1. William Shakespeare Widely regarded as the greatest writer in English Literature

2. Shakespeare  1563-1616  Stratford-on-Avon, England  wrote 37 plays  about 154 sonnets  started out as an actor

3. Stage Celebrity  Actor for Lord Chamberlain’s Men (London theater co.)  Also > principal playwright for them  1599> Lord Ch. Co. built Globe Theater where most of Sh. plays were performed

4. Shakespeare wrote:  Comedies  Histories  Tragedies

5. The Theater  Plays produced for the general public  Roofless>open air  No artificial lighting  Courtyard surrounded by 3 levels of galleries

6. Spectators  Wealthy got benches  “Groundlings”>poorer people stood and watched from the courtyard (“pit”)  All but wealthy were uneducated/illiterate  Much more interaction than today

7. Staging Areas  Stage>platform that extended into the pit  Dressing & storage rooms in galleries behind & above stage  second-level gallery> upper stage> famous balcony scene in R & J  Trap door>ghosts  “Heavens”> angelic beings

8. Differences  No scenery  Settings > references in dialogue  Elaborate costumes  Plenty of props  Fast-paced, colorful>2 hours!

9. Actors  Only men and boys  Young boys whose voices had not changed play women’s roles  Would have been considered indecent for a woman to appear on stage

10. Romeo and Juliet  Written about 1595  Considered a tragedy  West Side Story (Movie) based on R&J

11. Elizabethan (QE1) Words  An,and:If  Anon:Soon  Aye: Yes  But:Except for  E’en:Even  E’er: Ever

12. QE1 Words (contin.)  Haply:Perhaps  Happy:Fortunate  Hence:Away, from here  Hie:Hurry  Marry:Indeed

13. QE1 Words (contin.)  Whence: Where from  Wilt: Will, will you  Withal: In addition to  Would: Wish

14. Blank Verse  Much of R & J is written in it: unrhymed verse iambic (unstressed, stressed) pentameter( 5 “feet” to a line)  ends up to be 10 syllable lines

15. Prose  Ordinary writing that is not poetry, drama, or song Only characters in the lower social classes speak this way in Shakespeare’s plays Why do you suppose that is?

16. Plot  The sequence of events in a literary work

17. Exposition  The plot usually begins with the exposition. It introduces  setting  characters  basic situation

18. Inciting Moment  Often called “initial incident” the first bit of action that occurs which begins the plot Romeo and Juliet “lock eyes” at the party

19. Conflict  The struggle that develops man vs. man man vs. himself man vs. society man vs. nature

20. Crisis  The point where the protagonist’s situation will either get better or worse  This is the beginning of the “rising action” protagonist>good guy antagonist>bad guy

21. Climax  The turning point of the story>everything begins to unravel from here This is the beginning of the “falling action”

22. Resolution  The end of the central conflict

23. Denouement  The final explanation or outcome of the plot If this is included in the plot, it will occur after the resolution.

24. Tragedy (Shakespearean)  Drama where the central character/s suffer disaster/great misfortune In many tragedies, downfall results from  Fate  Character flaw/Fatal flaw  Combination of the two

25. Theme  Central idea or  Insight about life which explains the downfall

26. Metaphorical Language  Comparison of unlike things > Paris standing over the “lifeless body” of Juliet, “Sweet flower, with flowers thy bridal bed I strew…” “Thou detestable maw…”Gorged with the dearest morsel of the earth…” Romeo

27. Dramatic Foil  A dramatic foil is a character that contrasts with another character to highlight various facets of the another character’s personality usually this other character is the protagonist A foil usually has some important characteristics in common with the other character, such as superficial traits or personal history. Benvolio for Tybalt  look for others in R & J

28. Round characters  Characters who have many personality traits, like real people.

29. Flat Characters  One-dimensional, embodying only a single trait Shakespeare often uses them to provide comic relief even in a tragedy

30. Static Characters  Characters within a story who remain the same. They do not change. They do not change their minds, opinions or character.

31. Dynamic Character  Characters that change somehow during the course of the plot.  They generally change for the better.

32. Monologue  One person speaking on stage > may be other character on stage too ex > the Prince of Verona commanding the Capulets and Montagues to cease feuding

33. Soliloquy  Long speech expressing the thoughts of a character alone on stage.  In R & J, Romeo gives a soliloquy after the servant has fled and Paris has died.

34. Aside  Words spoken, usually in an undertone not intended to be heard by all characters

35. Pun  Shakespeare loved to use them!!! Humorous use of a word with two meanings Sometimes missed by the reader because of Elizabethan language and sexual innuendo

36. Direct Address  Words that tell the reader who is being addressed: “A right fair mark, fair coz, is soonest hit.” “Ah, my mistresses, which of you all/ Will now deny to dance?”

37. Dramatic Irony  A contradiction between what a character thinks and what the reader/audience knows to be true

38. Verbal Irony  Words used to suggest the opposite of what is meant

39. Situational Irony  An event occurs that directly contradicts the expectations of the characters, the reader, or the audience

40. Comic Relief  Use of comedy within literature that is NOT comedy to provide “relief” from seriousness or sadness.  In R & J, look for moments of comic relief that help “relieve” the tragedy of the situation