Back to Basics Lesson 2 – Characterisation and motifs.

Slides:



Advertisements
Similar presentations
How to Say “No” and Keep a Good Relationship
Advertisements

MONOLOGUES Monologue – text presented by a single character, most often to express their thoughts aloud, though sometimes also to directly address another.
Improvisation. IMPROVISE - To ad-lib, or invent dialogue and actions without a script or rehearsal IMPROVISATION – a spontaneous style of theatre using.
Teechers Y.
Section A Question 1 For Section A you must choose one of your performances. This question asks you to describe what the piece was about including the.
Learning Objectives: To learn how to successfully stage a performance in the round. To learn how to annotate a section of a script.
1 RUNNING a CLASS (2) Pertemuan Matakuliah: G0454/Class Management & Education Media Tahun: 2006.
Succeed by Listening Discussion Session #73 Jen Alexander.
INTERVIEWING the principles behind the art. A verbal and nonverbal dialog between two people whose behaviors affect each other’s style of communication.
Presenting Your Message Introduction and Overview  Stage fright  Practicing your speech  Guidelines for delivery Visual aspect Auditory aspects.
Focus Groups for the Health Workforce Retention Study.
Enhancing students’ speaking fluency through Readers’ Theatre Jack and the Beanstalk Project By Fung Kai Liu Yun Sum Memorial School (PM)
Basic Debating Skills.
Chapter 6 Building Healthy Relationships Lesson 1 Building Communication Skills >> Main Menu Next >> >> Chapter 6 Assessment Click for: Teacher’s notes.
“As is our confidence, so is our capacity
Unit 8 Presentations: The Middle of a Presentation
Year 7 - Matilda Each group has a different part of the story. Work together to put it into order.
ACTIVE LISTENING AND PUBLIC SPEAKING. LISTENING FACT: Other than breathing, people spend more time ______________ than any other activity. However, most.
Preparing for Interviews How to promote yourself in person © IntoUniversity 2015.
Acting Auditions and Scenes in Musicals
Characterisation Activities For use with WJEC Performing Arts GCSE Unit 1 and Unit 3 Task 1.
Healthy Relationships
Communication and Listening Skills Mandy Firth and Ant Sutcliffe.
Creative Drama.
Section 6.1 Skills for Healthy Relationships Objectives
Learning Objectives To understand key ideas for improvisation such as accepting others’ suggestions and building on them. To develop confidence. To have.
Chapter 2 Lesson 1 Vocabulary – Health Skills, Communication, Refusal skills, Self – esteem, Stress.
What does “assertiveness” mean?. In this lesson you will learn: The meaning of “being assertive” The difference between being assertive and being aggressive.
Elements of Communication 6 Elements of Communication 1. Verbal messages 2. Nonverbal messages 3. Perception 4. Channel 5. Feedback 6. Context.
Divorce Unit Year 9. Objective Can I use drama strategies to explore the effects of Divorce on a child?
TELEPHONE SKILLS USING THE PHONE TO HELP WITH YOUR JOB SEARCH.
›Guiding Children’s Behavior ›Angela Hirsch. The first thing to look at when experiencing mistaken behavior in a classroom is the environment. Room arrangement,
Writing a formal letter
Think of a success you have had in the past week – large or small. Share it with a partner. STARTER TASK PERSONAL SUPPORT LESSON –DEVELOPING SELF 1.
The Little Red Hen teaches us how to use quotation marks
Drama Notes Chapters 1-4, Audience Etiquette, & 7 Rules of Acting Games.
Teacher Help Getting a class to be quiet without shouting.
Peer Pressure: Saying NO to Drugs. In the last activity, you identified some of the common things peers might say to get you to use drugs. Today you are.
Working with people!.  Bad attitude  Late to meetings  Demands to know what they’ve missed  Lazy  Encourage them to be more active/positive  Tell.
Soap Operas.
Back to Basics Lesson 8 - Status. Lesson Objectives By the end of the lesson pupils will have: Recapped how a performer shows status on the stage Explored.
Drama 12 Elements of Drama. 1. FOCUS  It takes focus to portray a character in a believable way.  We have to look, move and sound like the character,
Before an Interview: Getting Ready
Yr 7 Drama Status on The Stage Today’s Objectives By the end of this lesson, you will: Be able to explain what status is. Be able to explain what status.
Back to Basics - Lesson 6 Choral Speaking and Movement.
Back to Basics Year 9 Foundation course for GCSE students.
Multi-Role. I ________________________________________________________________ ________________________________________________________________.
Peaceful Problem Solving through Peer Mediation October 2012.
Skills For Effective Communication
Soap Operas Lesson 2. Lesson Objectives By the end of this lesson pupils will have: Learnt about the main difference between acting for the stage and.
Back to Basics Lesson 5 – Vocal expression. Lesson Objectives  By the end of the lesson pupils will have:  Recapped the meaning of vocal expressions.
Textual Analysis NAB Drama. What’s in the NAB? You will read an extract from a play you have not studied. You will read an extract from a play you have.
Communication Skills Personal Communication Skills.
Purpose -to analyze skills and knowledge necessary for success in the unit -to build fluency, confidence, and poise when speaking in front of an audience.
Welcome to my class 高一下册 Unit20 Humour 胡三元
Back to Basics Lesson 9 – Stage positions and imagination.
Drama 2.5 Perform a substantial acting, technical or production role V2 Credits5.
Section C Blood Brothers E HOLMES Aims To gain knowledge and understanding of how to answer a Section C about a performer. To be able to complete.
COMMUNICATION Pages 4-6. Michigan Merit Curriculum Standard 7: Social Skills – 4.9 Demonstrate how to apply listening and assertive communication skills.
Laboratorio di lingua inglese 3 Lesson 4 Speaking with support.
Soap Operas Lesson 5 & 6.
THRILLER PROJECT!! Week 1: Week 2: Recap ideas from week 1. Week 1:
Explain to the group of pupils that they have been given an important opportunity to lead this intervention in their schools. They are communication role.
Year 9 Drama Lesson 6 – Marcus meets his victim
Drama At Cornwallis Academy
Section 6.1 Skills for Healthy Relationships Objectives
Drama At Cornwallis Academy
PERFORMING ARTS DANCE.
Drama At Cornwallis Academy
Yr 7 Drama Lesson 2 Routines & Gags
Presentation transcript:

Back to Basics Lesson 2 – Characterisation and motifs

Learning objectives By the end of the lessons pupils will have: By the end of the lessons pupils will have: Recapped the drama skills essential for effective characterisation Recapped the drama skills essential for effective characterisation Explored the idea of character signatures/motifs Explored the idea of character signatures/motifs Considered how to differentiate between characters Considered how to differentiate between characters

In pairs you have 2 minutes to discuss the following questions What makes an engaging/watchable character? What drama skills do we have to use to create an effective characterisation?

An engaging character will usually be: 1. Easily identifiable 2. Likeable in some way (for example they might provide comedy) 3. Consistent and sustained (no corpsing!) 4. Confident on the stage e.g. know what they are doing at all times

The most important characterisation skills are: Vocal expression – pitch, pace, power and pause Our use of body – posture, gesture, facial expressions and gait Dialogue – what we say

The party game! One of the group is hosting a party – who ever plays this role can be themselves BUT they must be a good host/hostess e.g. welcome guests at the door, offer drinks, don’t leave guests on their own, introduce guests to one another etc. One of the group is hosting a party – who ever plays this role can be themselves BUT they must be a good host/hostess e.g. welcome guests at the door, offer drinks, don’t leave guests on their own, introduce guests to one another etc. There will be 5 ‘guests’ a the party who arrive individually. Without saying who they are or what their job is, they must use their characterisation skills to make it obvious who they are There will be 5 ‘guests’ a the party who arrive individually. Without saying who they are or what their job is, they must use their characterisation skills to make it obvious who they are Let’s take a look! Let’s take a look!

Group improvisation Using your super-duper characterisation skills you are now going to create a short improvisation based on the following characters: Character A is a 30 something, successful business person. They are confident, well spoken and ruthless. They do not care who they upset as long as they get what the want. Character B is a middle aged librarian. They are very quiet, try to keep everybody happy and dislike confrontation. They would always do a good turn for you. Character C is in their 20s and completely dizzy. They are very forgetful, often get confused and occasionally laugh nervously. They are well meaning but tend to get on peoples nerves. Character D is a 90 year old war veteran. They are very proper, believe strongly in discipline and have a tendency to shout when they talk. Without realising it they can seem quite aggressive.

Suggested settings A bus stop A bus stop A pub A pub A supermarket A supermarket A laundrette A laundrette A party A party A football match A football match A neighbourhood watch meeting A neighbourhood watch meeting A bingo hall A bingo hall A job interview A job interview

Signatures/motifs A signature/motif is an action, gesture or even catch phrase that your character uses repeatedly A signature/motif is an action, gesture or even catch phrase that your character uses repeatedly These are a way of making your character clearer and showing their personality These are a way of making your character clearer and showing their personality If you are multi role-playing, using a signature/motif helps to differentiate between your characters If you are multi role-playing, using a signature/motif helps to differentiate between your characters Can you think of a signature that would be suitable for a stressed businessman or a vain woman? Can you think of a signature that would be suitable for a stressed businessman or a vain woman? Now try to give a signature/motif to your character Now try to give a signature/motif to your character

Evaluating the work In your groups I would like you to give a mark between 1 and 5 for the performance – 1 is low and 5 is high! You need to justify this mark with 3 comments which are a mixture of positive ones and areas for improvement Do not forget that the focus is on the quality of their characterisation

Plenary What skills do we need to create effective characterisations? What is a signature/motif? How have your drama skills developed during this lesson?