Blood Brothers Documentary Response. Example 1 We done a still image of the two brothers as kids, edward was giving mickey a sweet, it was good because.

Slides:



Advertisements
Similar presentations
IB Oral Presentation Presentation dates: January-February (tentative)
Advertisements

Social Skills Groups with ASD Teen Boys Joel Shaul, LCSW The Watson Institute.
PERFORMING ARTS THEATRE TECHNIQUES.
Creative Movement in the Foundation Phase
Q4 GCSE English Unit 1 (Foundation) Section A – Reading
 Copyright © 2009 englishteaching.co.uk Blood Brothers Revision.
Drama – Scene Portraits. 1.How do the characters feel? What about their body language or facial expression tell us this? 2.What do you think the characters.
Section A Question 1 For Section A you must choose one of your performances. This question asks you to describe what the piece was about including the.
STAAR Short Answer - SAQ
Textual analysis practice
Enhancing students’ speaking fluency through Readers’ Theatre Jack and the Beanstalk Project By Fung Kai Liu Yun Sum Memorial School (PM)
The Three Little Pigs Traditional Tales in Literacy to improve key competencies.
What is your “Love Language”? #1-30 and title your paper.
Obj.1.03 Practice interpersonal skills Ms. Jessica Edwards, M.A.Ed.
“Blood Brothers” But Miss I don’t know it!!!.
Communication Skills Anyone can hear. It is virtually automatic. Listening is another matter. It takes skill, patience, practice and conscious effort.
Mise en Scence Emily Hemmings. ‘’ Don’t Look Now’’ 1973 Nicolas Roeg.
Critical Essay Reading. What is a critical response? A critical response is an essay where you can show your understanding and appreciation of a text.
Revision Blood Brothers.
Chapter 7, MMADD about the Arts
Characterisation Activities For use with WJEC Performing Arts GCSE Unit 1 and Unit 3 Task 1.
GGeorgie- A boy in the 4 th grade. He is an only child and a dwarf. Being a dwarf means he is shorter then most other kids. His favorite thing to do.
PUPPETS: talking science, engaging science, learning science Stuart Naylor Nature and Learning Conference Vordingborg, May 2010.
Lesson 1 FORM AND GENRE. Today you are learning to…  Understand the meaning of FORM and GENRE  Understand the plot of Blood Brothers by Willy Russell.
Creative Drama.
Sight Words List 1 Mr. Matthews Grade One can.
A)Explain how Shakespeare presents the character of __________in the extract. Use evidence from the extract to support your answer.
PREVENTING CHILD ABUSE DTURaLvbDM.
District 200 High frequency words
Blood Brothers True or false?. Learning Intention To select appropriate quotations from the text in order to support statements.
I HAVE COMMAND OF THE ENGLISH LANGUAGE! Roxanne M. Williams 1.
Body Language, Interview Skills, Business Etiquettes
Add your own ‘scenes’ into Act 1 and Act 2. Why have you chosen to divide the play where you have? Add your own ‘scenes’ into Act 1 and Act 2. Why have.
Bits of an autobiography I may not write
The Giant’s Garden The Young Actors. W.A.L.T To explore the themes of selfishness and redemption at the heart of the story ‘The Selfish Giant’. Listening.
Today’s Lesson (1) We are going to: Learn to focus and use our imagination Use freeze frame to represent images from the Hobbledown book.
Lesson 2 People use many different ways to communicate their feelings. Writing a note Facial expressions Communication is critical to healthy relationships.
People use many different ways to communicate their feelings. Writing a note Facial expressions Communication is critical to healthy relationships. Communicating.
The Level 2 Exam What do each of the underlined words mean? Apply knowledge of and make judgements about drama processes and performance in a new.
Back to Basics Lesson 8 - Status. Lesson Objectives By the end of the lesson pupils will have: Recapped how a performer shows status on the stage Explored.
What Is Theme? “Big” Ideas Plot Isn’t Theme Where Does It Say That? Evaluating the Theme Practice Theme: What’s the Big Idea? Feature Menu.
Yr 7 Drama Status on The Stage Today’s Objectives By the end of this lesson, you will: Be able to explain what status is. Be able to explain what status.
Back to Basics Year 9 Foundation course for GCSE students.
Warm up - Getting started! In groups of 3 or 4, freeze frame a moment from a rite of passage, for the rest of the class to guess, e-refs for the best examples.
Body Language & Movement Lesson 3 – Year 7. 02/03/2016 Free Template from 2 Learning Outcomes: By the end of this lesson you will.
Remember the Titans – Film Techniques
Leaders in the Making Teamwork - Lesson 19 Relational.
Poetry Memorization Unit Understand Memorize Perform Enjoy.
WRITING FROM OBSERVATION ESSAY 2. TIME TO OBSERVE On your computer, type adjectives that describe the type of individual in the image that you see. Words.
Purpose -to analyze skills and knowledge necessary for success in the unit -to build fluency, confidence, and poise when speaking in front of an audience.
Blood Brothers Documentary Response. Assessing Documentary Response A-A* Explain how the extract of the play you worked on links with the whole play.
JESUS IS THE ONE MARCH 1, 2015 Memory Verse: “Behold the Lamb of God!” Let the children color a landscape picture, Telling them everything in the picture.
Creating A Buzz Around Reading Stephanie Austwick.
Mentoring sessions- Learning a new skill. Tiffany Colbert. Mentor – Mrs Wrigley (parrswood high school Drama teacher)
Blood Brothers. LO: To explore the purpose of the narrator and the use of space in a section of Act 1.
Blood Brothers. LO: To use characterisation to show social class.
Still Images Key Stage 3 July 2015.
Body Language, Interview Skills, Business Etiquettes
Main Task: Best camerawork evaluation.
Non-verbal Communication
LO: To explore the issue of adoption in Blood Brothers.
Characters, plot, context, stagecraft, quotes
Drama At Cornwallis Academy
Learning Objective…To create a performance about GCSE’s.
I Can Read Body Language!
Drama At Cornwallis Academy
LO: To write, develop and perform our monologues.
Blood Brothers. LO: To use explorative strategies to understand some of the key characters.
Presentation transcript:

Blood Brothers Documentary Response

Example 1 We done a still image of the two brothers as kids, edward was giving mickey a sweet, it was good because we used levels and facial expressions. We stayed still well but we could have used the space more better.

Example 1 We done a still image of the two brothers as kids, edward was giving mickey a sweet, it was good because we used levels and facial expressions. We stayed still well but we could have used the space more better.

Example 2 We showed freezes in pairs showing Edward and Mickey as kids. Our freeze was Edward sitting next Mickey holding out a bag of sweets and Mickey sitting, looking, at him. The two boys were crouched down on the floor. Mickey was facing away from Edward a little bit too show that he was more powerful and less interested in being freinds than Edward is. I think a freeze was a good idea for this scene because you can see how each person were feeling by their facial expression and posture. You could tell Mickey was in a bad mood from his body language but that he wanted a sweet because he was looking at the sweets. Edwards’ facial expression showed how friendly he was. He had his eyes wide open and a big smile.

Example 2 We showed freezes in pairs showing Edward and Mickey as kids. Our freeze was Edward sitting next __ Mickey holding out a bag of sweets and Mickey sitting, looking, at him. The two boys were crouched down on the floor. Mickey was facing away from Edward a little bit too show that he was more powerful and less interested in being freinds than Edward is. I think a freeze was a good idea for this scene because you can see how each person were feeling by their facial expression and posture. You could tell Mickey was in a bad mood from his body language but that he wanted a sweet because he was looking at the sweets. Edwards’ facial expression showed how friendly he was. He had his eyes wide open and a big smile.

Example 3 In this lesson we looked at the section of the play where Edward says hello to Mickey and Mickey asks him for a sweet. Its the moment when the two brothers first meet and it reveals a lot about their characters. Mickey is sulking because his mum won’t let him play where he wants to and Edward cheers him up. In a way it’s a contrast to later on in the play where Edward is very restricted by his mum Mrs Johnstone because she’s afraid of him finding out that Mickey is his brother. However, it is also a hint of what is to come because it shows how Edward is the dependable one and Mickey is more moody. We used still images to explore this first meeting. This was effective because we could really analysis how the friendship began and how Mickey started to trust Edward. For example, in the first still image Edward was standing and Mickey was sitting on the floor. Mickey was looking away from Edward and they were some distance apart, Mickey was looking away from Edward and his face was screwed up with anger, he was sitting with his knees bent, his feet flat on the ground and his head in his hands, this posture showed that he was fed up.

Example 3 In this lesson we looked at the section of the play where Edward says hello to Mickey and Mickey asks him for a sweet. Its the moment when the two brothers first meet and it reveals a lot about their characters. Mickey is sulking because his mum won’t let him play where he wants to and Edward cheers him up. In a way it’s a contrast to later on in the play where Edward is very restricted by his mum Mrs Johnstone because she’s afraid of him finding out that Mickey is his brother. However, it is also a hint of what is to come because it shows how Edward is the dependable one and Mickey is more moody. We used still images to explore this first meeting. This was effective because we could really analysis how the friendship began and how Mickey started to trust Edward. For example, in the first still image Edward was standing and Mickey was sitting on the floor. Mickey was looking away from Edward and they were some distance apart, Mickey was looking away from Edward and his face was screwed up with anger, he was sitting with his knees bent, his feet flat on the ground and his head in his hands, this posture showed that he was fed up.

Top Band Criteria. Level 1 (A-A*) Students’ analysis and evaluation of their own work and that of others is outstanding. They show considerable understanding and appreciation of the way the medium and elements are used to interpret a play.

Middle Band. Level 3 (C-D) Students’ documentary evidence shows a good understanding of their own work and that of others. They evaluate the work with some justification. i.e. It was good because... It could have been improved by....

Lowest bands (E-F) Students’ documentary evidence will be limited in terms of content and understanding.

Assessing Documentary Response A-A* Explain how the extract of the play you worked on links with the whole play. Write about how explorative strategies enhanced your understanding and appreciation of the play. Explain how you explored play using the elements and medium. Make evaluative comments and back these up with explanations and examples. C-D Write about which section of the play we worked on Say what you or your group did well and explain why Say what others did well and explain why Explain what would have made the work better E-F Write about which section of the play we worked on Explain why it was effective Say what you did well and what you could improve on

Learning Objectives To know how to interpret the role of a child in performance. To experiment with presenting Mickey’s poem Learning Outcomes All:Perform a section of Mickey’s poem in role as a child. Most: Perform in role and create a group performance of the poem. Some:Perform in role and create a polished group performance of the poem using elements and medium imaginatively.

Task 1 – Warm up (5 mins) What games did you play when you were seven? What skills do we need to perform as a young child?

Mickey’s Poem In what part of the play does this appear? What actions could we use within the poem? What else could we use?

Hot-seating How does Mickey feel at this moment? What do we want to know about him? What could we ask him?

Lesson 5 - Groups A.Kniekie, Hannah, Aleksandra, Duane, Alan B.Abi, Tafari, Rui, Liam, Mert C.Aisha, Istar, Karl, Dahir, Sidar, D.Reza, Sadrin, Ainars

Task 2 (5 mins) Rehearse your section of the poem on your own. How will you perform it to show that Mickey is seven at this point? What actions/gestures will you use? Reflect on which elements and medium you are using

Task 3 (15 mins) 1. In your groups show each other your individual sections. 4m 2.Think about how you can fit the sections together to create one polished piece. 4m 3.Consider your use of elements and medium. What could improve your work? 4m

Whole class rehearsal (5 mins)

C What methods did people use to link the verses together? B How did the performances enhance the text? Would they work within a production of Blood Brothers? A How successful was your use of the drama medium? Suggest a drama element that you could focus on in order to improve your group’s work? What have you enjoyed about playing a small child? D