1. French Impressionism 1918-1929

2. Goal is to “convey sensations and emotional ‘impressions’... conveying the personal vision of the artist... cinema shows us the souls of people and the essence of objects (photogenie)... Cinema is a synthesis of the other arts” (architecture, painting, sculpture, music, poetry, dance)

4. Narrative structure—personal actions and psychology Abel Gance, Napoleon, 1927 Jean Epstein, Coeur fidele, 1923

5. Narrative structure—personal actions and psychology Germaine Dulac, The Smiling Madame Beudet, 1922

6. Narrative structure—personal actions and psychology Photogenie – “that quality which distinguishes a film shot from the original object photographed”

7. Photogenie--There are parallels in French Imp painting, e.g.: Frederick Carl Frieseke, Lady in a Garden, 1912

8. Photogenie--There are parallels in French Imp painting, e.g.: Mary Cassatt, Lydia Leaning on Her Arms, 1879 Claude Monet, one of his Water Lilies series, c. 1915

9. Narrative structure—personal actions and psychology Photogenie – “that quality which distinguishes a film shot from the original object photographed” Optical devices often used to do this

10. Triptych from Abel Gance’s Napoleon

11. Optical devices often used to do this Abel Gance, Napoleon, 1927 Abel Gance, La Roue, 1922

12. Optical devices often used to do this Jean Epstein, Coeur fidele, 1923

13. Optical devices often used to do this Double, triple, quadruple, etc., exposures were used throughout Abel Gance’s Napoleon….he reportedly used an early optical printer. Linwood Dunn in Hollywood with a later optical printer

14. Narrative structure—personal actions and psychology Photogenie – “that quality which distinguishes a film shot from the original object photographed” Optical devices often used to do this “Visual rhythm” of fast cutting Note examples from Abel Gance: The Charm of Dynamite

15. Narrative structure—personal actions and psychology Photogenie – “that quality which distinguishes a film shot from the original object photographed” Optical devices often used to do this “Visual rhythm” of fast cutting Location shooting Abel Gance, J’Accuse, 1919

16. In a commercial film context French film in crisis after WWI France swamped with German and U.S. films Small French companies willing to experiment

17. Genre films Fantasy (e.g., Rene Clair) Rene Clair, Le Fantôme du Moulin Rouge, 1924

18. Genre films Fantasy (e.g., Rene Clair) Comedy (e.g., Max Linder) Max Linder

19. Influential in style Not very important in terms of $$ (box office)

20. Abel Gance (1889-1981) Abel Gance, Napoleon, 1927

21. Jean Epstein (1897-1953) Jean Epstein, Coeur fidele, 1923

22. Germaine Dulac (1882-1942) Germaine Dulac, The Smiling Madame Beudet, 1922

23. The movement’s own success led to a diffusion of its techniques, and a lessening of its impact French Impressionist filmmakers lost their independence with the introduction of sound ($$)

24. Subjectivity, especially in “indie” films e.g., films of Gus Van Sant (My Own Private Idaho, Milk)

25. end