Copyright Law: Spring 2006 Professor Susanna Fischer CLASS of Feb. 21, 2006.

Slides:



Advertisements
Similar presentations
Copyright Ownership and Rights Management NIH, Harvard and TRLN Kevin L. Smith.
Advertisements

COPYRIGHT AND COPYWRONG Respect Copyright, Celebrate Creativity.
Copyrights for Creatives April 16, 2014 Brocach Irish Pub.
Copyright Duration and Ownership Victor H. Bouganim WCL, American University.
Copyright Law: Spring 2002 Professor Susanna Fischer CLASS 12 February 20, 2002.
Tuesday, January 21, 2014 Review Copyright Basics and Fair Use (for test) Share “Case Research”
Copyright © 2002 & 2008 By Daniel J. Donovan Using Technology in Teaching Conference 2003 Copyright Issues for Faculty Presented By: Daniel J. Donovan,
Copyright Law Ronald W. Staudt Class 10 October 1, 2013.
Do you own video you create for teaching? Kevin L. Smith Duke University Libraries Office for Copyright & Scholarly Communications, Duke University Libraries.
Copyright Law: Fall 2006 Professor Susanna Fischer CLASS of October 11, 2006 OWNERSHIP: WORKS FOR HIRE, JOINT WORKS.
Class 9 Copyright, Winter, 2010 Authorship and Ownership Randal C. Picker Leffmann Professor of Commercial Law The Law School The University of Chicago.
Intellectual Property Boston College Law School January 19, 2007 Copyright – Ownership, Duration.
Copyright and Fair Use Dan Lee Interim Team Leader for Undergraduate Services and Copyright Librarian March 21, 2007.
Copyright Law Boston College Law School January 30, 2003 Initial Ownership.
COPYRIGHT LAW 2004: CLASS 5 PROFESSOR FISCHER THE CATHOLIC UNIVERSITY OF AMERICA FEB 2, 2004.
Useful Articles, Works for Hire
Joint Works, Collective Works, and Duration Intro to IP – Prof Merges
Useful Articles, Works for Hire Intro to IP – Prof Merges
The Music Business – Part 3 Copyright Basics Presented by: Debra J. Fickler, Esq.
Intellectual Property Boston College Law School January 18, 2008 Copyright – Ownership, Duration.
AUTHORSHIP AND OWNERSHIP LICS Authorship and Ownership The author is the creator of an intellectual work The rightholder is the person who.
Ownership of Intellectual Property: Textbooks and Inventions Frank Lancaster UT Office of the General Counsel Presented at The University of Tennessee.
Report Submitted by the 2014 Intellectual Property Task Force INTELLECTUAL PROPERTY POLICIES.
SECTION 101 OF THE PATENT LAW Describes what is patentable subject matter: "Whoever invents or discovers any new and useful process, machine, manufacture,
Useful Articles, Works for Hire Intro to IP – Prof Merges
C OPYRIGHT — W HAT ’ S THE B IG D EAL Copyright in an Academic Setting.
Authorship & Ownership
And what to do about it YOUR COMPANY OWNS YOU Work For Hire and You.
SECTION 101 OF THE PATENT LAW Describes what is patentable subject matter: "Whoever invents or discovers any new and useful process, machine, manufacture,
Copyright Basics - the Highlights An introduction to copyright law drawn from the copyright statute and from Copyright Basics by the Library of Congress,
Copyright Law: Spring 2002 Professor Susanna Fischer CLASS 10 February 10, 2003.
Copyright and Fair Use Online Presenter: David Wittenstein ©2007 Dow Lohnes PLLC Jon Hart David Wittenstein
Copyright Law: Spring 2002 Professor Susanna Fischer CLASS 14 February 27, 2002.
Copyright: Protecting Your Rights at Home and Abroad Michael S. Shapiro Attorney-Advisor United States Patent and Trademark Office.
COPYRIGHT LAW FALL 2006 PROFESSOR FISCHER THE CATHOLIC UNIVERSITY OF AMERICA OCTOBER 10, 2006.
Introduction to Intellectual Property: Fall 2003 Professor Susanna Fischer CLASS of OCT OWNERSHIP, DURATION.
COPYRIGHT LAW FALL 2008: CLASS 2 Professor Fischer Introduction to Copyright 2: Historical Background AUGUST 20, 2008.
THE ROLE OF CIRCUMSTANCES AND AGREEMENTS IN DETERMINING OWNERSHIP OF COPYRIGHT AND OTHER INTELLECTUAL PROPERTY IN FACULTY CREATED WORKS. Faculty Created.
Custom Software Development Intellectual Property and Other Key Issues © 2006 Jeffrey W. Nelson and Iowa Department of Justice (Attach G)
Intellectual Property Who owns it?. Copyright Laws US Constitution under Article 1, Section 8, “The Congress shall have Power…To promote the Progress.
Proposed Revisions Copyright Policy WSU Intellectual Property Committee.
Intellectual Property Laws and Fair Use Guidelines for Educational Multimedia.
Copyright Law: Spring 2002 Professor Susanna Fischer CLASS 13 February 25, 2002.
The Quest for Copyright Understanding Miguel Guhlin
Copyright Law: Spring 2004 Professor Susanna Fischer CLASS of March 8, 2004.
COPYRIGHT LAW 2006 PROFESSOR FISCHER THE CATHOLIC UNIVERSITY OF AMERICA FEBRUARY 16, 2006.
Copyright Law: Spring 2003 Professor Susanna Fischer CLASS 11 February 12, 2003.
Copyright Law Ronald W. Staudt Class 13 March 4, 2009.
COPYRIGHT LAW 2008 Columbus School of Law The Catholic University of America Prof. Fischer Class 27: November 19, 2008.
Copyright Law Ronald W. Staudt Class 12 March 2, 2009.
Copyright Law: Spring 2003 Professor Susanna Fischer CLASS 12 February 19, 2003.
1.The Nature, Impact, and Issue of Information Technology 1.5Basic Legal Framework relating to the Use of IT.
Developing/Protecting Your Idea Peter H. Durant Nixon Peabody LLP March 30/31, 2005 Copyright © 2005 Nixon Peabody LLP.
Copyright Law: Fall 2008 Professor Susanna Fischer CLASS of October 8, 2008 – Joint Works.
Copyright Law: Fall 2006 Professor Susanna Fischer CLASS 16 October 16, 2006.
Copyright Law: Spring 2003 Professor Susanna Fischer CLASS 14 Feb. 27, 2003.
INTRODUCTION TO INTELLECTUAL PROPERTY LAW Copyright Ownership Monday October
COPYRIGHT LAW : FALL 2006 PROFESSOR FISCHER THE CATHOLIC UNIVERSITY OF AMERICA October 4, 2006.
2012 ADVANCED TRADEMARK LAW SEMINAR March 14, 2012 ACC Quick Hit Joseph Petersen Partner Kilpatrick Townsend.
COPYRIGHT LAW 2008 PROFESSOR FISCHER THE CATHOLIC UNIVERSITY OF AMERICA OCT
Class 7 Copyright, Spring, 2008 Authorship and Ownership Randal C. Picker Leffmann Professor of Commercial Law The Law School The University of Chicago.
6/18/2016 COPYRIGHT AND Fair Use Guidelines “Respect Copyright, Celebrate Creativity”
17 U.S.C. §103 (a) The subject matter of copyright as specified by section 102 includes compilations and derivative works, but protection for a work employing.
Margaret Burnett April 2017
ENTERTAINMENT LAW INTELLECTUAL PROPERTY OVERVIEW
Intellectual Property:
COPYRIGHT – What do we need to know?
Preparing for Promotion and Annual Review August 22, 2018
Class 9 Copyright, Autumn, 2016 Authorship and Ownership
Anna Elento-Sneed June 13, 2018
Presentation transcript:

Copyright Law: Spring 2006 Professor Susanna Fischer CLASS of Feb. 21, 2006

COPYRIGHT OWNERSHIP Can more than one person be an “author”?

SECTION 101 A “joint work” is a work prepared by two or more authors with the intention that their contributions be merged into inseparable or interdependent parts of a unitary whole.”

SECTION 201 The authors of a joint work are co-owners of copyright in the work – meaning?

RIGHTS OF JOINT AUTHORS Each has equal and undivided interest in work Each has right to use or license work as so wishes Duty to account to other joint author

JOINT WORKS Is collaboration enough to establish joint authorship?

WORK MADE FOR HIRE: TO THINK ABOUT Does the CCNV test for a work made for hire, as elaborated in Aymes v. Bonelli, enhance the stated policy goal in CCNV of enhancing certainty and predictability?

SCOPE OF EMPLOYMENT CCNV dealt with whether an author is an employee. How do the courts determine “scope of employment” ?

SCOPE OF EMPLOYMENT CCNV dealt with when an author is an employee. How do the courts determine “scope of employment”? See Avtec (CB p. 144) –development of computer programs at employee’s home outside of normal business hours Courts rely on test in Restatement (Second) of Agency. Employer must show: 1. Work of type employee hired to perform 2. Creation of work occurred “substantially within the authorized time and space limits” of the job 3. Work “actuated, at least in part, by a purpose to serve” interests of employer

AGREEMENTS Sometimes used to try to enlarge scope,but if too broad will simply be treated as assignments, not as converting a work into a work made for hire

THE TEACHER EXCEPTION If the teacher exception exists, it is an exception to the work made for hire doctrine for academic writings Did the 1976 Act abolish it? Many college and university IP policies adopt the view that teacher exception exists See draft CUA IP Policy at: npage/

WORK FOR HIRE FOR NON PROFIT ENTITY SET UP FOR ARTIST Martha Graham School v. Martha Graham Center, (2d Cir. 2004)

SPECIALLY ORDERED/COMMISSIONED WORKS Statutory categories in s. 101 – work must fall into one of these 9 categories “a work specially ordered or commissioned for use as a contribution to a collective work, as a part of a motion picture or other audiovisual work, as a translation, as a supplementary work, as a compilation, as an instructional text, as a test, as answer material for a test, or as an atlas, if the parties expressly agree in a written instrument signed by them that the work shall be considered a work made for hire.”

SOUND RECORDINGS AND WORKS MADE FOR HIRE In 1999 Congress added sound recordings to section 101 list of works that could be commissioned works for hire “Millennial Flip-Flop”(2000)

WORK FOR HIRE AGREEMENTS At what point do parties have to execute work made for hire agreements under 101(2)? At time of commissioning? When commissioning party pays creator? When work is being created? Compare Schiller (7th Cir.) and Playboy v. Dumas (2d Cir.)

WORK FOR HIRE AGREEMENTS Does the agreement have to include “work for hire” language? See Armento v. Lasar Image, Inc. (W.D.N.C. 1996)

THOMSON v. LARSON (2d Cir. 1998)

INTENTION REQUIREMENT: JOINT WORKS Independently copyrightable contribution AND “intention at the time the writing is done that parts be absorbed or combined into an integrated unit” Joint authorship can be manifested in a written agreement. What if there is no written agreement?

INTENTION TEST FOR JOINT WORKS If there is no written agreement between the authors, there is a 2 pronged test to determine whether there is joint ownership (Childress, Thompson) A P trying to establish co-ownership must establish: 1. Each putative co-author made independently copyrightable contributions to work 2. Each putative co-author fully intended to be a co-author

THOMSON Does this case effectively add any judicial requirements to the statutory definition of a joint work? If so, what is it? What issue was left undecided in Thomson?

Aalmuhammed v. Lee (9th Cir ) Did the court agree with Aalmuhammed’s contention that Malcolm X was a joint work? Why or why not? Is the intention test as applied in Thomson and Aalmuhammed fair? Does it promote the policies of the Copyright Clause?