NARRATIVE IMAGES Relating Painting, Film and Photography.

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Presentation transcript:

NARRATIVE IMAGES Relating Painting, Film and Photography

FOCUS on compositional strategies used by painters, photographers and filmmakers to intensify the drama, tension, excitement, and /or human interest in a picture. IDENTIFY the strategies used in the images in the presentation to follow.

Edgar Degas, Interior, , Philadelphia Museum of Art

Eric Fischl, The Dining Room, 2002 Fischl, The Dining Room, photograph

Eric Fischl, The Krefeld Project, Digital Photographs for the series of paintings

Edward Hopper, Nighthawks, 1942, oil on canvas, Art Institute of Chicago

Edward Hopper, Woman In The Sun, 1961, oil on canvas, Whitney Museum of American Art

Gregory Crewdson, Ophelia, from Beneath the Roses series, , c-print

Shirin Neshat, Zarin series, 2005 Shirin Neshat, video still from Passage

EDGAR DEGAS Compositions such as this one show the influence of “new” (late 19th century) technology, such as the portable camera, in terms of angle of view and framing.

PHOTOJOURNALISM Photojournalism refers to images that tell a story, such as those seen in news media and periodicals. It may include documentary, advertising, spot news, sports, human interest, humor and the portrayal of contemporary life.

Robert Capa,

Robert Capa, Omaha Beach, June 6,1944, gelatin silver print

Paolo Pellegrin, 2006, photographed during conflict in Lebanon, winner of the Robert Capa Award

Cindy Sherman, Untitled Film Still #14, 1978, gelatin silver print

Fernando Meirelles and Katia Lund, CITY OF GOD, FILM STILLS Quentin Tarantino, JACKIE BROWN, 1997

Orson Welles, A Touch Of Evil, 1958

?

Sam Mendes, AMERICAN BEAUTY, 1999

AMERICAN BEAUTY

Alfred Hitchcock, PSYCHO, Look at Saul Bass’s storyboards for this scene

Hitchcock, NORTH BY NORTHWEST, 1959