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LITERARY THEORY AND SCHOOLS OF CRITICISM
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Characterized by close reading The text is studied without a consideration of era or author Questions typically asked using this approach: What are the literary techniques used to create meaning? How are the parts of the work unified into a whole? FORMALISM / NEW CRITICISM
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Every work is a product of the time in which it was produced. Historicism asks, “What can the text tell us about history?” New Historicism asks “What can the historical context tell us about this author and text?” Concerned with the interpretation of events and what that says about human nature. NEW HISTORICISM
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The author’s experiences and beliefs must be taken into account when analyzing his work. Similar to New Historicism, the context of the work is considered. What is the author’s intent? What biases does the author bring to the work? What personal experiences have shaped the author’s writing? BIOGRAPHICAL CRITICISM
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Freudian: What repressed desires or fears are being surfaced? What are the hidden/subconscious meanings? Jungian the collective unconscious/racial memory Shadow self archetypes/hero’s journey PSYCHOLOGICAL CRITICISM
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Concerned with class, economics and the politics of power. cycles of social repression and revolution What is the class of the author? What does the text say about “work”? Who does this work benefit? MARXIST CRITICISM
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Applies to both colonial powers and the persons being colonized. Generally post- colonial literature is written in the language of the colonial power. Concerned with the concept of the “other” or the marginalized Concerned with loss of cultural identity Concerned with attitudes of moral and/or intellectual superiority of colonial power POST-COLONIAL CRITICISM
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Feminist Criticism is concerned with the oppression of women, economically, politically, physically, socially, and psychologically. Looks at the portrayal of women in literature, as well as the exclusion of women writers in the teaching of literature. FEMINIST CRITICISM
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Concerned with non- normative gender or sexual representations. Concerned with the traditional binary view of sexual identity. In what way is gender and sexuality discussed? How are non- heterosexual elements coded in literature? QUEER THEORY
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Similar to phenomenology. Meaning is created in the interaction between text and reader. What a text does cannot be separated from what a text is. Reading is not a passive activity. This literary theory can work in combination with other schools of criticism. READER-RESPONSE CRITICISM
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Some of this information is based upon the work of Allen Brizee, J. Case Tompkins, and Libby Chernouski at https://owl.english.purdue. edu/owl/resource/722/01/ OWL website last edited: 2012-05-14 12:46:21
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