Mannerism – between the Renaissance & Baroque Periods c. 1520- 1600ish -- Deliberate distortion: elongated, twisting forms -- Often religious --multiple.

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Presentation transcript:

Mannerism – between the Renaissance & Baroque Periods c ish -- Deliberate distortion: elongated, twisting forms -- Often religious --multiple perspectives -- Dramatic lighting, emotional --radical asymmetry --Intense color

Last Supper Jacopo Tintoretto 1594 Basilica di San Giorgio Maggiore, Venice

(As Opposed to DaVinci’s Last Supper)

El Greco “View of Toledo” c. 1596

El Greco “St. Martin and the Beggar”

Baroque c Dramatic use of light; intense color multi- media Meant to evoke emotion Shows movement, depth Art of the Counter-Reformation: Magnificent cathedrals or re-adornment & ornamentation of interiors of old churches to attract worshippers Secular art & architectural examples such as Versailles show of power/wealth Portraiture in action

“Las Meninas” Velazquez

“Conversion of St. Paul” Caravaggio

“Self Portrait” Rembrandt

The Anatomy Lesson of Dr. Nicolaes Tulp (1632) Rembrandt

“The Night Watch” Rembrandt

ENTRY # 42 For each of the following pieces, tell whether it is an example of Mannerism or Baroque art/architecture and WHY? A B C

Peter Paul Ruebens – 9 Nymphs and Satyrs El Greco – Resurrection of Christ Bernini – The Ecstasy of St. Theresa ENTRY # 42

Bernini “The Ecstasy of St. Teresa”

Michelangelo’s “David”…Compare to….

“David” Bernini

Rubens, The Arrival of Marie de' Medici at Marseilles The Coronation

“Helena” Rubens

The main altar at St. Peter’s Basilica, Rome - Bernini

Palace of Versailles – Entrance from the Avant-Court

Palace of Versailles Great Hall of Mirrors

Palace of Versailles – The Queen’s Bedroom