1. Opens with a panning shot of the rooftops of some warehouses Cool, brisk night scene - sound is either silent or only SFX (rustling, wind)

2. Camera pans over rooftops

3. Camera zooms overhead, slowly panning inward. We see a small figure running over one of the rooftops.

4. Figure running, camera should continue to pan and zoom in.

5. Zooms in to the figure stopping at the edge of a rooftop, only the rooftop is on the ground. Stares out at apparent darkness. Camera is either fixed, or very, very slowly panning in toward the center.

6. As she watches, she sees the silhouette of a figure fade in. No detail, just a pale, light silhouette, a white translucent shadow. The figure moves in slow, lethargic motions. Side-shifting from side to side, very slow

7. As the first figure is slowly moving, it stands more upright and becomes slightly more solid. As he does so, another figure emerges from where the first figure stood, moving in the same slow motions and more translucent

8. Continued slow, lethargic movements, hypnotic. More figures. First figure becomes more solid, second one more solid, etc. Girl continues to watched, transfixed.

9. The combined movements of the now-four figures will have a very hypnotic, mesmerizing effect. Transparency effects will occur as the figures overlap each other.

10. Slowly, but deliberately, all four figures stand erect in unison.

11. One by one, the figures begin to disappear, starting from the most solid/opaque figure.

12. Only one figure is left, and, already translucent, he begins to fade out even more.

13. The figure can only be vaguely seen, but an orange light appears and glows by his head.

14. Cut to a close-up of the figure. We see part of the outline of the figure illuminated. The shape of the figure is invisible except for the part where the light traces his outline.

15. The light moves downward - tracing his outline - and as it does so we see the figure become more solid and less transparent.

16. Light moves down his outline again, figure becomes more solidified.

17. Light moves down outline again, figure becomes less solid. He fades in and out as the light traces his outline.

18. Light moves up again, figure becomes more solid.

19. Finally, light extends to his back, and the figure becomes more solid than before, and illuminated by the light.