Reverb and Delay Tufts University – ME 93 October 29, 2015.

Slides:

Advertisements

Similar presentations

Thursday 4 th October. Periods Music Technology A2.

Advertisements

Competency: Installation Sound System INSTALLATION OF SOUND SYSTEM DEVICE.

CALEB WALTER 7/14/2013 Audio Stego – A Brief How To.

MUSC1010 – WEEK 8 Sound Radiation and Pro Tools Audio.

Non-recursive Comb Filter a z -m K K Ka t m samples impulse response f f = SR/m f 180 o   

Effects. Dynamic Range Processors Fixed Time Delay Effects Variable Time Delay Effects Reverberation Effects Time and Pitch Changing Effects Distortion.

Modulation: CHORUS AND FLANGE  Just as a chorus is a group of singers, the chorus effect can make a single instrument sound like there are actually.

Digital Mixer D-901 bc. Features n Full digital mixer l very high quality l 24-bit AD-/DA-converter n Multiple control l easy intuitive direct control.

Thursday 29 th November. Periods Music Technology A2.

3-D Sound and Spatial Audio MUS_TECH 348. Environmental Acoustics and Computational Simulation.

ELEC 407 DSP Project Algorithmic Reverberation – A Hybrid Approach Combining Moorer’s reverberator with simulated room IR reflection modeling Will McFarland.

EE2F2: Music Technology - Revision Two exam questions Music Recording Technology Mixing & multi-track recording Effects MIDI & Sequencers Virtual Studio.

Echo Generation and Simulated Reverberation R.C. Maher ECEN4002/5002 DSP Laboratory Spring 2003.

WEEK 11 Revision class 1. Assignment Two – 20% Sound Measurements and Observations Due: Week 11 via electronic submission Weighting: 30% Learning.

Analog Synthesizers Yohahn Jo Systems Engineering Class of 2011.

S. Mandayam/ ECOMMS/ECE Dept./Rowan University Electrical Communications Systems ECE Spring 2007 Shreekanth Mandayam ECE Department Rowan University.

Sep 16, 2005CS477: Analog and Digital Communications1 LTI Systems, Probability Analog and Digital Communications Autumn

BPC: Art and Computation – Summer 2007 Digital Media – Audio Recording and Editing Robert Putnam

Reverb in Siren. What is Reverb? Reverberation is the persistence of sound in a particular space after the original sound is removed. A reverberation,

S. Mandayam/ ECOMMS/ECE Dept./Rowan University Electrical Communications Systems ECE Spring 2010 Shreekanth Mandayam ECE Department Rowan University.

1 Revision. 2 Multimedia Systems 1  Lecture 1 - The Physics of Sound  Lecture 2 - The Java Sound API  Lecture 3 - Input Transducers (Microphones) 

Signal processing and Audio storage Equalization Effect processors Recording and playback.

1 Manipulating Digital Audio. 2 Digital Manipulation  Extremely powerful manipulation techniques  Cut and paste  Filtering  Frequency domain manipulation.

EffectsEffects Effects change the character of a soundEffects change the character of a sound.

PH 105 Dr. Cecilia Vogel Lecture 4. OUTLINE  Room Acoustics  direct and early sound  precedence effect  echoes and anechoic chamber  reverberation.

Introduction to Digital Systems Saint-Petersburg State University Faculty of Applied Mathematics – Control Processes Lection 1 prof. Evgeny I. Veremey.

Reverberation parameters and concepts Absorption co-efficient

A spring with a mass of 6 kg has damping constant 33 and spring constant 234. Find the damping constant that would produce critical damping

Applications of Signals and Systems Fall 2002 Application Areas Control Communications Signal Processing.

Joshua “Rock Star” Jenkins Jeff “Tremolo” Smith Jairo “the boss” Rojas

DSP Term Project By: Ashley Downs And Jeff Malen By: Ashley Downs And Jeff Malen.

CoachTurner Vontay Graves DIGITAL AND ANALOG AUDIO.

2 Outline Digital music The power of FPGA The “DigitalSynth” project –Hardware –Software Conclusion Demo.

EE513 Audio Signals and Systems Noise Kevin D. Donohue Electrical and Computer Engineering University of Kentucky.

DONUT Reinhard Schwienhorst DOE review 7/28/1999.

Applications of Signals and Systems Application Areas Control Communications Signal Processing (our concern)

Reason Devices Subtractor. Oscillators Select Waveform The Subtractor has two oscillators that can be used as sound sources for your patches Tuning Mix:

Inspire School of Arts and Science Jim White. What is Reverb? Reverb or ‘reverberation’ is not simply just an effect which makes vocals sound nice! It.

What is Audacity? Audacity is a free audio editor and recording program which is classified as open source software. It is easily downloaded to one’s.

Signal Processing (time-based effects)

Audioprocessor for Automobiles Using the TMS320C50 DSP Ted Subonj Presentation on SPRA302 CSE671 / Dr. S. Ganesan.

Sampling BTEC Level 3 Extended Diploma in Music Technology Year 1 Sound Creation & Manipulation Modulation – LFOs & Envelopes.

Carl Jones Candidate number: 1085 Center number:

AUD220 - Audio Technology II Nathan Edwards Winter 2010 M/W: 3:00-5:50 Nathan Edwards Winter 2010 M/W: 3:00-5:50.

EE Audio Signals and Systems Room Acoustics Kevin D. Donohue Electrical and Computer Engineering University of Kentucky.

111 Communications Fall 2008 NCTU EE Tzu-Hsien Sang.

Unit This is what the midi track is sounding like before being edited. This is what it now sounds like. I have used track echo when editing.

 Sound effects  Our project  Background & techniques  Applications  Methodology  Results  Conclusion.

$100 $200 $300 $400 $100 $200 $300 $400 $300 $200 $100 Fractions – two digits Fractions – three digits Fractions - Multiplication Fractions – mixed.

Analog and Digital Filters used in Audio Contexts Tufts University – ME 93 October 22, 2015.

Subtractive Synthesis

Effects. Effects in Music n All music that is recorded or amplified relies on effects to enhance certain characteristics of the sound. n Guitarists typically.

The Music Creation & Production Process. STAGE 1.

Digital Audio II. Volume Scaling The volume of a digitized audio source may be increased or decreased by multiplying each sample value by an appropriate.

Computer Sound Synthesis 2 MUS_TECH 335 Selected Topics.

Time Based Processors. Reverb source:

SOUND EDITING The Critical Stage. INTRODUCTION  Often ignored  Can make/break a production  Realist –Sounds as close to natural as possible  Modernist.

Pulse Code Modulation (PCM) Analog voice data must be translated into a series of binary digits before they can be transmitted. With Pulse Code Modulation.

Dan Nichols Head of Recording Services Internet2 Multimedia Specialist Northern Illinois University Your TV IS TOO SLOW.

The final layer uses a swirling pad timbre to play block chords

Signal Output Send effect Send/Return effects Definition:

Tape Composition and Fundamental Concepts of Electronic Music

PCM (Pulse Code Modulation)

Digital Control Systems & Digital PID Controller

Lecture 3: Delta Modulation (DM) 1nd semester

EE 445S Real-Time Digital Signal Processing Lab Spring 2017

2 Digit Subtraction Around the Room

EE 445S Real-Time Digital Signal Processing Lab Spring 2012

Analog-to-Digital Conversion

Presentation transcript:

Reverb and Delay Tufts University – ME 93 October 29, 2015

Outline Reverb parameters Classic Analog & Digital Reverbs Delay parameters Classic Analog & Digital Delays

Reverb Parameters Decay Time or Size Pre-Delay Diffusion or Density Low/High Cut or Damping Dry/Wet Mix Modulation

Analog Reverbs - Chamber

Analog Reverbs - Plate

Analog Reverbs - Spring

Digital Reverbs – EMT 250

Lexicon 224, 480L and 960

Digital Reverbs - K&T DN780

Digital Reverbs – Sony DRE S777

What do these sound like?

Delay Parameters Delay Time Sync Rhythm Feedback Filtering Modulation Dry/Wet Mix Crossmix

Analog Delay – Tape Echo

Analog Delay – Echoplex

Analog Delay – Space Echo

Analog Delay – Bucket Brigade

Digital Delay: Boss DD2/3

Digital Delay – PCM42

Digital Delay – SDE 3000

Digital Delay – TC 2290

What do these sound like?