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Published byEdward Miles Modified over 8 years ago
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HINDUISM WORSHIP OF DEITIES WHO APPEAR IN MANY FORMS OR IN EPICS SUCH AS MAHABHARATA
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SUFISM CHISTI ORDER, A BRANCH, USES SAMA (MUSIC IN RITUAL- DEVOTIONAL MUSIC) FOR THE DIVINE
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RAGA SYSTEM OF MELODIES (FORMAL MUSIC – COURT SETTING)
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TALA RHYTHMIC CYCLES
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ALL INDIA RADIO INDIA NATIONAL BROADCASTING ORG. “VOICE FROM THE SKY”
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ALAM ARA FIRST SOUND FILM IN INDIA
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BOLLYWOOD HINDI-LANGUAGE FILM INDUSTRY
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REGIONAL MUSIC ONE LANGUAGE
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PAN-REGIONAL MUSIC DIFFERENT LANGUAGES
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DHOLAK BARREL-SHAPED DRUM IN NORTH INDIA
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IDIOPHONES BELLS, CLAPPERS, CYMBALS
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KARTAL WOODEN CLAPPERS WITH CYMBALS
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HARMONIUM SMALL HAND PUMP ORGAN
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DRONE INSTRUMENT ONE PITCH STRING INSTRUMENT
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REED AND BRASS WIND FESTIVALS, WEDDING, OUTDOOR
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RURAL POPULATION 72% - VILLAGE LIFE WOMEN – LIFE-CYCLE EVENTS
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RURAL WOMEN SPECIALISTS HEREDITARY MUSICIANS FAMILY LINE –PERFORM IN PUBLIC
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MEN’S NON SPECIALISTS DRUMS, CYMBALS, HARMONIUM – HIGH ENERGY
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HEREDITARY MUSICIANS OF RAJASTHAN PERFORM FOR PAY
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RAJASTHAN MANY TRAVELING PROFESSIONALS LIVE THERE
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BHAT CASTE GENEALOGISTS, RETELLING HISTORIES OF FAMILY LINES
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BHANDS TRAVELING ACTORS
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NAT TRAVELING ACROBATS WHO PLAY THE DHOL, LARGE BARREL-DRUM & TRUMPETS
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SAPERAS SNAKE CHARMERS
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BHOPAS ACT AS LOCAL PRIESTS – PLAY A BOWED INSTRUMENT, THE RAVANHATTHA
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JOGI PLAY EKTAR (SINGLE STRING)- RENOUNCE THEIR LIFE AND MOVE FROM VILLAGE TO VILLAGE
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LANGAS & MANGANIARS PROF. SING AT WEDDINGS, BIRTHS, ETC.
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SINDHI SARANGI BOWED INSTRUMENT PLAYED BY LANGA MUSICIANS
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GREAT AND SMALL SONGS PLAYED BY MANGANIARS AND LANGAS (CLASSICAL, LIFE-CYCLE)
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DRUMMING MOSTLY IN KERALY, SOUTHWEST COAST
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THE CHENDA DRUM ENSEMBLES – PROCESSIONS OF A DEITY
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IDAKKA (HOUR-GLASS SHAPE) PRESSURE DRUM PLAYED AT REGULAR POINTS IN DAILY WORSHIP SERVICES
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BHANGRA PUNJABI LOCAL DANCE – DHOL (DRUM) AND TUMBI (STRING) – DANCE CLUBS IN NY.
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DEVOTIONAL MUSIC MUSIC IN RELIGIOUS SETTING
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BHAKTI(POEM) DEVOTION – LOVE WITH THE DIVINE (KRISHNA, SHIVA) – SONG IS CALLED BHAJANS
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SANTS PEOPLE WHO “KNOW THE SPIRITUAL TRUTH” – MIRA (WHO LOVED KRISHNA - #2 – SUNG BY LANGA)
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KABIR NIRGUM BHAKTI SANTS – REAL TEACHER IS YOU – DEVOTION TO A DIVING THAT IS WITHOUT CHARACTERISTICS
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KIRTAN “SUNG PRAISE” – TYPE OF HINDU DEVOTIONAL MUSIC – CHANT (CALL- AND-RESPONSE FORMAT)
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SIKH KIRTAN “KIRTAN OF THE WORD” DEVOTIONAL SINGING OF POETRY IN SIKH HOLY BOOK
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SUFI MUSIC OBJECT IS THE BELOVED – SPIRITUAL TEACHER = SHEIKH, OR PIR
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QAWWALI ISLAMIC HEREDITARY MUSICIANS WHO SING AT SUFI SHRINES
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GHAZALS RHYTHMIC POETRY IN URDU LANGUAGE
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SIKH KIRTAN “KIRTAN OF THE WORD” DEVOTIONAL SINGING OF POETRY IN SIKH HOLY BOOK
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QUAWWALI SINGERS STRONG VOICE, HANDCLAPS, STRONG RHYTHM, GOAL IS HAL(SPIRITUAL STATE OF MIND), RAQS (DANCE)
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ABIDA PARVEEN BEST KNOWN SUFI SOLO SINGER IN PAKISTAN ( HARMONIUM AND TABLA) -#3
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NUSRAT FATEH ALI KHAN SINGER OF QAWWALI SONGS – WORLD FAMOUS #3
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SUFI MUSIC CATCH-ALL TERM FOR MUSIC DERIVED FROM OR INSPIRED BY SUFI POETRY
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CLASSICAL MUSIC BASED ON CONCEPTS OF RAGA AND TALA
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HINDUSTANI (NORTH) AND CARNATIC(SOUTH) CLASSICAL SYSTEMS
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SANGITA SHASTRA MUSIC THEORY
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RAGA MAIN MELODY OR SINGER
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NOTATION SYSTEM USING SVARA SYLLABLES – TO TRIGGER MEMORY OF LEARNED PIECE
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TALA INDIAN CLASSICAL SYSTEM OF RHYTHMIC CYCLES
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USTAD AND PANDIT ‘MASTER MUSICIAN’
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RAGA YAMAN #4 MOST WELL-KNOWN RAGAS OF HINDUSTANI MUSIC
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RAGA YAMAN #4 GENRE = DHRUPAD – TAMBURA DRONE AND PAKHAVAJ DRUM
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RAGA YAMAN #4 GUNDECHA BROTHERS DHRUPAD SINGERS INPRE-MODERN COURT OF N. INDIA MEN SINGERS, DESCENDING PHRASE TAMBURA DRONE LONG SUSTAINED NOTE – STRONG VOICE LEGENDARY SINGER, TANSEN
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KYAL VOCAL GENRE OF HINDUSTANI CLASSICAL MUSIC FEMALE SINGERS MEANS “IMAGINATION” SPEAK OF LOVE SHORT – ONLY FEW LINES – STHAI AND ANTARA
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HINDUSTANI INSTRUMENTAL MUSIC #5 DHRUPAD AND KYAL GENRE SINGER: USTAD ALI KHAN, AND PANDIT BANERJEE PLAYING RAGA MANJ KHAMMAJ DUET ON SAROD AND SITAR
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SITAR AND SAROD #5 RESONATING STRINGS THAT VIBRATE VIBRANT SOUND, SUSTAINED NOTES PLAYERS ALTERNATE IN FREE-RHYTHM NON-COMPOSED SECTION OF THE RAGA CALLED ALAP ALAP=CONVERSATION
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BOLLYWOOD HINDI-LANGUAGE FILM INDUSTRY ALAM ARA – 1 ST INDIAN SOUND FILM SONGS MIXTURE OF HINDI AND URDU PLAYBACK SINGERS = LIP-SYNCED K.L. SAIGAL – LEGENDARY SINGER HINDI FILM “DEVDAS” – LEAD ACTOR
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BOLLYWOOD LATA MANGESHKAR = “MELODY QUEEN” – MOST FAMOUS PLAYBACK SINGER HIGH, THIN, VOICE – SISTER ASHA BHOSLE
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ROMANCE SONG LARGEST SONG CATEGORY
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INDUS CREED AND PARIKRAMA ROCK BANDS VERY LITTLE TRADITIONAL INDIAN INSTRUMENTATION MESSAGES OF SOCIAL CRITIQUE
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BLUE FROG ALTERNATIVE AND NON- FILM MUSIC BASED IN MUMBAI
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