2. Combining the aesthetic principles of Secession and photojournalism with motion photography – The result is a reaction to the three streams of 20 th. C. Art: Expressionism, Abstraction, and Fantasy Work from this time will interact soberly with introspective and candid human portraits Evolving into surrealist compositional abstractions, either through montage, photogram, macro-image, or strange character compositions

3. Eugene Atget. Versailles. 1924. Albumen-silver print. MOMA

4. Andre Kertesz. Blind Musician. 1921. MOMA

5. Brassai. "Bijou" of Montmartre. 1933. MOMA

6. Henri Cartier-Bresson. Mexico, 1934. 1934. Gelatin-silver print

7. Robert Doisneau. Side Glance. 1953. Gelatin-silver print

8. Alfred Stieglitz. The Steerage. 1907. The Art Institute of Chicago

9. Alfred Stieglitz. Equivalent. 1930. Chloride print. The Art Institute of Chicago.

10. Edward Weston. Pepper. 1930. Center for Creative Photography, Tucson, Arizona

11. Ansel Adams. Moonrise, Hernandez, New Mexico. 1941. MOMA

13. Margaret Bourke-White. Fort Peck Dam, Montana. 1936. Time Warner, Inc.

14. Edward Steichen. Greta Garbo. 1928. (for Vanity Fair magazine). The Museum of Modern Art, New York

15. Wayne Miller. Childbirth. "Family of Man" exhibition. 1955

16. James Van Der Zee. The Wife of the Reverend Becton, Pastor of Salem Methodist Church. 1934 Society Photo--Couple in Raccoon Coats (1932) Funeral Picture--Blanch Powell (1926)

17. Albert Renger-Patzsch.Potter's Hands. 1925

18. August Sander. Pastry Cook, Cologne. 1928

19. Josef Sudek. View from Studio Window in Winter. 1954

21. Berenice Abbott. Transformation of Energy. 1939-58

22. Aaron Siskind. New York 1. New York 2. 1951

23. Minor White. Ritual Branch. 1958

24. Photojournalists who persevered to bring a sense of immediacy to the horror and despair of poverty and war so characterizing the early 20 th c. Artists will be in the midst of harrowing war or Great Depression to get these images.

25. Hungarian Combat Photojournalist – Documented Spanish Civil War, Second Sino- Japanese War, World War 2, 1948 Arab – Israeli War, First Indochina War Was on Normandy (Omaha Beach) and the Liberation of Paris Founded Magnum Photos

26. Robert Capa. Death of a Loyalist Soldier. September 5, 1936

27. The ten photos selected from the eleven surviving negatives and published by LIFE on June 19, 1944

32. Marc Riboud, Girl with Flower. 1969

33. V-J Day in Times Square, a photograph by Alfred Eisenstaedt, was published in Life in 1945 with the caption, In New York's Times Square a white-clad girl clutches her purse and skirt as an uninhibited sailor plants his lips squarely on hers

34. American Photojournalist working with the Farm Security Administration to document the extent of Depression in mid-west culture Drawing public attention to the poor and downtrodden Famous for dust bowl images and Japanese Internment portraiture Elements of weighty and unplanned portrait, candid images

35. First-graders, some of Japanese ancestry, at the Weill public school, San Francisco, Calif., pledging allegiance to the United States flag. The evacuees of Japanese ancestry will be housed in War relocation authority centers for the duration of the war

36. Dorothea Lange. Migrant Mother, California. 1936

38. The development of action photography through aperture precision allows the artist more control over light exposure over time. Cameras also allow for double negatives that allow for two pictures to be taken over each other. Result: Cubism in photograph form using montage or photogram

39. Herbert Bayer. lonely metropolitan. 1932. Photomontage

40. John Heartfield. As in the Middle Ages, so in the Third Reich. 1934. Poster, photomontage.

41. Man Ray. Rayogmph 1928. 1928. Gelatin-silver print.

42. Laszlo Moholy-Nagy. Unfilled. Photogram

44. Barbara Morgan, Martha Graham, Letter to the World, Kick, 1940

45. The constructivist school inspires the further abstraction of photography by removing the lens Documentation of Scientific and physical properties of the world Documentary power of important issues of human suffering.

46. W. Eugene Smith. Tomoko in Her Bath. December 1971

48. Robert Frank. Santa Fe, New Mexico, 1955

49. Bill Brandt. London Child. 1955

50. Jerry Uelsmann

51. David Hockney, Gregory Watching the Snow Fall, Kyoto, 1983

52. David Wojnarowicz,Death in the Cornfield, 1990

53. Joanne Leonard. Being In Pictures (Book Cover) with "Romanticism is Ultimately Fatal", 2004–2008.

54. Cindy ShermanUntitled Film Still #3 (1977) Untitled Film Still #21 (1978) Unfitted Film Still #2. 1977 Untitled No.224 1990

55. Timed Writing What are two central themes of Modernism? Choose two works in different mediums from the 20 th century that exemplify the ideas and conflicts of the era. How does modern art relate to the past, the present, and to the future?