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Typefaces and Typestyles History of the Book. Basic categories for fonts: 1.Old Face fonts derived from humanist fonts: regular and italic 2.Dramatic.

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Presentation on theme: "Typefaces and Typestyles History of the Book. Basic categories for fonts: 1.Old Face fonts derived from humanist fonts: regular and italic 2.Dramatic."— Presentation transcript:

1 Typefaces and Typestyles History of the Book

2 Basic categories for fonts: 1.Old Face fonts derived from humanist fonts: regular and italic 2.Dramatic new forms of serif fonts: Didot, Fatface, Slab serif 3. Grotesque/Sans serif fonts: from advertising to book use 4. Colloquial fonts: the memory of handwriting’s special powers

3 Old Face Humanist Book Fonts Early Balanced line weights

4 Modified Old Face Dramatic Thick/Thin Weights

5 Utilitarian Old face: Moderate weight contrasts, Small verticals with strong lower case proportions, Heightened reading clarity and efficient use of space.

6 Didot Dominant 20 th C Design face Hairline slab serifs, Extreme weight contrasts, Elegant ratios

7 Development of multi-use Fonts for tickets, posters, bills, etc in 19 th c. Fatface fonts based on old face book fonts for clarity at small sizes, impact at large sizes

8 Slab Serif Advertising font Posters, etc. 19 th c.

9 Dramatic Advertising forms developed in the 20 th c.

10 Early Grotesque: The birth of san serif for advertising

11 20 th C. Grotesque: Magazine And book font use with lighter Weight, similar ratios to Times New Roman

12 Old Colloquial style: Copperplate scripts. Used to this day for personal texts that recall the intimacy created by handwriting: jewelry inscriptions, wedding invitations.

13 New Colloquial Hand- writing Fonts that indicate informality


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