Score Textures and Tracks Music 253/CS 275A Stanford University.

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Presentation transcript:

Score Textures and Tracks Music 253/CS 275A Stanford University

Textural types  Ensemble texture  Keyboard texture CS 275A/Music Eleanor Selfridge-Field2 Beyond MIDI core examples

CS 275A/Music Eleanor Selfridge-Field3 Tracks in keyboard music  How many voices?  When? Bach: WTC I, C-Major Prelude: plucked arpeggios

CS 275A/Music Eleanor Selfridge-Field4 Tracks in keyboard (harpsichord) music  How many voices?  When? Bach: WTC I, D-Major Fugue 3 (4) 2 ?

CS 275A/Music Eleanor Selfridge-Field5 Tracks in keyboard (harpsichord) music  How many voices?  When? Bach: WTC I, D-Major Fugue 3 (4) 2 ?

Well-behaved [consistent] tracks (organ) CS 275A/Music Eleanor Selfridge-Field 6 Bach: four-vioice chorale

Tracks in keyboard (piano) music CS 275A/Music Eleanor Selfridge-Field7 Hummel: Prelude No. 19 Harp-like passage 2-voice?

Tracks in keyboard (piano) music CS 275A/Music Eleanor Selfridge-Field8 Chopin: Mazurka, Op. 67, No

Tracks in keyboard (piano) music CS 275A/Music Eleanor Selfridge-Field9 Chopin: Mazurka, Op. 67, No

Tracks in keyboard (piano) music CS 275A/Music Eleanor Selfridge-Field10 Chopin: Mazurka, Op. 67, No

Braille score typologies  Ensemble texture = “open score”  Keyboard texture = “bar over bar” CS 275A/Music Eleanor Selfridge-Field11

Braille music codes (in general) CS 275A/Music Eleanor Selfridge-Field12 Braille MN developed in c Six-dot cell Many symbols redefined by context Has national dialects Has international governing body Dependent on impact printing ● Data dots Switches

Braille MN: score types  Bar-over-bar: piano music  Open-score: intended for sight-singing  Short-score: choral analogue of bar-over-bar  Section-by-section: piano music or score  Single-line: single instrumental part CS 275A/Music Eleanor Selfridge-Field13

Braille: Mozart trio encoding (clarinet only) CS 275A/Music Eleanor Selfridge-Field14 Setup data Bars 0, 1

Mozart “Turkish March” in Braille MN CS 275A/Music Eleanor Selfridge-Field15 Bar 89 Bar 90 Bar 91 Bar 92 R.H

Mozart “Turkish” March: domain dissection 16 MIDI (pitch) data CS 275A/Music Eleanor Selfridge-Field

Mozart “Turkish” March: domain dissection 17 MIDI (pitch) data CS 275A/Music Eleanor Selfridge-Field

Mozart “Turkish” March: domain dissection 18 Slurs Slur orientations MIDI (pitch) data CS 275A/Music Eleanor Selfridge-Field

Mozart “Turkish” March: domain dissection 19 Slurs Slur orientations Beams Beam slopes* Beam lengths* MIDI (pitch) data CS 275A/Music Eleanor Selfridge-Field

Musical structure: notation-sound conflicts Score structure  Da capos  1 st, 2 nd endings  Upbeat complements Sound file-structure  Recap point?  Repeats happen or not*  2 nd endings with transitions may not compute** * affects total number of bars ** where 1 st time has upbeat, repeat point has downbeat CS 275A/Music Eleanor Selfridge-Field 20 Notation>sound translation Sound specs precise, Graphics specs free to modify

Encoding transposing instruments  MIDI: sounding pitch Clarinet in A  Score/part: written pitch Strings in A, Clarinet in C CS 275A/Music Eleanor Selfridge-Field 21