OUTCOMES All must be able to state and identify some codes and conventions of the reality doc mode. Should write the start of an analysis: how much these.

Slides:



Advertisements
Similar presentations
Press and Broadcasting: Investigate the characteristics of Reality TV'. How real is reality TV? v=7SrmTPuXLs0.
Advertisements

Be able to describe factual programming
Review Starter –write down Summer Homework: Analysis 1 Write an analysis of Dreams of a Life: 2011 drama-documentary: 40D. ( 1,000 words) 90 mins. How.
FACTUAL TV DOCUMENTARIES.
Advanced Portfolio – A2 Aims: To begin to understand the purpose of film trailers. To analyse film trailer conventions.
TECHNICAL REQUIREMENTS Students write a script for a documentary film on a topic of film history or theory Externally Assesed Worth 25% of IB MArk.
WRITING IN CONTEXT Creating and Presenting. What you need to do:  Your task is to develop your writing skills so that you can create a number of short.
G325 Section A  to explore section A of the exam  to understand what this section will require  To begin to apply understanding in approaching a plan.
Week 2 - Lecture Interactive Digital Moving Image Production | CU3003NI | - Pratik Man Singh Pradhan.
National History Day How to: Creating a Performance
Diegetic vs. Non Diegetic Audio. Diegetic sound Sound that comes from the diegesis Dialogue Music from story source Ambient sounds.
Media Studies: Evaluation – its time to wrap up!.
References - I used this site to look at the videos of each ident and get a brief understanding.
Target Audience: The intended group for which something is performed or marketed; the specific group to which advertising is directed. In terms of film.
Reality TV Assignment Year 11 MPA YOUR ASSIGNMENT Imagine you are a production team of 4 to 5 people who wants to make a Reality TV show for a particular.
Documentary Filmmaking FACULTY: MEERA SHIRODKAR (ASST. PROF.)
Treatments, Outlines, Beat sheets, oh my!. LogLines One-sentence summary of script. Answers the question: What is your story about? You must learn to.
The Tell Tale Heart. +Poe+Mini+Biography&Form=VQFRVP#view=detai l&mid=2CF148CABBE0A51513DB2CF148CABBE0.
Making Meaning … Module C: Texts & Society Elective 1: The Global Village Prescribed Text: Nick Enright’s A Man with Five Children.
Documentary Types By Charlie Lunn. Observational Explanation with codes and cons: An observational documentary is one that relies on using footage captured.
A useful guide from the Chief Examiner. June Paper Q1a) Describe the ways in which your production work was informed by research into real media.
Codes and conventions of documentary’s
Codes and Conventions of a Documentary. Interviews Interviews are used to gain a specific opinion and facts from someone, this gives examples of a public.
Reality TV.
3 Trailer Analysis by Joanne Lloyd Kes (1969)Planet of the Apes (1968)The Road (2009)
Codes and conventions of documentary What makes a documentary a documentary?
WRITING FictionNon-fiction. FICTION  From the mind of the writer  Dramas Soaps  Commercials  Features  Situation comedies  Interactive games.
Introduction to TV Drama
Unit 42: Radio Drama CODES AND CONVENTIONS TO MAKING A RADIO DRAMA
Written Assignment NOTES AND TIPS FOR STUDENTS.  MarksLevel descriptor 0The work does not reach a standard described by the descriptors below. 1–2The.
Modes of Documentary. What makes a Documentary? A documentary should meet the following criteria- The events being filmed must not be staged, the events.
Codes and conventions of Documentaries Patrick Rule.
LO: To understand the structure of the exam and criteria needed to write a good answer.
Mithunen Rajeenthira. In A2 Media Studies, We were told to produce a five minutes short film. The Short film should contain a beginning, middle and ending.
// R A D I O D R A M A // // U N I T 4 2 //. // C O D E S // Words & Voices In a radio drama, no visual footage or content is used and so to grip the.
In what ways does your media product use, develop or challenge forms and conventions of real media products?
By Sarah Sarfo-Adu.  The media product represents two sorts of women one old and one young.  The old lady in the opening sequence isn’t represented.
STARTER Drama Documentary What are the codes and conventions of this form? List some expectations of this documentary type in your pairs. (5 mins) THIS.
Television Conventions
Media. UNIT 3 SAC: Narrative - 40 marks – (All 3 SAC’s - 12%) SAT: Production Exercises SAT: PDP UNIT 4 SAT: Media Process SAC: Social Values - 40 marks.
By Laura Pound and Beatrice Fatusin.  Media Languages can be Written 2. Verbal 3. Non – verbal 4. Visual 5. Aural (Personal responses: We felt.
Literary Genres are a category or certain kind of literature or writing. These categories are identified by examining the characteristics of each piece.
Question 7 Looking back at your preliminary task, what do you feel that you have learnt in the progression from it to the full product?
Media Studies: Key Concepts.
Media Studies Induction 2009.
2.2 Response to Visual Text
CODES AND CONVENTIONS OF FACTUAL PROGRAMMING FOR TELEVISION
Presenting Documentary
Practice questions: Investigating the media
Creative Critical Reflection
Introduction Films that are seen in modern day have been greatly influenced over the history of film making by the development of different techniques,
LO1 – Micro-Analysing Horror Movies
Understand the features of single camera production
Single Camera Production
Formats and conventions
Documentaries unit 10 ideas
Unit 27 Understanding the Codes and Conventions of Factual Programming
Understanding codes and conventions of factual programming for television Ethan McLaughlin.
A How to Guide…Film Process & Tips
UNIT 1 Media products and audiences.
A LEVEL FILM STUDIES SEPTEMBER 2018.
Year 11 Media Mid Year Exam
Codes and Conventions of Factual Programming
Electronic News Gathering
Learning Outcome 1 Understand the characteristics and context for a chosen media and communication activity 1.1   ANALYSE THE CHARACTERISTICS AND CONTEXT.
MEDIA Literature book pg. 10.
Story & Production elements
Introduction & Set Brief
QUESTION 1B The list of concepts to which questions will relate is as follows: • Genre • Narrative • Representation • Audience • Media language.
Presentation transcript:

OUTCOMES All must be able to state and identify some codes and conventions of the reality doc mode. Should write the start of an analysis: how much these codes and conventions apply to example provided. Ext activity: on slideshare find: Reality TV slideshare. Why? G324 Advanced Production Documentary Brief AO1 - Demonstrate knowledge and understanding of media concepts, contexts and critical debates, using terminology appropriately and with accurate and coherent written expression.

Write an analysis of a short reality documentary extract from YouTube: ‘Educating Yorkshire - Mushy - The Journey’ Extract 28 mins ( 1,000 words) Q:How does this documentary conform to the codes and conventions of the reality documentary genre? conform= fit the rules, follow the rules of. Why? Will form part of your research for the Advanced Portfolio. ( 6 analyses are required.)

James Poniewozik (2006) identified 3 techniques used Creators of reality shows have several techniques to turn their raw footage into interesting and compelling storylines. Their goal is to create stories than can be told clearly and are entertaining for viewers. James Poniewozik (2006) identified three techniques used to accomplish this objective: frankenbiting, selective editing, and story fabrication.( making a story up that didn’t happen.)

‘frankenbiting’. Another way to manipulate footage in order to make a more interesting episode is in the editing process. In the world of reality TV, this technique is called ‘frankenbiting’. Jeff Bartsch, a reality-show editor, worked with the series Blind Date. According to Bartsch, if a date was dull, the video editors would run clips out of sequence. If they wanted to make a man seem bored, they would cut from his date talking to a shot where he was just looking around, not caring. (Poniewozik)

Creating Plots Before Shooting While editing scenes are obviously altering reality, viewers think that the essence of the drama being portrayed onscreen is real. Sadly, it is not. Much of the relationships, fights, and even certain lines of dialogue are planned out beforehand in storyboards. (Poniewozik) And the influence of producers, who are never mentioned in the actual TV shows, is usually very extensive. (Deggans) ( 6 mins)

Which of these Reality TV Codes and conventions can you spot? The situations are controlled to create ‘television entertainment’. performed at least partly in living/work environments, rather than on set. Controlled environment, but unpredictable outcome Many situations work on deprivation – participants are deprived of basic things Live but also edited footage placed within a narrative context created primarily for the purpose of entertainment Use of character types e.g the villain such as ‘Nasty Nick’ Bateman who plotted to get other contestants to vote against each other in the first series of Big Brother. Selection of characters to annoy each other and create the equivalent of dramatic conflict Emphasis on outgoing personalities who can be seen by the audience as ‘ordinary’ Use of confessional interviews to gain an insight into character ‘All seeing’ cameras in multi camera set ups Non scripted material Use of voice over narration by a presenter to link short segments and deliver an ongoing narrative

TASK Go to YouTube clip. ‘Educating Yorkshire - Mushy - The Journey’ Identify and list as many reality TV codes and conventions as you can. How many? (10 mins)

Feedback basic list of conventions used Uses real ordinary people Possibly scripted before hand Interviews used Voice over used to tell story to viewer Controlled environment, but unpredictable outcome

Plan analysis of Educating Yorkshire for summer homework. Intro: Research and write a bit about the programme….story, audience etc. Research this online. Media Language: The doc is a reality TV genre. It is a mixture of the observational, expository and reality TV. The documentary shows pre-planning by producers. Camera shots show that shot reverses are used showing the doc has been planned like a drama. Some may have been shot after the interview. A voice over narration is sometimes used to guide the viewer. Mise en scene: School is the location. Activities are set up – such as the visit to the office by Moshi. Narrative: Moshy has a problem to create an enigma and interest the audience ( what will happen?) and cause empathy ( uses and grats.) An intervention by the super teacher ( the helper) will cure Moshy and cause a return to equilibrium ( Todorov) Levi Strauss binaries are used disability/ability. Narrative: Characters are chosen before shooting for narrative interest and audience identification ( uses and grats). Moshy is represented as a character who must search for a cure. Teenagers are often seen as helpless and a problem needing help from an adult. He is seen as ordinary but extraordinary. The children at the school are seen as supportive and represent the message that schools are supportive places. The representation of the teachers is… Channel 4 is an institution that targets…. ?

references Ref: Reality TV: How “Real” is it? how-real-is-it/ The Guardian, showing it will go to any lengths to attract a young audience, has pages of online content dedicated to Reality TV Gill BranstonGill Branston, Roy Stafford The Media Student's Book 5th Edition ‘Documentary and Reality Debates’.Roy Stafford There are 2 copies of this book in the library.