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Published byMarylou Jean Manning Modified over 9 years ago
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The Jewish Museum – A Review Susannah Reid
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SITE AND AUTHOR Introduction
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The Jewish Museum Opened September 9, 2001. Completed in 1999, but stood empty for 2 years. Architect = Daniel Liebeskind His first actual built project. Susannah Reid Author of this review From University of Newcastle, London. Visited and wrote in 2001 – two weeks post opening.
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Purpose of Reid’s Review Focus on the interaction between architecture and building function to determine how successful the project has been in creating a modern museum for the public. What Is Examined 1)Visitor Orientation 2)Exhibition & Exhibition Design 3)Museum Fatigue 4)Additional Facilities
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VISITOR ORIENTATION #1
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The Jewish Museum – Inside and Out Outside façade.
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Overview of Viewer Orientation Difficult due to building Intended to be “confusing and threatening” Entry through Berlin Museum Through tunnel Splits into three tunnels Each represents a way Germany lot its Jews Display cases – individual use, not museum’s! 1)Garden 2)Holocaust Tower 3)Stairs to Exhibition Exhibition itelf: Long, narrow, and zigzagging Interspersed with “voids”
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Reid’s Judgment: Recommended order of touring: 1)Exhibit 2)Axis of Holocaust 3)Axis of Garden Confusing Not designed with visitors in mind.
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EXHIBIT & ITS DESIGN #2
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The Original Purpose – Exhibition! Beyond architecture…
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Overview of the Exhibit Covers ALL of Jewish history in Germany. Lots of “namedropping” Source of controversy! Too “Disney”-fied? Highlights similarities and differences between German and Jewish life. Aimed at people w/ little background knowledge. Includes interactive elements. Interspersed with “voids”
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Reid’s Judgment: Exhibition doesn’t have much to do with the architecture of the building, BUT…. … the exhibition and architecture complement each other.
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MUSEUM FATIGUE #3
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What is “Museum Fatigue”?
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Reid’s Judgment: Avoided in this exhibit!! Voids and architecture keep your attention fresh.
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ADDITIONAL FACILITIES #4
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Overview of Additional Facilities: Offices, workshops, libraries. Not enough space! Designed for 150,000 visitors per year, but getting 700,000. Difficult disabled access.
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CLOSING REMARKS & DISCUSSION In Conclusion
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Reid’s Conclusion: Iconic building Works well with the exhibit Bad visitor orientation Overall, a very good museum – must see!!
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DISCUSSION QUESTIONS: What would the Jewish Museum look like if you designed it? To what degree should the building and exhibit complement each other? Is the “confusing and threatening” visitor orientation beneficial to the purpose of the museum? Why or why not? Critics have argue that there is too much empty space in the museum due to weird angles and slants – do you agree?
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