1. Ancient Greek Art

2. The Influence of Ancient Greek Art:
The arts of ancient Greece have influence on the culture of many countries all over the world, particularly in the areas of sculpture and architecture. In the West, the art of the Roman Empire was largely derived from Greek models. In the East, Alexander the Great's conquests initiated several centuries of exchange between Greek, Central Asian and Indian cultures, resulting in Greco-Buddhist art, with ramifications as far as Japan. Following the Renaissance in Europe, the humanist aesthetic and the high technical standards of Greek art inspired generations of European artists. Well into the 19th century, the classical tradition derived from Greece dominated the art of the western world.

3. The art of Ancient Greece is usually divided stylistically into different periods: the Geometric/Archaic, Classical, and Hellenistic. The Geometric age is usually dated from about 1000 BC, although in reality little is known about art in Greece during the preceding 200 years (traditionally known as the Greek Dark Ages), the period of the 7th century BC witnessed the slow development of the Archaic style as exemplified by the black-figure style of vase painting. The onset of the Persian Wars (480 BC to 448 BC) is usually taken as the dividing line between the Archaic and the Classical periods, and the reign of Alexander the Great(336 BC to 323 BC) is taken as separating the Classical from the Hellenistic periods.
In reality, there was no sharp transition from one period to another. Forms of art developed at different speeds in different parts of the Greek world, and as in any age some artists worked in more innovative styles than others where the styles may overlap.

4. Archaic Period:
During the archaic period (c.660–480 B.C.) sculpture emerged as a principal form of artistic expression. Dating from the beginning of this period are magnificent statues of nude walking youths, the kouroi, which suggest Egyptian prototypes but which are distinctive in stylization and tension of movement (e.g., Kouros, Metropolitan Mus.). Draped female sculptures from the archaic period suggest Middle Eastern influence (e.g., Hera of Samos, Louvre).
Vase painters depicted mythological scenes and, toward the end of the archaic period, many scenes from contemporary life. Outstanding was the Athenian school of black-figured vase painting led by the painter Execias. The appearance of the red-figured style of vase painting (c.525 B.C.) showed increased concern with the rendering of three-dimensional space and naturalistic detail. Euthymides and Euphronius were among the great early masters in this medium. About a generation later masterpieces were produced by the painters Brygos and Duris.

5. Archaic:

6. Classical Period: (Early, Golden Age, Late)
In the early classical, or transitional, period (c.480–450 B.C.) a new humanism began to find its aesthetic expression in terms of a perfect balance between verisimilitude and abstraction of form. The largest surviving single group of sculpture is from the temple of Zeus at Olympia. Although certain conventions in rendering hair and draperies persist from the archaic period, the magnificent marble figures from the pediments reveal a new kind of insight into the structure of the human figure. Rare surviving works in bronze are the famous Charioteer (museum, Delphi) and the Zeus or Poseidon found in an ancient shipwreck off Cape Artemision (National Mus., Athens).

7. Early Classical:

8. Golden Age
The height of the classical period, or Golden Age (c.450–400 B.C.), was the time of Pericles and Thucydides, of the great dramatists Sophocles and Euripides, and of the young Socrates. The aesthetic ideal based on the representation of human character as an expression of a divine system embodying a rational ethic and ordered reality was integral to the culture. The sculptor Polykleitos sought to arrive at a rational norm for the structure of the ideal human figure.
The most magnificent original sculptures from this period are those from the temples of the Athenian acropolis. Earliest of these are the Parthenon sculptures including the frieze representing the Panathenaic procession and the pedimental sculptures (see Elgin Marbles). The Parthenon sculptors are anonymous, but Phidias is believed to have drawn up the designs. Somewhat later in date are the sculptures of the Hephaesteum, the Erechtheum, and the Nike Balustrade.

9. Golden Age:

10. Late Classical Period:
n the late classical period (400–300 B.C.) there was increased emphasis on the expression of emotion in art. Sculptural works attributed to Praxiteles are characterized by elegance of proportion and graceful beauty. Powerful emotional effects are typical of the sculpture in the style of Scopas, and a new feeling for individualization and three-dimensional movement appeared in the art of Lysippos. Other sculptors of the period between 500 and 300 B.C. were Myron, Kresilas, Timotheus, and Bryaxis; painters included Polygnotus, Apollodorus, Zeuxis, Parrhasius, and Apelles. Aside from literary references, little is known about the actual work of these men. The style of the sculptors is adduced from fragments and Roman copies. Even less is known about the painters. From the vase paintings some reconstruction of the Greek school of mural painting is possible.

11. Late Classical:

12. Hellenistic Period:
With the conquests of Alexander the Great, Greek art entered its last great phase, the Hellenistic period (see Hellenistic civilization. The importance of Athens gradually declined, and cultural centers rose at Pergamum, Rhodes, and Alexandria. Masterpieces of this period include the Nike ( Victory ) of Samothrace and Aphrodite of Melos (both: Louvre) and the Pergamum Frieze (Berlin Mus.). Especially charming among the minor arts are terra-cotta figurines from Tanagra. Marked tendencies toward heightening spatial illusionism are revealed in sculpture and, judging from Roman copies, prevailed also in painting (e.g., Odyssey Landscapes, Vatican).
From the 2d cent. B.C. onward copies of former masterpieces of sculpture, which only approximate their prototypes, appear frequently along with vigorous group compositions closely related to the Pergamene school (e.g., Laocoön and His Sons, Vatican). Greek and Roman artists produced these copies of former masterpieces for private patrons or the Roman state, and most of our knowledge of classical Greek art is derived from them. Although the inventive originality of Greek culture declined at this time, its influence remained of paramount importance during the Roman and Byzantine periods, and has continued to be an inspiring force throughout the history of Western culture.

13. Hellenistic: