Martha Graham’s Journey Authored by Eric Bentley Edited by: Dr. Kay Picart and Donna Gallagher Based on a presentation by: Eric Anderson.

Slides:



Advertisements
Similar presentations
Looking at: “Modes of Symbolization” by Nelson Goodman and “Philosophers and the Dance” by David Michael Levin Prepared by: Smeli Porterfield and Adrienne.
Advertisements

Post-Modernism, Modernism and Realism Mr. Frank – English 11.
Friedrich Nietzsche “Towards a Genealogy of Morals” & “Thus Spoke Zarathustra” Prepared by: Zachary Hillman & Dr. Kay Picart Student Edition.
Modern Dance Dance I. Loie Fuller History Danza Serpentina Roman Sketches – a dance inspired from the works of Loie FullerRoman Sketches.
MS. PENDRY Modern Dance. HOW WOULD YOU DEFINE MODERN DANCE? What is Modern Dance?
“Primitivism, Modernism, and Dance Theory” by Marshall Cohen and “Puppet Theatre” by Heinrich Von Kleist By Lindsay Kaufman and Lauren Garcia and Edited.
Frank Kermode’s Poet and Dancer: Before Diaghilev Group 1 Stephanie Peck and Edited By: Laura Pratt and Dr. Kay Picart.
Beloved: The Novel By : Toni Morrison Presentation By: Sheena Monds Edited by: Dr. Picart and Donna Gallagher.
Living Libraries-Family Treasures By Joshua Fox Branch Manager, Sun City Library.
Teaching Modern Dance “Martha Graham’s Journey” By Eric Bentley And “Somatics: A Tool for Empowering Modern Dance Teachers” By Sylvie Fortin Presented.
Nonfiction Notes.
Sense, Meaning, and Perception in Three Dance Cultures Written By: Cynthia Jean Cohen Bull Edited by: Dr. Kay Picart and Donna Gallagher Based on a presentation.
NOVEL: The word novel is used in the broadest sense to name any extended fictional narrative almost always in prose.
Martha Graham’s Journey Authored by Eric Bentley Presented by Eric Anderson Edited by: Dr. Picart and Donna Gallagher.
Virtual Powers & The Magic Circle by Susanne Langer Prepared by Dr. Kay Picart Edited by Jessica Labbé and Dr. Kay Picart.
( ) ( ) Student Edition. Prepared by: SCOTT PARKER AND ELISSA MERIDA Edited by: Dr. Kay Picart, Kristen Millen, and Donna Gallagher.
Aliens (Student Edition) Edited by: Dr. Kay Picart, Kristen Millen, and Donna Gallagher.
Prepared by: Dr. Kay Picart
“The Power of Dance” by Gerald Jonas Edited by: Dr. Kay Picart and Donna Gallagher Based on a presentation by: Amber Fried and Jaime Bharath.
“The Story Is Told As A History of the Body”:Strategies of Mimesis in the Work of Irigaray and Bausch By: Susan Kozel Jen Pryor and Edited By: Laura Pratt.
LAMENTATION WCED GRADE 12 REVISION 2012 CHOREOGRAPHED BY MARTHA GRAHAM FIRST PERFORMED IN 1930 NEARLY 82 YEARS AGO.
FAMOUS LEADERS: What makes them? Leadership & Service Learning Highmore FACS Instructor: Alana Bergeleen.
How Martha Graham changed the world. Martha Graham She was vary good at dancing she chaced the classical ballet in what we know now as modern and contemporary.
Lyrical Dance.
ARTS AND THE COMMUNITY: BREAKING THE AESTHETIC OF DISEMPOWERMENT Christine M. Lomas Edited by: Laura Pratt and Dr. Kay Picart.
“Merce Cunningham and the Politics of Perception” Roger Copeland Presented by Liam Julian and Edited By: Laura Pratt and Dr. Kay Picart.
AS WE WATCH THE FOLLOWING DANCE WORKS, KEPT IN MIND THAT THESE ARE PROFESSIONAL DANCERS THAT HAVE A CLEAR ARTISTIC INTENSION. PLEASE KEEP AN OPEN MIND.
 Art criticism involves a specific way of looking at a work of art.  You can make judgment about art without being a professional artist, all you need.
Marshall Cohen’s “Primitivism, Modernism and Dance Theory” and Heinrich von Kleist’s “Puppet Theatre” Simone Maduro & Micah McMillan Edited by: Dr. Picart.
Philosophers and the Dance by David Michael Levin Edited by Dr. Kay Picart and Jessica Labbé Based on a presentation by Elizabeth Colvin.
How Nice People Get Corrupted Exploring Social Psychology by David G. Myers 7 th Edition How Nice People Get Corrupted Copyright © 2015 McGraw-Hill Education.
Outside In Inside Out By: Trinh Minh-Ha By: Stephanie Welcher and Edited By: Laura Pratt and Dr. Kay Picart.
Sense, Meaning, and Perception in Three Dance Cultures Written By: Cynthia Jean Cohen Bull Presented by Erika Vasquez Edited by: Dr. Picart and Donna Gallagher.
Twyla Tharp *Born in Realto California. Learned tap, ballet,acrobatics,baton, flamenco,drums, violin, music theory, painting, short hand, German,
Pop Lecture: Dance Education in/and the Post-Modern Isabel Marques Presented by Joy Merrifield and Samantha Thornhill Prepared by: Dr. Kay Picart.
Antigone by Sophocles Presented by: Cassie Casiano Edited By: Laura Pratt and Dr. Kay Picart.
“Social Dance” by Gerald Jonas and “Languages and Language” by Robin G. Collingwood Prepared by Lindsey Malaney and Kristen Acuña Edited by: Dr. Kay Picart.
Can you create a dance phrase that creates and communicates mean through gesture? Warm-up List every day gestures Abstract everyday gestures using movements.
Dance Ethnography and Examples of its Limits of Representation in Haiti Based on articles by Randy Martin and Kate Ramsey By Erin Irving and Donna Gallagher.
Dance Notation and Choreology By Fernau Hall Edited by Jessica Labbé and Dr. Kay Picart Based on a presentation by: Heather Zemeck.
Invasions of Privacy: The Body in the Novel By Peter Brooks Edited by: Dr. Kay Picart and Donna Gallagher Based on a presentation by: Casey-Lyn Bird.
“Modes of Symbolization” by: Nelson Goodman Based on a presentation by: Smeli Porterfield and Adrienne Chuck Edited by: Dr. Kay Picart and Donna Gallagher.
Ways of Seeing Women Article by: John Berger Presentation by: Byron Boldrini and Alex Hess Edited by: Laura Pratt and Dr. Kay Picart.
Dance Natasha Tjandra 6C. What is dance..??~ Dance, is a patterned and rhythm bodily movements, usually it performed with a music that us appropriate.
History of Modern Dance Robert Cohan. Cohan….. Born in New York in 1925 Trained at Martha Graham School Began his professional career in 1946 performing.
“Nana at Last Unveil’d? Problems of the Modern Nude” by Peter Brooks
“Nana at Last Unveil’d? Problems of the Modern Nude” by Peter Brooks
Interpretive Dance Theatre Studies. What was Modern dance trying to break away from? CtVj-nRA.
What dances do you know?.
Dancing the Orient for England: Maud Allan’s The Vision of Salome
The Best Dance Secrets Revealed!
Rhetorical Situation Professor Danielsen.
By Susan Manning Edited by: Dr. Kay Picart and Donna Gallagher
Questions about your assigned role
“Why Philosophy Neglects the Dance” by Francis Sparshott &
Emily Kame Kngwarreye Emily’s Dreaming. Emily Kame Kngwarreye Emily’s Dreaming.
Reinstating Corporeality: Feminism and Body Politics -Janet Wolff
Edited by: Dr. Kay Picart and Donna Gallagher
Mind and Medium in the Modern Dance by Katherine Everett Gilbert
“Mind and Medium in the Modern Dance”
The difference between original and appellate jurisdiction.
“Social Dance” by: Gerald Jonas
Maxine Hong Kingston 2.
Rhetorical Situation Professor Danielsen.
What’s your nationality? Where are you from?
Heinrich von Kleist’s “Puppet Theatre”
“Dance Education In/ And The Postmodern,” By Isabel A. Marques
Loving Parody: Young Frankenstein
Janine Antoni By: Melanie Boyce.
Postmodern HORROR-HILARITY
Presentation transcript:

Martha Graham’s Journey Authored by Eric Bentley Edited by: Dr. Kay Picart and Donna Gallagher Based on a presentation by: Eric Anderson

Martha Graham

Sharp

Angular

Jagged

Direct

Discussion Question Do you believe that “Miss Graham’s art will go down to the grave with her?” “Even if her influence were over, it would remain important that she herself exists” – Do you believe this to be true? Why or why not?

Discussion Question What does modern dance mean to you? How would you define it?

Havelock Ellis spoke of dances: What is Pantomimic: What is Ecstatic: (197)

Discussion Question Which do you believe is more realistic Pantomimic or Ecstatic? Why?

Review Question What gives life to an attitude? What makes it project?

Martha Graham

What is Realism? What is Formalism?

Review Question Does Graham’s dance interpret life? How does Graham’s command of space reflect this?

Think about it! What kind of dance appeals to our society? What does society want of Graham’s legacy? How has the function of the face changed in performances historically? What do people demand of dancers?