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M100: Music Appreciation Discussion Group Ben Tibbetts, T.A. Welcome! Please sign the attendance at the front of the room.

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Presentation on theme: "M100: Music Appreciation Discussion Group Ben Tibbetts, T.A. Welcome! Please sign the attendance at the front of the room."— Presentation transcript:

1 M100: Music Appreciation Discussion Group Ben Tibbetts, T.A. benjamintibbetts@yahoo.com Welcome! Please sign the attendance at the front of the room. benjamintibbetts@yahoo.com Tuesday March 5, 2013

2 Today’s Agenda Pages 187-206

3 Concert Reports –some clarification

4 Head’s Up! Listening Log Collection #1 next class

5 Franz Joseph Haydn 1732-1809 Austrian composer

6 Listening today to Haydn’s Symphony No. 20 Four movements Pick one for listening log

7 The Classical Symphony (and other large works) Three or four movements, usually like this: Form:Tempo: 1.Sonata-allegro formmoderate 2.(Theme & Variations)slow 3.Minuet & Triomoderato 4.(Rondo)fast

8 The Classical Symphony (and other large works) Three or four movements, usually like this: Form:Tempo: 1.Sonata-allegro formmoderate 2.(Theme & Variations)slow 3.Minuet & Triomoderato 4.(Rondo)fast

9 Sonata-allegro form Large, complex form in three basic parts: ExpositionDevelopmentRecapitulation

10 Sonata-allegro form Exposition – Stable. Introduces themes. Repeated. Development – Unstable. “Develops” (fragments, modulates, generally messes with) themes. Recapitulation – Stable. Repeat of the exposition. Musical material is transposed to home key. ============================================== In some pieces, development/recapitulation pair is repeated. Some pieces end with a coda after the recapitulation.

11 Haydn’s Symphony No. 20 movement 1 Exposition Exposition (repeated) Development Recapitulation

12 The Classical Symphony (and other large works) Three or four movements, usually like this: Form:Tempo: 1.Sonata-allegro formmoderate 2.(Theme & Variations)slow 3.Minuet & Triomoderato 4.(Rondo)fast

13 Second movements aren’t always theme and variations, but they are almost always played at a slow tempo

14 Haydn’s Symphony No. 20 movement 2 (form: AABABA or rounded binary) A B A

15 The Classical Symphony (and other large works) Three or four movements, usually like this: Form:Tempo: 1.Sonata-allegro formmoderate 2.(Theme & Variations)slow 3.Minuet & Triomoderato 4.(Rondo)fast

16 Minuet and Trio Dance, French origin. Always in ¾ time. Large ABA. AThe minuet proper BThe Trio AThe return of the minuet proper

17 Minuet and Trio AThe minuet proper In binary form – two sections, each repeated BThe Trio Also in binary form – two sections, each repeated Contrasting mood AMinuet proper (again) This time, sections aren’t repeated

18 Haydn’s Symphony No. 20 movement 3 Minuet proper (sections each repeated) Trio Minuet proper (sections not repeated)

19 The Classical Symphony (and other large works) Three or four movements, usually like this: Form:Tempo: 1.Sonata-allegro formmoderate 2.(Theme & Variations)slow 3.Minuet & Triomoderato 4.(Rondo)fast

20 Rondo form In Italian, rondo means “round dance” Usually in duple meter A B A C A D A etc. (or A B A C A B A or similar)

21 Fourth movements aren’t always rondos, but they are almost always played at a fast tempo

22 Haydn’s Symphony No. 20 movement 4 A B A C A B A

23 Final Reminders / Homework Thursday: Listening Log Collection #1 Read pages 215-223 Mozart assignment on Moodle Questions? Email: benjamintibbetts@yahoo.combenjamintibbetts@yahoo.com


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