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Arts in the Industrial Age Chapter 6 Section 4
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Romantic Revolt Against Reason Romanticism Artistic style, emphasizing imagination, freedom and emotion Simple direct language, intense feelings, glorification of nature Reaction to neoclassical writers of the Enlightenment who stressed harmony, reason and emotional restraint Realism
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William Wordsworth “It is a beauteous evening, calm and free The holy time is quiet as a Nun Breathless with adoration; the broad sun Is sinking down in its tranquility” -William Wordsworth
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Music and Emotions Music attempted to stir deep emotions Ludwig van Beethoven Combined classical forms with a stirring range of sound First to take full advantage of range of instruments
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Call to Realism Realism The attempt to represent the world as it is, without the sentiment associated with romanticism Ex: Harsh side of the cities Wanted to improve conditions
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The Novel--Realists Charles Dickens English novelist who vividly portrayed the lives of slum dwellers and factory workers, including children Ex: Oliver Twist Victor Hugo French novelist who moved from romantic to realist novels Revealed how hunger drove a good man to crime Ex: Les Miserables Emile Zola—Novel about class warfare in the French mining industry Henrick Ibson—Realist plays for stage
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Visual Arts Louis Daguerre Improved earlier technologies to produce successful photographs Impressionists—Rooted in Paris, reaction to photography Claude Monet An impressionist who brushed strokes of color side by side without bleeding Postimpressionists—Painters who developed a variety of styles Vincent van Gogh—Dutch painter who experimented with sharp brush lines and bright colors
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Louis Daguerre
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Van Gogh
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Monet
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