Brown Eyed Girl. The Key here is to first practice the following: 4/4||: G | C | G | D : ||

Slides:

Advertisements

Similar presentations

Class 4A Wed only Guitar I and Guitar II

Advertisements

Class 3 Guitar I and Guitar II

Caged Across – I IV and V The 3 principle chords in a major key

Caged Across – I IV and V Main chords.

Guitar III & Guitar IV 2nd night Spring 2003

Blues Backup in 3rds Common way to backup a blues. Do as a shuffle!

Au Privare. C7 First line. Take it one phrase at a time. A little bit of a tongue twister at first. The progression here is interesting the Gm7 to.

What did they do last Sunday?

Parker Blues Some common Parker tunes and other Jazz Blues songs.

Class 10 Guitar I and II May be all review – class decides!! If not then below. Review the following –12 – Bar Blues in A and E –Blues backup like Chuck.

Arpeggio Fingerpicking

Class Week 4 Guitar I Slow Song Tablature More Bass Scratch and bass pick - reviews More timing work (Maybe) The A and E7 chords As prep for next week.

Purple Haze Hendrix Chord. From the book Purple Haze to start. This song is entirely based upon E7 – G to A with the end only going to other chords. The.

British Rock Class 2.

Guitar III & Guitar IV 8th night Spring 2005 Moving date of performance night Review of Scale stuff Have a Marshall Rep (David Spann)coming next week.

Wish You Were Here Playing chords without playing the whole chord.

Guitar and Recorder Resource Notebook By: Christina Regan.

5 basic forms for these. By: F. Markovich

NCVPS AP Music Theory Presentation by Dr. Tom Moncrief Inversions of Triads.

Chords  In order to properly label chords, you must first find it’s quality…  1 – Count the number of notes in the chord, should be 3, (if 4-notes see.

Johnny B. Goode. The A Mixolydian Mode is the same as a D major scale but starting on the 5 th degree of the scale. So instead of starting on the 5 th.

Guitar III & Guitar 9 th night Fall 2005 –Double stops for Roll Over Beethoven finish. –More work on CAGED The D form – all 5 forms –Look at some of the.

CALENDAR | INFO | WORKSHOP CHARTS torontoUKES.com

Intervals – the building blocks of harmony

Surfin’ USA. You will see many songs written out this way. The chords are just repeated over & over again. This song is in 4/4 time. Each chord will get.

Brown Eyed Girl Introduction and other parts – an example of intervals of a 3 rd and of a 6 th.

AP Music Theory Mr. Jackson

Rhiannon Exercise in intervals of a 3 rd. This whole background is based off of intervals of a 3 rd.

Shuffle Will do to an old tune Linda Lou – but much more than originally meets the eye.

2014/2015 Session SS2 Music Note. TRIADS The most basic chords are called triads, and they contain three different notes played at the same time. These.

CAGED Your Friend Chord and scale visualization and patterns for the Guitar.

On Broadway Notes of melody in the chord!. Begin with just the chords First learn them in 1 st position then we will move them up. Not difficult but make.

Guitar I and Guitar II Class 6 E major and Am chords. Review the A and E7 chords. As a review there are so far 3 types of chords – Major, Minor, and Dominant.

What is a Triad? NCVPS AP Music Theory.

Guitar Chords. G First finger 2nd fret, 5 th string. Second finger 3 rd fret, 6 th string. Third finger 3 rd fret, 1 st string.

Ray Charles. First Recollection What’d I say Really moved me Not so difficult – just a blues but lots to it. Done in the key of E – good for guitar. Next.

Class 12 Guitar I and II Lots of stuff F Chord review and practice Playing up the neck. Arpeggio Fingerpicking 8 Days a Week with Intro - review. Final.

Suspended Chords Embellishing chords 101. Aefinition Suspended chords are chords that suspend the 2 nd or 4 th notes of the scale rather then the 3 rd.

Walk Don’t Run Study in A Aeolian – Old Time Rock Instrumental.

84. Chord A harmonic unit with at least 3 different tones. Day 13 – Triads and Inversions.

Resolving the V7 and its Inversions.  Let’s create a V7 chord by stacking 3rds on scale degree 5.  SATB style, anyone?  What is the quality of the.

Lodi Original key is Bb we will start it in G.. Start with the Chords We will first do this in the key of G. Play Rhythm 1 2&3&4&. Accent beats 2 and.

Guitar III and Guitar IV 4th night Spring 2004 Have fun learning new songs, techniques etc. on the guitar Increase your technical skills on guitar Increase.

Suspended Chords.

Class 8 Guitar I and II Review the following – Very Brief as did last week. 12 – Bar Blues in A and E Blues backup like Chuck Berry Blues Scale in 5th.

Roll Over Beethoven Early British rock took many American pop and rock songs as “Cover Tunes”. Beatles were no exception. Chuck Berry tunes were played.

G 0232 C 0003 D G! C! G! D! D Brown Eyed Girl – Van Morrison intro.

Guitar I & II Class 4 Will do D7 and E7 for this class but more review and perfecting the songs we have already done. We went over it last week. Review.

Sultans of Swing This is a minor key song. Most of it falls into the Aolean Mode. Again Start with the chords. We will work on the various parts.

Guitar III and Guitar IV Class 16

Class 11 Guitar I and II Lots of stuff

Guitar III & Guitar IV 12th night Spring 2003

Class 10 Guitar I and II Lots of stuff

Kinks Power Chords.

Finish last class info.

Wade In The Water Learn in all positions.

Phone Number BINGO!!!.

Guitar III & Guitar IV 11th night Spring 2003

Parts of Speech: Song Analysis Assignment

Yankee Doodle Dixie.

Using the Major Pentatonic Scale

Suspended Chords Embellishing chords 101.

Moving Bass Lines and ¾ picking

Playing chords without playing the whole chord

Pipeline 60’s Surf Sound.

I Feel Fine Arrangement.

Nobody Knows You When You’re Down And Out

Words of Love In Book at 334 A I IV V song..

Moving Bass Lines and ¾ picking

Presentation transcript:

Brown Eyed Girl

The Key here is to first practice the following: 4/4||: G | C | G | D : ||

Brown Eyed Girl G C G D G C ||: Hey, where did we | go | days when the rains | came. | Down in the | hollow | G D G playin' a new | game. | Laughin' and a | C G D G C G runnin', hey, hey, | Skippin' and a | jumpin, | In the misty morn | ing fog with | our | D C D G Em C D hearts a thumpin' and | you |My Brown Eyed Girl, | | | You're my | Brown Eyed G D G C Girl. | Do you remem- | ber when | we used to sing | Sha la la la | la la la la | G D G C G D la la la te da. | | Sha la la la | la la la la | la la la te da.| la te da.:| | G C G D G C G D G | | | | | | ||: Sha la la la | la la la la | la la la te da. | :||||

This is an exercise in 3 rd ’s Thirds are very consonant and what all chords are made of in traditional harmony. The first 2 notes of each of the measures are the root and 3 rd of the chord. The 2 nd 2 notes are passing tones and the 3 rd group of 2 notes are the 3 rd and the 5 th of the chord (this applies to the G and C Chords). For the D chord it is outlining the chord with the root then 3 rd a passing tone then the 5 th of the chord

This is the 1 st and 3 rd measure Fingering Counting 1 & 2 & 3 & 4

Fingering

This is the 1 st and 3 rd measure Fingering Counting 1 & 2 & 3 & 4

Count 1 2 (& 3) & 4 Fingering

Here is the whole intro. Take this slowly. Realize that there are only 3 different measures. The 1 st and 3 rd measure are exactly the same. Listen closely to the sound of 3rds. Try to recognize the sound in other songs. 3rds are used quite a bit in harmony. The other common interval used is 6ths which are inverted 3rds.

The chords go: ||: G | G C | G | | C | C D | G | | D | C | G | D : || Work on them this way before trying to apply to the song.