizen possesses the knowledge needed to understand contemporary political, economic, and social issues. A thoughtful citizen.
Proprietary & Confidential Digital Storytelling Singapore 2009 Matt Monjan Director, Discovery Education.
Digital Storytelling Marilyn Williams. What is Digital Storytelling? “Digital storytelling takes the ancient art of oral storytelling and engages a palette.
MT ENGAGE Student Learning Outcomes and Assessment April 27, 2015.
Mary Ann Roe e-Colorado Portal Coordinator Colorado Department of Labor and Employment Jennifer Jirous Computer Information Systems Faculty Pikes Peak.
A Multilevel Approach to Using Digital Storytelling in the Classroom Bernard Robin & Melissa Pierson Instructional Technology Program College of Education.
Welcome to the ePortfolio Teaching Circle Dr. Michelle Pulaski Behling Media, Communications and Visual Arts.
Designing and Assessing Civic Engagement Activities for 300 Level Learning Communities Maggie Commins November 28th, 2016.
Digital Storytelling TRLD, San Francisco, 2009 Marilyn Williams.
Letting Your Life Speak Through Digital Storytelling
USC Upstate - John T. Long, Ph.D. Teaching with Technology Spring
Using Action Research to Guide Student Learning Experiences & Assessments Exploring the synergistic activities of curriculum design/delivery and assessment.
Enhancing Teaching and Learning Through the Use of Digital Story
Digital Storytelling An Introduction to
Digital Storytelling An Introduction to
We VALUE HIPs Utilizing VALUE Rubrics and HIP QA Tools in Course Revitalization Presented by Melynda Conner, TBR OSS HIP Specialist 2019.
Assessing My Writing with Portfolios
Presentation transcript:

Using ePortfolios for Evidence- Based Research Julie Hatcher, Director of Undergraduate Programs, Associate Professor of Philanthropic Studies Kristin Norris, Instructional Technology Specialist, Center for Service & Learning Kathy Steinberg, Assessment Specialist, Center for Service & Learning Special Thanks to our Sponsor, Epsilen

General questions How familiar is your campus with e-portfolios? ▫Very ….. ….. … Not at all How familiar are you with e-portfolios and service learning? How familiar are you with e-portfolios and civic learning outcomes? How familiar are you with advising others on how to use e-portfolios in service learning research? What are a few KEY issues to address?

Agenda 1:00-1:10 Introductions & General questions 1:10-1:25 Overview of ePortfolios 1:25-1:45 Activity (Review example ePortfolios) 1:45-1:55 Tools to assess the evidence 1:55-2:25 Activity (Read/Watch Call of Service) 2:25-2:40 Overview of Digital Storytelling Break (10-15 min) 3:00-3:30 Research, Reflection, Assessment 3:30-3:45 Choice Points 3:45-4:00 Take Aways & Next Steps

Overview of ePortfolios Harness the power of the pedagogy

ePortfolios is both a process and product Process: a series of events (time & effort) to produce a result ▫Portfolio as a workspace ▫Working Portfolio (digital archive, repository of artifacts, collaboration space, reflective journaling) ▫Primary purpose: learning or reflection ▫Organization: chronological Product: the outcome/results of an activity/process ▫Portfolio as a showcase ▫Presentation Portfolios (the “Story” or narrative, multiple views, varied audiences & purpose) ▫Primary purpose: Accountability or showcase for employment ▫Organization: thematic Barrett, Eifel, July 2011(

Processes PortfoliosSocial NetworkingTechnology CollectionConnect (‘friending’)Archiving SelectionListening (reading)Linking/Thinking ReflectionResponding (commenting) Digital Storytelling Direction/GoalsShare (linking/tagging)Publishing Presentation Feedback

Example of a Product ePortfolio

Example of a Process ePortfolio

What is an ePortfolio? “A portfolio tells a story. It is the story of knowing. Knowing about things…Knowing oneself…Knowing an audience….Portfolios are students’ own stories of what they know, why they believe they know it, and why others should be of the same opinion.” (Paulson & Paulson, 1991, p. 2)

Power of the Pedagogy “Stories help us organize our experience and define our sense of ourselves” (Roger Schank, Tell Me a Story)

Why ePortfolios? Reflecting Celebrate learning Personal planning & goal setting Employment applications Accountability (prove what you have learned) Capture and store evidence (repository) Give and receive feedback Collaborate Present what you know to an audience Exploring your personal and professional identity

ePortfolios as a Purpose the “overarching purpose of ePortfolios is to create a sense of personal ownership over one’s accomplishments, because ownership engenders feelings of pride, responsibility, and dedication.” Paris & Ayers (199 4 )

Managing Oneself What are my strengths? How do I perform? What are my values? Where do I belong? What should I contribute? Responsibility for Relationships? “Success in the knowledge economy comes to those who know themselves – their strengths, their values, and how best they perform” –Peter Drucker (2005, Harvard Business Review)

Why should you use ePortfolios Facilitate Reflection Enable students to create something that demonstrates their knowledge, skills, abilities, dispositions – often times the things they have yet to articulate in any other way Gather evidence of student knowledge (and maybe growth) Because it is of value to the students

Choosing an ePortfolio Platform

Latest Blog by Trent Batson

Activity: Examine sample ePortfolios Pay attention to structure (tabs, headings, organization) What evidence of civic learning do you see? Key elements to look for – ‘About me’, artifacts vs reflections (is it ‘critical reflection’?), intended audience What does an ePortfolio allow you to see that a post-test or a written reflection would not?

Examples _the_Soup_Kitchen_influence_my_lifehttps://stonybrook.digication.com/egimenez/How_did _the_Soup_Kitchen_influence_my_life homas/Homehttps://stonybrook.digication.com/americorps_justin_t homas/Home tool/viewPresentation.osp?id=5DCDA2A93B4FE85E93 F80F4DAE621672https://oncourse.iu.edu/osp-presentation- tool/viewPresentation.osp?id=5DCDA2A93B4FE85E93 F80F4DAE621672

Assessing the Evidence Is there a magic rubric?

Goal of Exercise Introduction to VALUE – Civic Engagement Rubric ▫AAC&U purposes of meta rubrics with e- portfolios ▫What are the domains of civic learning? ▫Does the CE Rubric work? What’s missing? ▫Does the CE Rubric work for different types of evidence (reflection paper, digital story)? ▫Keep in mind issues that may surface in your own context, adaptations

Public Purposes of Higher Education AAC&U  LEAP – Personal and Social Responsibility  VALUE project – Civic Engagement Rubric  Bridging Theory to Practice AASC&U  American Democracy Project Carnegie Foundation  Voluntary Classification for “Community Engagement” Professional Associations Accreditation

AAC&U Essential Learning Outcomes Personal and social responsibility Civic knowledge and engagement- local and global Intercultural knowledge and competence Ethical reasoning and action Skills for lifelong learning “Anchored through active involvement with diverse communities and real world challenges.”

AAC&U VALUE Initiative What learning should “look like”; 15 rubrics Meta rubric – adaptable to campus context Institutional assessment for e-portfolios Based on existing rubrics …. However….

Civic Engagement Few existing rubrics in civic engagement Convening of “experts” in the field, by phone Common readings Shared experiences – “what does a student look like” Definitional terms ▫AAC&U ▫AASC&U ▫Ehrlich definition – see rubric

VALUE Rubrics Simple language – used by variety of readers Progressively more “robust” learning Levels of sophistication; zero can be used Single, most vital performance in each cell Core, shared dimensions of learning, for all students across all majors

Dimensions of CE Rubric Diversity of communities and cultures Analysis of knowledge Civic-identity and commitment Civic communication Civic action and reflection Civic contexts/structures

Activity: Types of Evidence 1.In groups of 3, read a student paper 2.Using the AAC&U VALUE Rubric for Civic Engagement, rate the student submission 3.Together, we will watch a digital story by the same student, rate using the rubric 4.Repeat the exercise for the 2 nd paper and digital story

Digital Storytelling The power of voice

Power of Voice When the writer is engaged personally with a topic, they impart a personal tone and flavor to the piece that is unmistakably his/hers alone. It is the heart and soul of the writing, the magic, and wit, the feeling, the life and breath. ( “When words are infused by the human voice, they come alive” – Maya Angelou

What is a digital story? An illustration of learning A way of documenting an experience(s) One way to facilitate the reflection process ▫2-4 minute digital video clip ▫First person narrative ▫Told in your own voice ▫Illustrated (mostly) by still images ▫Additional music added to evoke emotions

Examples of Digital Stories Using ▫ Using PhotoStory3 (Windows) ▫ eature=feeduhttp:// eature=feedu ISL example ▫ /JacksonFINAL/flash/f.htmhttp://streaming.osu.edu/knowledgebank/digstory08 /JacksonFINAL/flash/f.htm Using iMovie (created by 5 th graders) ▫ place.movhttp:// place.mov

What makes for a great digital story? Overall purpose of the story Narrator’s point of view (emotional content) A dramatic question Choice of content Clarity of voice Pacing of the narrative Meaningful soundtrack Quality of the images Economy of the story detail Good grammar and language usage

Steps to develop a digital story 1.Write a script: write, get feedback, rewrite, and work with others (maybe in a group) to develop ideas 2.Capture and process the images to further illustrate the story 3.Record the author reading the story 4.Combine audio and images onto a timeline, add music 5.Present/publish

Example Storyboard Script/Sound Effect/MusicImage/video Mary had a little lamb (sound – birds singing, girl humming the tune Drawing of Mary with her lamb in a field of flowers Whose fleece was white as snow (Sounds – girl continues to hum the tune) Drawing of a snowflake And everywhere that Mary went (Sound – girl continues to hum the tune) Drawing of Mary Walking into the mall

Copyright Laws These days, almost all things are copyrighted the moment they are written, and no copyright notice is required. Copyright is still violated whether you charged money or not, only damages are affected by that. Fair use is a complex doctrine meant to allow certain valuable social purposes. Ask yourself why you are republishing what you are posting and why you couldn't have just rewritten it in your own words. Copyright is not lost because you don't defend it. Fan fiction and other work derived from copyrighted works is a copyright violation. Don't rationalize that you are helping the copyright holder; often it's not that hard to ask permission.

Just remember… copyright has two main purposes, namely the protection of the author's right to obtain commercial benefit from valuable work, and more recently the protection of the author's general right to control how a work is used. While copyright law makes it technically illegal to reproduce almost any new creative work (other than under fair use) without permission, if the work is unregistered and has no real commercial value, it gets very little protection. The author in this case can sue for an injunction against the publication, actual damages from a violation, and possibly court costs. Actual damages means actual money potentially lost by the author due to publication, plus any money gained by the defendant.

So what can you use without worrying about Copyright issues? IMAGES Flickr (Narrow search to ‘The Commons’) Google Images (Labeled for reuse) Your own! Photos.iupui.edu (need an account – I’d be more than happy to share – not the same as my CAS login) MUSIC Podsafe Audio ( Creative Commons ( egalmusicforvideos/) ( egalmusicforvideos/ Yahoo Music ( Your own!

Putting it all together Import all images, video, voice recording, and musical elements Lay your narration track onto the timeline Add your images to match your narration Create an initial rough cut before adding transitions or special effects Add titles, transitions, special effects sparingly ▫Note: these steps may vary depending upon the program you are using.

Tools (Putting it all together) MacWeb 2.0Windows Write ScriptGoogle DocsWrite Script: Word Record Audio: Audacity/GarageBand Myna (Aviary)Record Audio: Audacity Edit images: iPhotoAviary ToolsEdit Images: Picasa3 Edit Video: iMovieAnimoto or Voice Thread Prezi Edit Video: Photostory3 or Windows Movie Maker But, there are 50+ free tools available and capable of doing something just slightly different. Check these blogs to learn more about the various tools and their capabilities (5-+ Web 2.0 Ways to Tell a Story) (More recent version of the site above)

Share/Publish Motionbox ( YouTube ( TeacherTube ( SchoolTube ( Blip.tv ( Vimeo ( Facebook video Your ePortfolio !

BREAK Come back at 3:00

ePortfolios for Research

Assessment vs. Evaluation Student Assessment Individual or group of learners Understand learner through performance of a specific learning task/standard Provide feedback to students Diagnostic tool for instruction Formative Ex: Reflections Student Evaluation Individual/group of learners Understand learner through performance of a specific learning task/standard AND Judge the quality or worth of the assessment results Provide feedback to students Based upon multiple sources of assessment information. Formative/Summative

Research vs. Evaluation Research, especially fundamental or basic research, differs from evaluation in that its primary purpose is to generate or test theory and contribute to knowledge for the sake of knowledge. Such knowledge, and the theories that undergird knowledge, may subsequently inform action and evaluation, but action is not the primary purpose of fundamental research. (Patton, 2002, pp )

Value of ePortfolios for Service Learning Most assessment tools are self-report instruments (nationally and locally) Eportfolios provide “authentic” assessment evidence/data Draw on strengths of Service Learning ▫critical reflection Eportfolios can be used for research ▫also for course use and program assessment ▫designs can be simple or complex

Important Considerations Confidentiality (FERPA) Ownership of materials; permissions Access to materials and platform after student leaves or graduates IRB Issues ▫Informed consent

Examples of Research on Service Learning using ePortfolios Project 1: Civic development of students in a Service Learning Assistant program Project 2: Development of civic learning in freshmen taking service learning classes versus non- service learning classes

Project 1 Service Learning Assistant Program Overview Scholarships recognize IUPUI students selected by faculty or professional staff to: ▫assist in the implementation of a service learning class, ▫collaborate with faculty in their community-based research, ▫expand the capacity of campus departments to increase the number of students who participate in service-learning, or ▫complete a service project in and with the community. Faculty development focus makes it unique.

Guiding Research Questions To what extent do ePortfolios support the civic development of students? What types of ePortfolios best facilitate student civic learning and assessment? What factors contribute to student civic development as a result of participation in a service-based scholarship program? (Kristin’s research)

Program Specific Research Questions To what extent do students who participate in service scholarship programs (compared to their SL peers or non-SL peers): ▫develop a greater capacity/ability to articulate an integrated sense of their personal, civic, professional identity? ▫develop enhanced civic learning KSAs, compared to other students who do not participate in these types of interventions?

Using ePortflios to gather evidence Civic-Minded Graduate Scale Complete reflection on a professional development activity Complete end-of-award period reflection (CMG Narrative/Scale) Faculty mentor rates the end-of-award reflection (CMG Narrative Rubric)

Project 2 Development of civic learning in freshmen taking service learning classes versus non- service learning classes High-impact practices: ▫First-year seminars ▫Themed Learning Communities ePortfolios are both a high-impact practice and a tool for gathering evidence Evaluate ePortfolios using rubrics

Workshop Reflection: Choice points What ePortfolio platforms are available? What type of ePortfolio do you want? ▫Free-form vs. structured (how?) ▫Process/assessment purposes (matrix style) vs. student development (presentation style) What types of evidence do you intend to gain, and how? ▫Are you wanting to use a ePortfolio as a repository of the student’s work -OR- to help facilitate reflection after having completed their assignment? How might you structure your course or program (learning outcomes, assignments, activities) to gather ePortfolio evidence? ▫ePortfolios CANNOT be an add-on How will you evaluate the evidence? ▫Are you grading an assignment, then evaluating their ePortfolio?

Take-Aways & Next Steps What is one thing you will take away from this workshop today? What is your next step(s)?

Questions? Comments? Feel free to contact us! Julie Hatcher Kristin Norris Kathy Steinberg Thank you Epsilen!