Drum Microphone Technique by: elton charles. Microphone Types.

Slides:

Advertisements

Similar presentations

The Shure SM58® is a unidirectional (cardioid) dynamic vocal microphone designed for professional vocal use in live performance, sound reinforcement, and.

Advertisements

Percussion Family.

Microphones The Basics.

Getting it From the Source Microphone Basics. Microphone basics A microphone converts sound energy into electrical energy A microphone can use EITHER.

Dynamic Microphones A microphone’s job is to turn acoustic energy (vibrations in the air) in to an analogue electrical signal which a mixer can understand.

MICROPHONES. Microphones The first link in the audio chain. Try to capture a realistic sound – something that sounds like the instrument Sound quality.

Western Electric, models 299 and 323, from 1915 to the 1920s.

Pro Tools Session Secrets Professional Recipes for High Octane Results.

Telecommunications 1 Audio Production What’s your background? Telecommunications 1 Audio Production What are some terms? Have you noticed audio? Questions.

Chapter 6 Microphones. Microphones Transducer: device that changes one form of energy into another Transducer: device that changes one form of energy.

Back to Stereo: Stereo Imaging and Mic Techniques Huber, Ch. 4 Eargle, Ch. 11, 12.

Microphones. How they work! Microphones transduce sound waves into electric energy – the audio signal.

Sound research production arts Katie Milne. RADIO MICROPHONE SENNHEISER EW100 They are much easier to move about on stage, less restricted. less wires.

h as a diaphragm that is directly connected to a core of wire called the "voice coil" that is suspended in a magnetic field The movement of the diaphragm.

Microphones Dynamic and Condenser Polar patterns Frequency response Wireless.

Microphone types, placements & Scenarios. Polar Patterns For any given scenario you must think; What type of microphone to use? What polar pattern? Where.

Drum Recording/Microphones Dynamic mics are the ones you usually see on stage at a concert They are good for live performance because they are relatively.

V-Cert Music Technology Microphone techniques in Music UNIT 9 NAME………………………………………………………….. YOU WILL: Be working independently to research and complete.

V-Cert Music Technology Microphone techniques in Music UNIT 9 NAME………………………………………………………….. YOU WILL: Be working independently to research and complete.

Unit 9 Key Properties Definition & Instrument Use Advantages Disadvantages Condenser Microphone The condenser microphone is also called a capacitor microphone.

Recording and Engineering Have the band set up their instruments completely. Typically, the drum kit will be at center stage rear, the vocalist will.

Objectives Know the different types of microphones and the context in which they are used in.

Microphones Inspire School of Arts and Sciences Mr. White – Recording Arts.

V-Cert Music Technology Microphone techniques in Music UNIT 9 NAME………………………………………………………….. YOU WILL: Be working independently to research and complete.

Mono and Stereo Miking Techniques. Choosing Microphones Limited collection: useful for broad range of applications  Neumannn KM 184’s (desert island.

Microphones The basics. The microphone is your primary tool in the sound chain from sound source to audio storage medium.

Getting it From the Source Microphone Basics. Microphone basics A microphone converts sound energy into electrical energy A microphone can use EITHER.

Mics: The Sonic Lens. Recording Chain A system or “ecosystem” for recording and playback.

Piano Room acoustics are important. Placement of piano and microphones are influenced by the room. Condenser microphones are commonly used to capture the.

Operate a digital audio workstation (1.1) Condenser microphone Definition and instrument use: The use of this microphone is for singing and instrument.

Microphone and Preamp Design Tufts University – ME 93 September 17, 2015.

Using the Alphabet of lines. Drawing should be near bottom left corner. The front view shows how wide and how tall the object is.

Rumsey Chapter 16 Day 3. Overview  Stereo = 2.0 (two discreet channels)  THREE-DIMENSIONAL, even though only two channels  Stereo listening is affected.

Microphones and Microphone Placement What is Microphone and how it works Types of Microphones Types of Microphones Choosing a Microphone Choosing a Microphone.

Recording Drums.

The microphone is your primary tool in the sound chain from sound source to audio storage medium.

Fundamentals of Audio Production. Chapter 1 1 Fundamentals of Audio Production Chapter One: The Nature of Sound.

Max Edmonds.  To play hockey you need to be fast and you need good hand-eye coordination.  You can only use the flat side of the stick.  You can’t.

Posture: From the ground up Feet flat on the floor Feet flat on the floor Bottom on the edge of the seat Bottom on the edge of the seat Spine Straight.

Scott Hanlon Next. Microphones Loudspeakers Amplifiers Mixing Consoles Signal Processors Software References Contents.

Capturing Sound Properties and Pitfalls of Sound Recording.

Mics: The Sonic Lens 1.

Guitar Pedal Board AC Power Monitor 4 Wedge Snare Kick 10” Tom Throne 16” F. Tom 21” Ride 18” F.Tom Brandon Lead Guitar Rich Vox Farley Bass Andrew Drums.

Music – Drum Lesson. Musical Instrument(s) violin guitar saxaphone drum set piano.

Band: MiraCosta MTEC’s Event Date: February 13, 2014 Venue: Studio A Music Hall 1 Barnard Way, Oceanside, Ca Contact: Eric Clemens ( )

Microphones. How Microphones Work Sound is created when a vibrating object (such as a guitar string, drum skin etc..) causes the air around it to vibrate.

Microphones National 5/Higher Music Technology Kincorth Academy.

Transient and Frequency Response By Lorenzo Canadilla and Jackson Beveridge.

SIZE - Top SERVER ROOM Designed by – openbox |

V-Cert Music Technology Microphone techniques in Music UNIT 9 NAME………………………………………………………….. YOU WILL: Be working independently to research and complete.

Use traditional or matched grip. Keep hands low and maximize on the wrist motion. Use a coated batter head and keep it fairly tight. Use a clear snare.

Microphones. Dynamic Microphones Hardy Does not require phantom power Shure SM 58.

Kankeshwaridevi Institute of Tech. Name of Students: Dangariya Kuldeep Enrollment no : Subject Code : Name Of Subject : Audio Video.

Fundamental of Microphone Prepared By: 1.Parmar Sheral ( ) 2.Khatri Ankit ( ) 3.Patel Pinal ( )

AUDIO VIDEO SYSTEM E.C Engg. 5 th Sem. Anurag Pandey ( ) Guided by :- Prof. Parth Patel (E.C Department)

Microphones, Speakers and Echo Cancellation

TITLE Types of microphones.

Drawing Alcoves using One Point Perspective

Introduction to microphones and techniques

Sound Design and Technology (Sound Systems)

MICROPHONES Dynamic microphones A Dynamic microphones converts sound waves to an electrical signal by electromagnetism. Most.

Microphones and Microphone Placement

Microphones and Their Role in Radio Production

Intensity Stereo Uses only differences in intensity between two channels to create stereo image Two microphone diaphragms are placed as close together.

“Music Technology from Scratch” Pages

“Falling for Foreshortening”

“Falling for Foreshortening”

Proper Keyboarding Technique

Presentation transcript:

Drum Microphone Technique by: elton charles

Microphone Types

Dynamic used close to drums can handle high spl (sound pressure level) rugged

Condenser are normally room or overhead mics but not unusual as close mics delicate to an extent require phantom power more detailed signal

Ribbon overhead or room mics very delicate warm lush sound best reproduction of instrument sounds

Microphone Positions

Batter-top head of drum Resonant- bottom head of drum close mic overheads room mic

Usual mic choice for drums

dynamic on toms (MD421) dynamic on batter and resonant snare (i5,SM57) dynamic on kick (D6, Beta 52, D112) condenser for overheads usually large diaphragm (AT4050) ribbon mic also for overheads usually stereo (AEA R88) condenser or ribbon for room mics (earthworks TC25)

Microphone P lacement

Toms

1-4 inches from batter head angled away from other drums/cymbals out of way of sticks

Kick

with hole place inside the middle of the drum pointed at beater without hole place off center of resonant 4-6 inches away

Snare

2-4 inches from batter head aim at center 2-4 inches from resonant head aim at snares

Overheads and Room mics

Overheads spaced evenly over drumset one over left shoulder looking at snare and hi-hat/crash one over right shoulder looking at ride/crash and floor toms within 2-6 feet from top of cymbals

Room vertical to the floor placed 3to however far you dare away from drums usually about 2-3 feet off ground or 6-12 feet in front of drums