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The OPTIC Strategy
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Analysis of Visual and Graphic Texts
THE OPTIC STRATEGY Analysis of Visual and Graphic Texts Overview: Conduct a brief OVERVIEW of the visual or graphic. This should be in the form of a brief paraphrase or summary. Parts: Key is on the PARTS of the image by reading the visual as a text, looking for literary techniques such as imagery, simile, metaphor, symbol, and irony. This can be anything: color, figures, textures, scenery, groupings, shadings, patterns, numbers, etc. Title: Read the TITLE or caption of the visual (if one is present) so that you are clear on the subject it is covering. Interrelationships: Use the title as your theory and parts of the visual as your clues to detect and specify the INTERRELATIONSHIPS in the graphic. Conclusion: In a paragraph, draw a CONCLUSION about the visual as a whole by stating its theme or the argument it’s making.
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Hope (Beirut Wedding) taken by Jay Ullal in Beirut, Lebanon 1983
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Analysis of Visual and Graphic Texts
THE OPTIC STRATEGY Analysis of Visual and Graphic Texts Overview: Conduct a brief OVERVIEW of the visual or graphic. This should be in the form of a brief paraphrase or summary. Parts: Key is on the PARTS of the image by reading the visual as a text, looking for literary techniques such as imagery, simile, metaphor, symbol, and irony. This can be anything: color, figures, textures, scenery, groupings, shadings, patterns, numbers, etc. Title: Read the TITLE or caption of the visual (if one is present) so that you are clear on the subject it is covering. Interrelationships: Use the title as your theory and parts of the visual as your clues to detect and specify the INTERRELATIONSHIPS in the graphic. Conclusion: In a paragraph, draw a CONCLUSION about the visual as a whole by stating its theme or the argument it’s making.
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Photo by Caitlyn Smith of McQueen High School in Reno.
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Analysis of Visual and Graphic Texts
THE OPTIC STRATEGY Analysis of Visual and Graphic Texts Overview: Conduct a brief OVERVIEW of the visual or graphic. This should be in the form of a brief paraphrase or summary. Parts: Key is on the PARTS of the image by reading the visual as a text, looking for literary techniques such as imagery, simile, metaphor, symbol, and irony. This can be anything: color, figures, textures, scenery, groupings, shadings, patterns, numbers, etc. Title: Read the TITLE or caption of the visual (if one is present) so that you are clear on the subject it is covering. Interrelationships: Use the title as your theory and parts of the visual as your clues to detect and specify the INTERRELATIONSHIPS in the graphic. Conclusion: In a paragraph, draw a CONCLUSION about the visual as a whole by stating its theme or the argument it’s making.
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Analysis of Visual and Graphic Texts
THE OPTIC STRATEGY Analysis of Visual and Graphic Texts Overview: Conduct a brief OVERVIEW of the visual or graphic. This should be in the form of a brief paraphrase or summary. Parts: Key is on the PARTS of the image by reading the visual as a text, looking for literary techniques such as imagery, simile, metaphor, symbol, and irony. This can be anything: color, figures, textures, scenery, groupings, shadings, patterns, numbers, etc. Title: Read the TITLE or caption of the visual (if one is present) so that you are clear on the subject it is covering. Interrelationships: Use the title as your theory and parts of the visual as your clues to detect and specify the INTERRELATIONSHIPS in the graphic. Conclusion: In a paragraph, draw a CONCLUSION about the visual as a whole by stating its theme or the argument it’s making.
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Found on Imgur.com
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Analysis of Visual and Graphic Texts
THE OPTIC STRATEGY Analysis of Visual and Graphic Texts Overview: Conduct a brief OVERVIEW of the visual or graphic. This should be in the form of a brief paraphrase or summary. Parts: Key is on the PARTS of the image by reading the visual as a text, looking for literary techniques such as imagery, simile, metaphor, symbol, and irony. This can be anything: color, figures, textures, scenery, groupings, shadings, patterns, numbers, etc. Title: Read the TITLE or caption of the visual (if one is present) so that you are clear on the subject it is covering. Interrelationships: Use the title as your theory and parts of the visual as your clues to detect and specify the INTERRELATIONSHIPS in the graphic. Conclusion: In a paragraph, draw a CONCLUSION about the visual as a whole by stating its theme or the argument it’s making.
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Migrant Mother, taken by Dorothea Lange in 1936
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Analysis of Visual and Graphic Texts
THE OPTIC STRATEGY Analysis of Visual and Graphic Texts Overview: Conduct a brief OVERVIEW of the visual or graphic. This should be in the form of a brief paraphrase or summary. Parts: Key is on the PARTS of the image by reading the visual as a text, looking for literary techniques such as imagery, simile, metaphor, symbol, and irony. This can be anything: color, figures, textures, scenery, groupings, shadings, patterns, numbers, etc. Title: Read the TITLE or caption of the visual (if one is present) so that you are clear on the subject it is covering. Interrelationships: Use the title as your theory and parts of the visual as your clues to detect and specify the INTERRELATIONSHIPS in the graphic. Conclusion: In a paragraph, draw a CONCLUSION about the visual as a whole by stating its theme or the argument it’s making.
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Hells Angels’ Girlfriends taken by Bill Ray for Life Magazine 1965
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Analysis of Visual and Graphic Texts
THE OPTIC STRATEGY Analysis of Visual and Graphic Texts Overview: Conduct a brief OVERVIEW of the visual or graphic. This should be in the form of a brief paraphrase or summary. Parts: Key is on the PARTS of the image by reading the visual as a text, looking for literary techniques such as imagery, simile, metaphor, symbol, and irony. This can be anything: color, figures, textures, scenery, groupings, shadings, patterns, numbers, etc. Title: Read the TITLE or caption of the visual (if one is present) so that you are clear on the subject it is covering. Interrelationships: Use the title as your theory and parts of the visual as your clues to detect and specify the INTERRELATIONSHIPS in the graphic. Conclusion: In a paragraph, draw a CONCLUSION about the visual as a whole by stating its theme or the argument it’s making.
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Analysis of Visual and Graphic Texts
THE OPTIC STRATEGY Analysis of Visual and Graphic Texts Overview: Conduct a brief OVERVIEW of the visual or graphic. This should be in the form of a brief paraphrase or summary. Parts: Key is on the PARTS of the image by reading the visual as a text, looking for literary techniques such as imagery, simile, metaphor, symbol, and irony. This can be anything: color, figures, textures, scenery, groupings, shadings, patterns, numbers, etc. Title: Read the TITLE or caption of the visual (if one is present) so that you are clear on the subject it is covering. Interrelationships: Use the title as your theory and parts of the visual as your clues to detect and specify the INTERRELATIONSHIPS in the graphic. Conclusion: In a paragraph, draw a CONCLUSION about the visual as a whole by stating its theme or the argument it’s making.
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Mahó Beach, St. Maarten Photograph by Kent Miller National Geographic AUGUST 17, 2010
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Analysis of Visual and Graphic Texts
THE OPTIC STRATEGY Analysis of Visual and Graphic Texts Overview: Conduct a brief OVERVIEW of the visual or graphic. This should be in the form of a brief paraphrase or summary. Parts: Key is on the PARTS of the image by reading the visual as a text, looking for literary techniques such as imagery, simile, metaphor, symbol, and irony. This can be anything: color, figures, textures, scenery, groupings, shadings, patterns, numbers, etc. Title: Read the TITLE or caption of the visual (if one is present) so that you are clear on the subject it is covering. Interrelationships: Use the title as your theory and parts of the visual as your clues to detect and specify the INTERRELATIONSHIPS in the graphic. Conclusion: In a paragraph, draw a CONCLUSION about the visual as a whole by stating its theme or the argument it’s making.
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The Young Lady With the Shiner by Norman Rockwell 1953
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Analysis of Visual and Graphic Texts
THE OPTIC STRATEGY Analysis of Visual and Graphic Texts Overview: Conduct a brief OVERVIEW of the visual or graphic. This should be in the form of a brief paraphrase or summary. Parts: Key is on the PARTS of the image by reading the visual as a text, looking for literary techniques such as imagery, simile, metaphor, symbol, and irony. This can be anything: color, figures, textures, scenery, groupings, shadings, patterns, numbers, etc. Title: Read the TITLE or caption of the visual (if one is present) so that you are clear on the subject it is covering. Interrelationships: Use the title as your theory and parts of the visual as your clues to detect and specify the INTERRELATIONSHIPS in the graphic. Conclusion: In a paragraph, draw a CONCLUSION about the visual as a whole by stating its theme or the argument it’s making.
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Lunch Atop a Skyscraper taken by Charles C. Ebbets 1932
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Analysis of Visual and Graphic Texts
THE OPTIC STRATEGY Analysis of Visual and Graphic Texts Overview: Conduct a brief OVERVIEW of the visual or graphic. This should be in the form of a brief paraphrase or summary. Parts: Key is on the PARTS of the image by reading the visual as a text, looking for literary techniques such as imagery, simile, metaphor, symbol, and irony. This can be anything: color, figures, textures, scenery, groupings, shadings, patterns, numbers, etc. Title: Read the TITLE or caption of the visual (if one is present) so that you are clear on the subject it is covering. Interrelationships: Use the title as your theory and parts of the visual as your clues to detect and specify the INTERRELATIONSHIPS in the graphic. Conclusion: In a paragraph, draw a CONCLUSION about the visual as a whole by stating its theme or the argument it’s making.
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