Texture and Textural Reduction

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Presentation transcript:

Texture and Textural Reduction Chapter 7

Texture The way melodic, rhythmic, harmonic materials are combined Density Thick (many voices) or thin (few voices) Range Wide (large interval) or narrow (small interval)

Texture Types Monophonic Polyphonic Homophonic Homorhythmic Single melodic line Polyphonic Two or more lines Lines move independently Homophonic Melody with accompaniment Homorhythmic Similar rhythm in all parts “hymn style”

Analysis of Texture Primary melody (PM) Secondary melody (SM) Most important melody Secondary melody (SM) Less important than PM Parallel supporting melody (PSM) Similar in contour to PM Static support (SS) Sustained or repeated tones Harmonic and rhythmic support (HRS) Establish chords and basic rhythm of piece Can be separated into HS and RS

Textural Reduction Rewrite of a piece in block chords Outlines the harmonic rhythm of the piece How often the chords change Helpful in doing RN analysis