1. Chapter 25 Northern Europe 1600-1700

2. Flanders

3. Rubens Studied the Italian masters, Michelangelo, Titian, Caravaggio and mixed them all together Patrons were Medici and Charles I of England Permanent court painter to Spanish governors in Flanders Amicable, friendly & well liked Studied statues of Hellenistic sculpture

4. Rubens, Elevation of the Cross, 1610

5. Henri IV Receives the Portrait of Marie de'Medici, from Marie de' Medici cycle, Rubens. 1621-1625/. oil on canvas

6. Self Portrait with Saskia. Rembrandt. 1636. Etching

7. Van Dyck, Charles I Dismounted, 1635

8. Peeters, Still Life with Flowers, Goblet, Dried Fruit, Pretzels, 1611

9. The Dutch Republic

10. Brugghen, Calling of St Matthew, 1621

11. Honthorst, Supper Party, 1620

12. Hals, The Women Regents of Old Men’s Home at Haarlem, 1664

13. Leyster, Self Portrait, 1630

14. Rembrandt Use of light hallmark of his style Inspired by Caravaggio but not as “abrupt” Shows mood of his subjects Had several self portraits showing him as assertive

15. Rembrandt, Anatomy Lesson of Dr. Tulp, 1632

16. Rembrandt, Self Portrait, 1659

17. Rembrandt, Christ with the Sick around him, 1649

18. Ruisdael, View of Haarlem from the Dunes of Overveen, 1670

19. Vermeer Yes, he painted the Girl with the Pearl Earring Renown for his interiors, middle class dwellings with men, women, children doing household chores View of his paintings makes us feel like we are peeking or evesdropping Used the Camera obscura ( a drawing device meaning “dark room”, preceeded the development of the camera)

20. Woman Holding a Balance. Vermeer. 1664. oil on canvas

21. Vermeer, Allegory of the Art of Painting, 1670

22. Steen, Feast of St Nicholas, 1660

23. Claesz, Vanitas Still Life, 1630

24. Kalf, Stll Life with Late Ming Ginger Jar, 1669

25. Ruysch, Flower Still Life, 1700

26. Poussin, Et in Arcadia Ego, 1655

27. Callot, Hanging Tree, 1629

28. Palace and Garden of Versailles

29. Mansart & Le Brun, Hall of Mirrors, Versailles

30. Mansart, Royal Chapel, 1698

31. Wren, St Paul’s Cathedral, 1675