Welcome to The Cite is Right

Identify the correct citation  “The owls have awakened the crowing cock” (Coleridge 2).  “The owls have awakened the crowing cock” (1).  “The owls have awakened the crowing cock.” (Coleridge 1)  “The owls have awakened the crowing cock.” (Coleridge, 2).

Identify the correct citation  “But still in none of the rooms is there a mirror.” (Bram Stoker 25).  “But still in none of the rooms is there a mirror” Stoker 25.  “But still in none of the rooms is there a mirror” (Stoker 25).  But still in none of the rooms is there a mirror. (25)

Identify the errors Aikens, Kristina. “Battling Addictions in Dracula.” Gothic Studies 11.2 (2009): Print. “Dracula.” Dir. Tod Browning. Perf. Bela Lugosi, Helen Chandler, and David Manners. Universal Pictures. Film. Buffy the Vampire Slayer. Creator Joss Whedon. WB , UPN

Works Cited Aikens, Kristina. “Battling Addictions in Dracula.” Gothic Studies 11.2 (2009): Print. Buffy the Vampire Slayer. Creator Joss Whedon. WB , UPN Television. Dracula. Dir. Tod Browning. Perf. Bela Lugosi, Helen Chandler, and David Manners. Universal Pictures, Film.

Identify the errors  David says “How will it keep the sun off my face?” (203).

Identify the errors  Sedaris talks about his experience with raising turtles: “when the last turtle died and was pitched into the woods behind my house, Shaun and I took up bowling, the only sport I was ever half decent. The Western Lanes was a good distance away” (Sedaris 69).

Identify the errors  “When she was young, my sister was what we called chunky, and the longer my dad carried on about Greg the better it seemed to draw attention to it. “Hey,” I called. “Gretchen’s in a sunbeam. Does anybody else smell bacon frying?”

Identify the errors  Ahmed, Leila. Women and Gender in Islam: Historical Roots of a Modern Debate. New Haven: Yale University Press, 1992.

Identify the errors  Blue Jasmine is a truly remarkable film that updates Tennesse Williams’ classic play A Streetcar Named Desire.

Idenitfy the errors  Romeo and Juliet (Baz Luhrman, 1996) is treated with great vitriolic distaste from many critics, but they fail to see the brilliance in Luhrman’s ability to translate Shakespeare into a modern day opus.

Identify the errors  The role of Juliet is played with a quiet and reserved innocence, which helps juxtapose her character to the loud and abrasive culture in which she lives.