1. THE RENAISSANCE

2. THE EARLY RENAISSANCE

3. EXTERIOR OF BAPTISTRY

4. DUOMODUOMO

7. THE BAPTISTRY DOORS n LORENZO GHIBERTI n 1435 n EACH PANEL – 21 X 17 n NATIONAL MUSEUM, FLORENCE

8. DETAIL OF BAPTISTRY DOOR

12. THE MADONNA IN MAJESTY n CIMABUE n 1285 – 1286 n UFFIZI GALLERY, FLORENCE

13. MADONNA & CHILD ENTHRONED n GIOTTO n 1305 – 1310 n UFFIZI GALLERY, FLORENCE

14. THE MADONNA AND CHILD n Masaccio n 1426 n Tempera on panel n 24.5 x 18 cm n Uffizi, Florence

15. THE EXPULSION OF ADAM AND EVE n Masaccio n 1426-1428 n Fresco n 208 x 88 cm n Brancacci Chapel, Florence

16. DAVID n DONATELLO n 1430-1432 n 62 1/4” n NATIONAL MUSEUM, FLORENCE

18. DETAIL OF DAVID

19. MAGDALEN n DONATELLO n 1454-1455 n 6’2” n BAPTISTRY, FLORENCE

20. MAGDALEN-DETAIL

21. RESURRECTION n Piero della Francesca n 1463-1465 n Mural in fresco n 225 x 200 cm n Pinacoteca Comunale, Sansepolcro

22. THE FLAGELLATION n Piero della Francesca n 1455 n Oil and tempera on panel n 58.4 x 81.5 cm n Galleria Nazionale delle Marche, Urbino

23. Geometry of The Flagellation The diagonal AE of that square passes through the V, vanishing point of perspective. Further, in square ATVK we see that arc KT from A cuts the diagonal at Christ's head, F, halfway up the painting. Thus Christ's head is at the center of the original square ASED.

24. THE LATE RENAISSANCE

25. Annunciation n Da VinciUffizi Gallery n 1472-147598 x 217 cm

26. Perspective n Da Vinci: Annunciation

27. THE LAST SUPPER n LEONARDO DA VINCI n FLORENTINE n 1495-1498 n 181 X 346 1/2” n MILAN

28. LAST SUPPER-RESTORED

29. First to depict acting as real people Greatest ex. Of one point perspective – all lines to Jesus head Looking across the picture from left to right: Bartholomew, James Minor and Andrew form a group of three. All are aghast, Andrew to the point of holding his hands up in a "stop!" gesture. Judas, Peter and John form the next group of three. Judas, you will note, has his face in shadow and is clutching a small bag (of silver?). Peter is visibly angry and a feminine-looking John seems about to swoon.feminine-looking John Christ is the calm in the midst of the storm. Thomas, James Major and Philip are next. Thomas is clearly agitated, James Major stunned and Philip seems to be seeking clarification. Matthew, Thaddeus and Simon comprise the last group of three figures. It appears that, when a situation turns ugly, Simon is the "go to" guy for explanations.

30. Castagno 1445-50 Architecture has a strangely oppressive effect on the figures B/c perspective was devised before diners painted

31. MONA LISA n LEONARDO DA VINCI n FLORENTINE n 1503-1505 n 30 1/4 X 21” n THE LOUVRE, PARIS http://library.thinkquest.org/1 3681/data/link2.htm

32. THE VIRGIN OF THE ROCKS n Leonardo Da Vinci n 1503-1506 n 6 x 4 ft n National Gallery, London The sfumato (haze) creates a sense of peculiar warmth and intimacy-more of a poetic vision

33. THE VIRGIN OF THE ROCKS n Leonardo Da Vinci n 1483-1486 n Oil on panel n 199 x 122 cm n Louvre, Paris

34. London Paris

35. Vitruvian Man (Man of Perfect Proportions) – Leonardo Da Vinci – 1492 – Pen and Ink – Accademia, Venice – 13 ½ x 9 ½

36. Other Example of Da Vinci’s Notebook Flying MachineWalk on Water

37. THE ASSUMPTION OF THE VIRGIN n Correggio n 1525 n Fresco n Parma Cathedral, Parma, Italy

38. SISTINE CHAPEL

39. CEILING OF THE SISTINE CHAPEL n MICHELANGELO n FLORENTINE n 1508-1512 n THE VATICAN, ROME

40. AncestorsProphetsGenesis ScenesProphetsAncestors Death of Haman Jonah and the Whale Moses & Brass Serpeant JeremiahSeparation of light from darkness Libica Solomon Creation of Sun, Moon, and Planets Jesse PersicaSeparation of Land from Water Daniel Roboam Creation of Adam Asa EzekielCreation of EveCumaea Ozias Temptation and Expulsion Ezekias ErythraeaSacrifice of NoahIsaih Zorobabel The Flood Josiah JoelDrunkeness of NoahDelphic Sibyl David & Goliath Zachariah Juidith & HoloPhernes

41. THE CREATION OF ADAM

42. EXPULSION

44. DELPHIC SIBYL

45. THE LAST JUDGMENT n MICHELANGELO n 1535-1544 n ALTAR WALL, SISTINE CHAPEL, VATICAN CITY

46. THE LAST JUDGMENT DETAIL- CHRIST

47. THE LAST JUDGMENT- DETAILS

49. THE LAST JUDGMENT- FLAYED SKIN DETAIL

50. DAVID n MICHELANGELO n 1501-1504 n 161” n ACCADEMIA, FLORENCE

52. PIETA n MICHELANGELO n 1498-1499 n 68 X 76” n ST PETER’S, n ROME

53. PIETA-DETAIL

54. THE DYING SLAVE n Michelangelo n 1513-1515 n 7’6 n Louvre

55. THE REBELLIOUS SLAVE n Michelangelo n 1513-1515 n 7 5/8 ft n Louvre

56. THE ASSUMPTION OF THE VIRGIN n TITIAN n VENETIAN n 1516-1518 n 269 X 140” n VENICE

57. SCHOOL OF ATHENS n RAPHAEL n URBINO n 1509-1511 n THE VATICAN PALACE, ROME

58. SOCRATES n PLATO & ARISTOTLE ZENOEPICURUS

59. RAPHAE L EUCLID ZOROASTER & PTOLEMY PYTHOGARUS

60. SISTINE MADONNA n Raphael n 1513 – 1514 n Oil on panel n Dresden Gallery, Dresden, Germany

62. The Northern Renaissance

63. ARNOLFINI WEDDING PORTRAIT n Jan Van Eyck n 1434 n Oil on wood n 31 ¼ x 23 1/s in n National Gallery, London

64. Frame is inset with 10 miniature medallions depicting scenes from life of Christ. Includes VanEyck’s self portrait and another man

65. All seeing eye of God Taking place on holy ground faithfulness

66. ERASMUS n Hans Holbein the Younger n 1523 n 43 x 33 cm n Louvre

67. PEASANT WEDDING n Pieter Bruegel the Elder n 1568 n Oil on wood n 45 x 64 ½ in n Kunsthistorische s Museum, Vienna

68. PEASANT DANCE n Pieter Bruegel the Elder n 1568 n Oil on oak panel n 114 x 164 cm n Kunshtistorishes Museum Wien, Vienna

70. Children’s Games n Pieter Bruegel the Elder n 1559-1560 n Oil on wood n 118 x 161 cm n Kunsthistorisches Museum, Vienna

71. Self Portrait at Twenty-Seven n Alfred Durer n 1498 n Oil on wood n 20 ½ x 16 n Prado Museum, Madrid