Michael jackson

Michael Jackson's Thriller is a 13-minute music video for the song of the same name released on December 2, It was directed by John Landis, who also co-wrote the screenplay with Michael Jackson. The song was released from his sixth studio album of the same name. This music video aired alongside th e Inspector Gadget episode, "Tree Guesses".

Guinness World Records listed it in 2006 as the "most successful music video", selling over nine million copies.[5] In 2009, the video was inducted into the National Film Registry by the Library of Congress, the first music video to eve receive this honor, for being “culturally, rhistorically or aesthetically” significant.[6] The track was also listed at number one on "The Top 10 Halloween Songs" by Billboard.[7]

In the summer of 1983, Thriller had begun to decline in sales. Walter Yetnikoff and Larry Stessel answered calls throughout the night from Jackson. "Walter, the record isn’t No. 1 anymore," Yetnikoff recalls Jackson saying. "What are we going to do about it?" 'We’re going to go to sleep and deal with it tomorrow,'" Yetnikoff remembered answering. Jackson manager Frank DiLeo first mentioned the idea of making a third video, and pressed Jackson to consider the album’s title track. "It’s simple—all you’ve got to do is dance, sing, and make it scary," DiLeo recalls telling Jackson.[14] In the summer of 1983, Thriller had begun to decline in sales. Walter Yetnikoff and Larry Stessel answered calls throughout the night from Jackson. "Walter, the record isn’t No. 1 anymore," Yetnikoff recalls Jackson saying. "What are we going to do about it?" 'We’re going to go to sleep and deal with it tomorrow,'" Yetnikoff remembered answering. Jackson manager Frank DiLeo first mentioned the idea of making a third video, and pressed Jackson to consider the album’s title track. "It’s simple—all you’ve got to do is dance, sing, and make it scary," DiLeo recalls telling Jackson.[14]In the summer of 1983, Thriller had begun to decline in sales. Walter Yetnikoff and Larry Stessel answered calls throughout the night from Jackson. "Walter, the record isn’t No. 1 anymore," Yetnikoff recalls Jackson saying. "What are we going to do about it?" 'We’re going to go to sleep and deal with it tomorrow,'" Yetnikoff remembered answering. Jackson manager Frank DiLeo first mentioned the idea of making a third video, and pressed Jackson to consider the album’s title track. "It’s simple—all you’ve got to do is dance, sing, and make it scary," DiLeo recalls telling Jackson.[14] In the summer of 1983, Thriller had begun to decline in sales. Walter Yetnikoff and Larry Stessel answered calls throughout the night from Jackson. "Walter, the record isn’t No. 1 anymore," Yetnikoff recalls Jackson saying. "What are we going to do about it?" 'We’re going to go to sleep and deal with it tomorrow,'" Yetnikoff remembered answering. Jackson manager Frank DiLeo first mentioned the idea of making a third video, and pressed Jackson to consider the album’s title track. "It’s simple—all you’ve got to do is dance, sing, and make it scary," DiLeo recalls telling Jackson.[14]In the summer of 1983, Thriller had begun to decline in sales. Walter Yetnikoff and Larry Stessel answered calls throughout the night from Jackson. "Walter, the record isn’t No. 1 anymore," Yetnikoff recalls Jackson saying. "What are we going to do about it?" 'We’re going to go to sleep and deal with it tomorrow,'" Yetnikoff remembered answering. Jackson manager Frank DiLeo first mentioned the idea of making a third video, and pressed Jackson to consider the album’s title track. "It’s simple—all you’ve got to do is dance, sing, and make it scary," DiLeo recalls telling Jackson.[14]

"not like other guys." She tells him that's the reason she likes him, but Michael insists that she doesn't understand what he means as his girlfriend asks what's he talking about. A full moon appears, and Michael begins transforming into a werecat,[2] growling at her to leave in the process. The girl screams in terror and attempts to escape, but the werecat chases her, knocks her down, lunges at her with his claws, and attacks her (off-screen).

In December 2009, it was selected for the National Film Registry by the Library of Congress along with 24 other films.[10] It was the first, ever (and to this day, only) music video to be selected.[11] The Registry titled Thriller as “the most famous music video of all time”.[12] The coordinator of the National Film Preservation Board, who decides upon candidates for inclusion in the National Film Registry, Steve Legett, said “The time is right” for Thriller to be included, because of the death of Jackson that year.[11] In the summer of 1983, Thriller had begun to decline in sales. Walter Yetnikoff and Larry Stessel answered calls throughout the night from Jackson. "Walter, the record isn’t No. 1 anymore," Yetnikoff recalls Jackson saying. "What are we going to do about it?" 'We’re going to go to sleep and deal with it tomorrow,'" Yetnikoff remembered answering. Jackson manager Frank DiLeo first mentioned the idea of making a third video, and pressed Jackson to consider the album’s title track. "It’s simple—all you’ve got to do is dance, sing, and make it scary," DiLeo recalls

According to Kobena Mercer, "the video is strewn with allusions to horror films".[17] The opening scene is a parody of 1950s B movie horror films, with the characters dressed in the fashions of 1950s teenagers. The metamorphosis of the polite 'boy next door' into a werewolf can be seen as a depiction of male sexuality. A sexuality that is depicted as naturally bestial, predatory, aggressive, violent and therefore monstrous.[17] Mercer perceived similarities with the werewolf depiction in The Company of Wolves (1984).[17]

Released in tandem with the video was an hour-long documentary providing candid glimpses behind the scenes of the production. Called Making Michael Jackson's Thriller, it, too, was shown heavily on MTV for a time and was the top-selling home-video release of all time at one point, with over 9 million copies sold. The VHS also included video clips from the songs "Can You Feel It", "Beat It", and the Motown 25 performance of "Billie Jean" as well as audio clips from Jackson's songs "Off the Wall" and "Workin' Day and Night". MTV paid $250,000 for the exclusive rights to show the documentary; Showtime paid $300,000 for pay-cable rights; and Vestron Music Video reportedly put down an additional $500,000 to market the cassette, in "a profit participation."[20]